Poems

In the Park

In the park today,All that I found had a name.The black ball of a robin’s eye,The dizzy dart and dawdle of the sky blue butterflyWere almost just the same,   But I had their songIn my hands and lips,Like the grass I picked when it had beenRolled and rolled until the colour of its darker green Was now my fingertips,   So I travelled fartherInto the depth of the park,With the gumboot slickness of a slugAnd the tictoc waterboatmen out wrinkling the rug On the pond’s unblinking dark.   There were daisies’ yellow circlesInside daisies’ yellow circlesPiled on their slim white spoons,And I ran around and round and round and sang the tunes That all went round in circles.

On a Paper Napkin

In its translation, this poem does not rhyme,Nor do its lines possess much of a metre,And yet its lilt has something of the chatterTo be heard around the overpriced caféWhere its translator likes to spend his timeDiscoursing to the waitress on the wayHe matches sentiment to syllableTo convey the tang of the original.   ‘Ah! It must be wonderful to have such skillIn another’s language that one can translateIts poetry to ours and not to wait On tables’, says the waitress with a laughSo fetching he might overlook the spillOf wine between his glass and her carafe.

The Broad Walk

Regent’s Park, November   I pick a tree, from all those rows,ruggedly gesturing, voiceless,braced for the fall of shaming snows,a captive in its stark undress.   At my feet the thousand-piecespuzzle in countless shades of brownattests to a handful of specieswhose leaves the recent winds brought down:   English oak, sycamore and plane,dropped from nearby if not above,plus singletons a whispering campaignseems to have carried from some grove-   cum-library of rumours from afar –silver maple, pin oak, liquidambar.

Last Word But One

The vanity of your insistencethat there is still time remainingto speak what words can’t sayon these most wishful of dayswhen, for you, the dying part is nearand still you want to believethe conversations will go onas you rest your handlike the hallucination of a handon files that nurse the latestshortfall in everything you made.

Tauseef Akhtar’s Harmonium

Often it disappears – from hotels, harbours, airport carousels… but always it comes back to him.   Trusting in the umbilical dance of instrument and player he stays calm in its absence.   Amongst the cosmic flotsam orbiting Earth this minute There! Tauseef’s harmonium.   On the sea bed, flexing its gills for ghazal-hungry shoals Listen! Tauseef’s harmonium…   sometimes for years until, missing his voice on the air, it plunges through the atmosphere   or, surfacing back to the light, steals in on the tide’s concertina to appear at Tauseef’s paddling feet –   a child’s shadow through frosted glass after all hope has been lost.

Phantom

The year after my brother died,I was out on my threadbare Vespain countryside south of Bradford.The day was warm and blue;I let myself get lost, turn by turn,until I rode solo along the lanes.Low, overhead of me, a plane flewwith a single propeller,its undercarriage painted cloud-like:its span the shape of a Spitfire,or other kin from boyhood books.I stopped in the road,cut the engine, and took off my helmet;and heard it made no sound.I was untethered in those yearsby grief that made my life unreal.I stood and beckoned to this ghost.

We couldn’t get the parts to write this poem

Our metaphor container ship is dry-docked in Bratislava and our simile warehouse in Wuppertal has had to close its doors.   We apologise. Some figments, we believe, may still be in transit, but there are supply chain fractures due to disputes over paperwork.   We’re so sorry that we couldn’t get the parts but the task has not been helped by a generaldip in the market for lyricism in the West   and in the East by surveillance tactics to curb outbreaks of oxymorons, iambics, and randomenjambment. Rising divorce rates between   couplets has also been unprecedented and manyof the major manufacturers of pathetic fallacyhave changed profession, citing burn-out.

The Suitcase

She said she dreamedthat young once moreshe walked a roadthat led from nowhere   into nowhere,and, stopping, placedher name-tagged suitcase down.The question asked   inside her headwas this: ‘Shall I go on,walk on. Or turnand stay a while?’   She turned, and leftthe suitcase standing thereto be reclaimedsome other day   when she would need no proofof who she wasor where she was to go,the handle forming to her hand.

Deciduous

Inevitable autumnafter the excesses of summer:the year has simply nothing more to do.But look: the falling of each single leafis slow and indecisive, hesitantas if (like floating voters) they are notconvinced this is a good way to go;the necessary ending oftheir short aerial adventure – even asthey do the deciduous thing, andfollow the crowd.

The Basilica of the Holy Blood, Brugge

A squeeze-box performs outside:The tinny air is pumpingwThrough its half-forgotten song    Like a failing heart.   The sacred relic’s displayedIn its dull crystal and goldFor visitors to inspect    As they shuffle by.   The priests sit behind it, bored.They are no more concerned thanCustoms officials might be,    Suspicious of the queue.   The phial offers itselfAs contraband of a kind,A miraculous symbol    Taken from a corpse.   Who was this man, whose own songWe have taken for grantedOr heard only in snatches,    Worth his weight in blood?

