Poems

Everywhere She Goes

Money is coarse. Her subjects take the taint.The humble glow. They smile their Sunday best.And everywhere she goes the Queen smells paint.   She’s there for them that is and them that ain’t.Toffs drop their aitches in the jabber-fest.Money is coarse. Her subjects take the taint.   Some pilgrims sell their souls to view the saint,her crown more halo than its jewels attest.And everywhere she goes the Queen smells paint.   Jewels outshine cash – imperially quaint,like stars, the wearer’s heavenly worth unguessed.Money is coarse. Her subjects take the taint.   Having paid her princes’ ransom in restraint,she pales, as shame starts rising in the west.And everywhere she goes the Queen smells paint.

Roués

Where did they flee to? Who wrote off their debtswhen, scuttled back into a gas mantled past,they left just this pair of foxed silhouettes inlaid to the depths of the shadows they cast?Their off-cuts, spiralled and coiled to the floor,were the shirts off their backs they left behindfor the brilliantined thief and the red-headed whorewho gave them the pox and robbed them both blind.   Brought out for the hanging, downlit, strung alongwith woodcuts and etchings from last season’s sale,mocked by a stag’s head knocked down for a songthey pose cock-a-hoop on a gold picture rail,price-tagged in guineas, cockeyed with surprise,sporting sold stickers, all set for their spree,two roués quick scissorwork snipped and excisednow fallen among the haute bourgeoisie.

Sister/Sestina

Death dropped its guillotine on my sister.She wouldn’t have seen it coming – she’s blind.Was blind: I haven’t got used to the tense.I confuse those still living with those past.What gets me through the evenings is drink.Ironic, that, since drink is what killed her.   I’m guessing it’s unlikely you met her.We were close, I think, though I’ve no other sisterTo compare. Small, curly-haired, fond of a drink,She was, by the end, officially blind:A woman so bright that nothing got pastHer could see only when the light was intense,   Which made every excursion a tenseAffair, for others as well as for her,Her hand clutching your arm as you steered her pastBanana skins and cracks.

The ghosts have lost their confidence

They need to start believing in themselves.Like the cartoon character who runsoff a cliff before the animatorhas drawn solid earth below they expected more certainty than this.Already out of their depth they hesitateat the edge of the sea and wonderhow it feels to dive into the waves. They gaze at the blue-grey eternitybut don’t know if they can swim.

The Antonine Plague

At first it was simply a mild irritation At his slightly buck-toothed expression. He carried on, convincingly enough, But then there was his lisp, you hardly heard it At first, but gradually it became unmissable: THs as Fs. It was tedious. He tended to begin with a slightly out-of-kilter Remark that caused you to pause, But then he expanded, rapidly; his voice Louder by the F, and there was no denial, Remonstration or disagreement. His own opinion poured out of him, Flooding the ears of his unwilling listeners.

Isaac Rosenberg 1917

(Poet and painter born in Bristol 1890, died on the Western Front April 1918. London art studio photo-portrait / National Portrait Gallery / 1917)     The lips are full, fish-like, a deep gulped breath in-held against the body’s bitter will;bottom lip swollen, mouthy as a carp,or a trumpeter’s lips bilged from over-practice.   The eyes expressionless, an inured glaze,a mildewed middle-distance empty stare,the glassy focus a shell-shattering nowhere.The sardonic rat has long riddled through   this seeing, the image stored and stowed inside,the mind already blown, brimming, and everything now numbed, anaesthetised.Later, a dawn raid, your bantam-body unidentified.

Tomfoolery

I found a gift-tag tailed with silver stringdropped by our bed, ironically heart-shaped,gold cardboard, unattached to anything,attracting bits of fluff and Sellotapeand, placed between your hairbrush and your pillswith ribbon from the final gift you wrapped,reflected in a mirror that revealedWith all my loveblue-biro’d on the back.   Your present, a belated jeu d’esprit,this black and orange clip-on kipper tie,its flourish of your old tomfooleryintended to, with love, mock-horrify,turned up too late to carry off the jokebut left me grateful, knowing how you’d tried,still hearing laughter, stifled as I woke,and truly, by the morning, horrified.

Aveley Lane

Lights turned on but the curtains not yet drawnin the dusk that lingers over hedgesand scrubland bordering Langhams Rec. Here’sthe overgrown shortcut to the Bourne Stream,the high wall that protects the vicarage.   Here’s another mother getting supperin Neil’s kitchen. Here’s another fatherparking his car in Adrian’s driveway.They go about their family routinesas if they’ll never be replaced.

3rd September 1939

      – Nella Last, diary entry for Mass Observation   When the Prime Minister spoke so solemnly and said ‘WAR’, I thought the shock would kill me.Eighteen months ago I was in Southseaand saw the Fleet come in.Hundreds of young ratingswalked on the Prom and I graduallybecame conscious of a look they all had.I could have rushed up to one and begged himtell me what he saw that I could not. My husband got vexed at mebut when I heard the PMI knew what they saw.         Less concert parties in the mess      than asylum in the quarterdeck for the Abyssinian Emperor.

