Biography

Tall, blonde, beautiful, ruthless, brave and amoral to her fingertips (many of this biography’s paragraphs end with ‘The two became lovers’), Clare Consuelo Sheridan was extraordinary – especially for the era in which she lived. Her mother, Clara, was the eldest and fluffiest of the three Jerome sisters who arrived in England in the first wave of American heiresses aiming to marry into the peerage. Her father, Moreton Frewen, was a man so mesmerically gifted with the power of persuading his friends to invest in his catastrophic schemes that he was nicknamed ‘Mortal Ruin’.

‘We can never go back again,’ wrote Daphne du Maurier in her bestselling novel Rebecca (1938). ‘The past is still too close to us.’ Yet back she went, in book after book, to the past of her remarkable family. In 1934, six months after the death of her father, the matinée idol Gerald du Maurier, Daphne wrote his biography, portraying him as a spoilt man-baby with a ‘stable’ of mistresses. Gerald’s own father, George du Maurier, was the celebrated book illustrator and Punch cartoonist whose creation of characters such as Mrs Ponsonby de Tomkyns and Lady Gatheremall skewered the Victorian nouveaux riches.

What a fantastic subject this would be for a film. Born a prince of Numidia, in northern Africa, the hero of Andrew Kenrick’s book saw his life capsized when he was barely more than a baby. His father, Juba I, was defeated by Julius Caesar and arranged his own death. Little Juba was paraded through Rome in chains, then brought up in Caesar’s household. The biographer Plutarch summed up the tension in his circumstances when he called him ‘the most fortunate captive ever taken’. Juba grew up to be a soldier, scholar and explorer. Having personally led an expedition to the Atlas mountains in search of the source of the Nile, he claimed to have found it. It sounds strange now, but there was then a widespread belief that the Nile might originate somewhere in western Africa.

If the only story you’ve heard about Immanuel Kant’s life is that it was so regular that the citizens of Königsberg (now Kaliningrad) would set their watch by his daily walk, then this book has much to teach you. In fact the provenance of this oft repeated anecdote is an essay by the German poet Heinrich Heine, who, far from being an eyewitness, had never even met Kant: ‘Everything had its set time, and the neighbours knew that it was exactly half past three when Immanuel Kant, in his grey frock coat, rattan cane in hand, emerged from his front door.’ The Kant that emerges from these pages is less dull and more recognisably human than his metronomic image. He played billiards, gambled and socialised with the great and good of Königsberg.

In October 2010, when Gabriel García Márquez, by then suffering from dementia, was told that his former friend and rival had won the Nobel Prize for Literature, he enquired: ‘Who is Mario Vargas Llosa?’ This tottering, always compulsive biography of the writer who died last year and which has taken 15 years to write (‘I completely miscalculated its complications’) is Gerald Martin’s valiant answer. ‘Is there a life quite like this one anywhere in the western world in the second half of the 20th century?’ In Martin’s breathless judgment ‘this literary adventurer, politician, diplomat and warrior all rolled into one’ was a single-minded workhorse whose sheer intensity, quality and variety of life was ‘almost literally incredible’.

We know the facts about Brian Epstein’s death. The Beatles’ manager died in bed at his Belgravia home on 27 August 1967, six years after he struck gold in a Liverpool cellar, a month before his contract to manage the Beatles was due to end and four weeks after homosexual acts between men were partly decriminalised. At the time of his death, the 32-year-old Epstein was addicted, adrift and depressed – not least as a result of a long effort to hide his sexuality and the low-level anti-Semitism he encountered everywhere. One moment he was manically active, the next he was in despair, according to those around him. He had overdosed in the past and had been treated at a psychiatric hospital. On the day he died, his blood contained alcohol, antidepressants and barbiturates.

The life of Juan Carlos I, Spain’s 88-year-old former king, who reigned from 1975 until his abdication in 2014, falls into two parts: richly deserved triumph followed by richly deserved disgrace. Building on his 2004 biography, Juan Carlos: A People’s King, Paul Preston’s account of this extraordinary life is magisterial. The son of Don Juan de Borbon, the exiled heir to the Spanish throne, Juan Carlos was born in Rome in 1938. With a view to the eventual restoration of an authoritarian monarchy, he was sent to Spain, aged ten, to be indoctrinated in General Franco’s political tenets. He also had to endure the dictator’s long lectures on the mistakes made by previous Spanish monarchs.

It turns out that the writer Sathnam Sanghera, ‘The Boy with the Topknot’, has been a besotted George Michael fan since the age of eight, when he started listening to his older sisters’ Wham! records. This was an unusual thing to be as a Sikh growing up in Wolverhampton and it got him teased at school. But he stuck with it. So when a friend suggested that he write something fun to compensate for the years of heavy historical research he’d put into his excellent book Empireland, he decided to set off on a sort of pilgrimage in search of his dead hero. First stop was Mondial Cars, a showroom in Northwood, north London, which used to be the Bel Air restaurant, where the teenage Michael worked as a DJ.

Who do we have on television now, or even on social media, who can unmask pomposity and self-obsession quite like Caroline Aherne did in the guise of Mrs Merton? What sitcom since 2010 is as original – and as British – as The Royle Family, always near the top of any best British sitcom list? This July marks the tenth anniversary of the death of Aherne. Given the popularity of The Mrs Merton Show, The Royle Family, which ran for 15 years, and her characters on The Fast Show (not least Poula Fisch, the weather girl who can only announce one type of weather), it’s perhaps odd that this is the first ever biography. It quickly becomes evident why. Aherne is not the easiest subject: having been hounded by the press, she was not fond of giving interviews.

It sometimes seems that those people chosen to be subjects for biographies are drawn from a strictly limited cast. Every few years, another book about Tolstoy, Dickens or some other great literary figure comes along to make library shelves groan further. At a recent talk given for a new biography of George Orwell, I asked the author why he had felt a need to add to the pile, given the plethora of perfectly good existing ones. ‘Because OUP commissioned me,’ was the answer. I didn’t buy the book. So how refreshing that Miranda Seymour should choose an absolute unknown to write about, whose life was genuinely interesting and surprising.