Giverny (1887)

Thinking on it now, it was like living at sea beneath the whaleback hills, in those blue acres of lavender. Our house was a barge, its chimneys sharing our dreams with the sky. The barns were islands we would swim to through the fields, beyond the shoreline of the lane. Here, we would laze and snooze, sheltering from the unflinching gaze of the noonday sun. Marooned on our beds of hay, we would plot our escape – how one day we might slip away to Vernon, board the train to Paris and live as bohemians on the banks of the Seine, selling our paintings of the north, telling tales of the blue seas of Normandy.

Just Desserts

Whit Sunday, blustery heat, and you in three-piece suit to read the Second Lesson.   The day before, I’d excavated Arctic Rolls from ice-shelves in the local store’s deep freeze.   We ate them reverently, like miracles we didn’t quite believe in.   I threw up first and stayed in bed. You soldiered on through hymns of praise   till hot air swayed the church and God stopped leading you in upright ways,   an almighty adjustment that left you face down in the Benedictus, eating dust.

Duality

One day, my fellowoccupant of our cell,you’ll cease to followin my steps, to tell   me, looking throughour single window,about whatever viewyou’ve chosen for the day.   Somehow, absurdly,I’d foreseen collapse,my deserted body,our almost rhyming corpse,   and that you might walk awayjauntily singingto eternity. But, on the day,you only whisper, ‘I’m moving   to another cell, my dear.I’m sorry that we’re losingtouch. The last sound you’ll hearwill be the door closing.

Ladybirds

One summer I’d a plague of them –they looked so pretty in their red and black I didn’t mind them fluttering round but then I’d find one on my pillowor leaving smears across the panes.The boldest liked to totter on my fingerthen take me under her wing –it was lined with finest satinwhich she unfolded like a sheet.For months she hung around the windowtill a gust or rumour took her off. I remember the smooth curve of her backand how she’d tumble from the bed to fetch up madly wriggling on the floorhelpless as an overturned coracle.

Why I Don’t Like Trains

I don’t like trains – People get on who never get off againThey have given me flowerless distances and windows smashed with rainOffered me stations as big as cathedrals where no one spokeAnd no one sangYet when I was a child I loved the engines for their smoke.   Once they offered me soldiersOn country platforms looking for someone’sObscene lost-luggage bomb and the rat-squeak of military headphonesAnd when the food and drink was gone only the children spokeAnd no one sangThough it wouldn’t have hurt for someone to sing or crack a bad joke.

Paintbrush

Yes but, no but, the paintbrush seems to mutterAs I swish it back and forth across the weatherboard,Going with the grain then working against it,   The faded charcoal turning onyx, the wood made rich again,Less true to itself the blacker it getsBut beautiful, the knots like stubborn hearts,   Which is maybe what the brush is trying to say,Yes but, no but, the darkness deepening with each stroke,As if the world weren’t dark enough already.

Curmudgeons Anonymous

I thought about going to a support group. I looked into it in the yellow pages and other outmoded data sets. I came upon a strange group of surly Sues and churlish Chads. We sat around and made high-pitched whines for about an hour. It was a pre-verbal kind of vibe. Some of us barked. We were all royally pissed off by something or other but no one was allowed to say what. That was the beauty of it. In Week Two, we harmonised and made a lovely Whingey Symphony. A person from an Adult Ed course down the hall put their head round, looking for their dog, Brian Eno, who had strayed. We went full-scale Allegro con Moans.

Double Portrait

Just poster paint on coarse paper, pinned up with all the rest by the entrance to the school hall.   Miss Stephenson stopped me and told me she liked it. Or was she married by then? The class gave her   a soft toy at the end of term for her baby-to-be. In Autumn we sat subdued as she returned   childless, but brisk to make us all feel better.I missed the call to claim back my painting.   The photo, too, is lost: my father, semi-slumpedin the low foam chair, flapping his hand while talking,   a blurred gesture I stilled into silence, my mother with her upright posture, conscious of her figure,   her summer sling-backs, the ones she’d slip off to let the dog lick her feet, almost as a favour.

Too Much Holiday Reading

Without friends in low-doored cottagesBeside the lichened walls of churches,   Or wild associates in country pilesWith rotting sash windows,A sitting room just for the catsAnd drifts of broken-hearted furniture,   Or cousins who throw chaotic partiesIn that fine old barn beside the lakeWhere random guests rampage all summer nightAnd strip off intermittently for bathing,   And having no open-minded auntsWith famously hacked-about hairIn tiny little panelled flatsJust round the corner from this or that,   I wonder nonetheless –Were some of the above unearthed not far from here –If they might balk at the breath of my semi-detached, Its plastic double glazing and grey pebble dash,And their involuntary distaste give birth To an insurmountable awkwardnessCausing m.