Berni Inn

Next he told us how he’d creepto the edge of the tip with a broken chunk of cistern or sink raised above his head and before letting it go, them black rats, super quick, big as rabbits, tails fat as rope, gone. Other places where they usually get and that tea time was a good time – hardly anyone about, not many cars, when you could hear cutlery from opened kitchen windows. The waitress handed us the menus.

we interrupt this darkness

shuffling across the carpark from the pool in my dry robe like a damp, disconsolate Cistercian, I heard them, two peacocks: their proclamations launched wide into the whites of the Cumbrian sky, their maladroit plainsongcutting up the backdrop of chaffinch after chaffinch and as iffrom nowhere, two peacocks: (stately home dropouts? heritage park rejects?

Latchkey Kids

A loaded presence in a biscuit tin,       The rounds of sandwiches they found             Were cut and dried as hard as tesserae;Forgotten in the airless wardrobe, play       Was innocent. Would they rebel Against the bounds of home? But looking inOne day back early, neither made a sound,And caught the two red-handed by the standard lamp,      Surprised with strawberry jamSpread on the prairie carpet with the large sliced white,             Preparing in the makeshift campProvisions for the wilderness.And where would they be going? ‘Well?

In the Desert

As the Taliban surged back into Kabul and the international correspondents looked more exhausted with every broadcast but not as exhausted as the refugees   I thought of my young second cousin Matthew, one of the four hundred and fifty-sevenflown back from Afghanistan in sealed coffinsto Wootten Bassett and then, in Matthew’s case,   to York for his military funeral in the Minster, after which the gun-carriageparaded him on a tour of the packed streets before beginning its sedate procession   to the cemetery while we, the mourners,plus vanloads of soldiery sped off ahead at a pace Matthew would surely have preferred,with sirens and flashing lights, to get there first;   all of which might have been designed to persuade his parents that being blown up by a bombat.

Webs

Each morning it is there. A cocoonof memory visible and invisible waiting for me to stumble into it.   I feel its viscid grip. Its symmetryof silken threads spun into a tensile trapeze that bends in the breeze.   Day and night a cobweb of neuronsalways firing whether awake or asleeptrapped in strings of sticky remorse.   Mesmeric arachnid dream architecture,a dew encrusted bracelet left among bracken, a trickster’s gift, fake diamonds.   Filaments, strung from the wing mirrorof my car, cannot easily be brushed aside,they stick to my fingers and accuse me   of wanton destruction. Every time youdraw your subtle snare in the air youremind me: beauty can also be lethal.

Deep South

Across the great divide…   They kept them hidden till I stepped inside       One for a birthday card,Puzzled at first by what was there       And what was not. And what was there to hide?   Huge glossy frozen packs of pig’s feet, tripe,       Hog maws and chitterlingsAnd no promotions down the aisles       I recognised.

Five Stars

Years of working weekends, cashing in his holidays, dossing in loveless digs beside arterial roads or in vans to pocket his expenses.   He’d earned it, kept on how soon he’d be in Lido di Jesolo, a linen suit for evenings;us lot wouldn’t exist.   Back three days later, rubbing down skirting boards before we arrived. Couldn’t stand it:the kids, the heat, the wife.

The Ferry Café

The door is broken! The door is broken. A Polar wind squalls and flings it open.The bloke behind the fish fryer with a ragthrown over his shoulder tells me to leave it;wipe-clean menus skid across the floor.I’m always somewhere like this in winter.   Trawlers queued at the Wyre light for an openberth before the Cod Wars. This place is broken.A Romany woman shouts; the door again. Men fishing, rummage in carrier bags for ragworm;an uprooted tree waits in the rising flotsam for high tide and a slow descent to the ocean floor.

Delayed Postscript to Teenage Heartbreak

We trudged the grounds of a country house       under a featureless skyas stark trees bled out with morning rain       and what light there was started to die,   and every time you grabbed for my hand       I felt a little thrill,unmentioned, ineffable.       I’m glad to feel it still –   I spent half a life being bad at that.       And here we were, noses to wind,simply happy, which nobody is,       but as close as I’ll ever find.   And in came her message. And later that night       I looked at it, then at her profile:smiley-faced. Husband gone. Three gorgeous kids.       Was thinking of you!

Council House Ghost

There are no headless horsemen, White Ladiesor rattling chains in this ghost story;he died in the chair from black lung, coughing;the coal dust that did for him, and the fags. In life, he’d been a nasty piece of work; like those blokes at the pictures my grandmawarned me about in their fetid raincoats,Brylcreemed hair. We played Ouija and asked him:who are you? I’m a G. H. O. S. T.On Christmas eve we saw him; sports jacket,flannels, crouching over the gas meter.At night he seethed; smoking phantom Woodbines.Enough! I brayed. He slammed the cellar door,and threw a bin across the kitchen floor.

The Handshake Trick

A canny cousin taught me the handshake trick. I was ten or eleven. Small for my age, but quick As a flash, after a smiling approach, I could duck Beneath my arm and get the affable chap Locked in a Half-Nelson. Thing about tricks is   You shouldn’t use them too often. This I learnt when I approached a strong young American, hand Extended, smile applied. He took that hand and Had me floored. Saw it coming, Howell. Pinned beneath him, head against the concrete,   I broke down, shamed in front of everyone. Of course they cheered, the lot of them. I know I got what I deserved. But how could I tell anyone What contempt I felt then for myself? It Was sickening. That was the end of my trick.