Poems

Tomfoolery

I found a gift-tag tailed with silver stringdropped by our bed, ironically heart-shaped,gold cardboard, unattached to anything,attracting bits of fluff and Sellotapeand, placed between your hairbrush and your pillswith ribbon from the final gift you wrapped,reflected in a mirror that revealedWith all my loveblue-biro’d on the back.   Your present, a belated jeu d’esprit,this black and orange clip-on kipper tie,its flourish of your old tomfooleryintended to, with love, mock-horrify,turned up too late to carry off the jokebut left me grateful, knowing how you’d tried,still hearing laughter, stifled as I woke,and truly, by the morning, horrified.

Aveley Lane

Lights turned on but the curtains not yet drawnin the dusk that lingers over hedgesand scrubland bordering Langhams Rec. Here’sthe overgrown shortcut to the Bourne Stream,the high wall that protects the vicarage.   Here’s another mother getting supperin Neil’s kitchen. Here’s another fatherparking his car in Adrian’s driveway.They go about their family routinesas if they’ll never be replaced.

3rd September 1939

      – Nella Last, diary entry for Mass Observation   When the Prime Minister spoke so solemnly and said ‘WAR’, I thought the shock would kill me.Eighteen months ago I was in Southseaand saw the Fleet come in.Hundreds of young ratingswalked on the Prom and I graduallybecame conscious of a look they all had.I could have rushed up to one and begged himtell me what he saw that I could not. My husband got vexed at mebut when I heard the PMI knew what they saw.         Less concert parties in the mess      than asylum in the quarterdeck for the Abyssinian Emperor.

Berni Inn

Next he told us how he’d creepto the edge of the tip with a broken chunk of cistern or sink raised above his head and before letting it go, them black rats, super quick, big as rabbits, tails fat as rope, gone. Other places where they usually get and that tea time was a good time – hardly anyone about, not many cars, when you could hear cutlery from opened kitchen windows. The waitress handed us the menus.

we interrupt this darkness

shuffling across the carpark from the pool in my dry robe like a damp, disconsolate Cistercian, I heard them, two peacocks: their proclamations launched wide into the whites of the Cumbrian sky, their maladroit plainsongcutting up the backdrop of chaffinch after chaffinch and as iffrom nowhere, two peacocks: (stately home dropouts? heritage park rejects?

Latchkey Kids

A loaded presence in a biscuit tin,       The rounds of sandwiches they found             Were cut and dried as hard as tesserae;Forgotten in the airless wardrobe, play       Was innocent. Would they rebel Against the bounds of home? But looking inOne day back early, neither made a sound,And caught the two red-handed by the standard lamp,      Surprised with strawberry jamSpread on the prairie carpet with the large sliced white,             Preparing in the makeshift campProvisions for the wilderness.And where would they be going? ‘Well?

In the Desert

As the Taliban surged back into Kabul and the international correspondents looked more exhausted with every broadcast but not as exhausted as the refugees   I thought of my young second cousin Matthew, one of the four hundred and fifty-sevenflown back from Afghanistan in sealed coffinsto Wootten Bassett and then, in Matthew’s case,   to York for his military funeral in the Minster, after which the gun-carriageparaded him on a tour of the packed streets before beginning its sedate procession   to the cemetery while we, the mourners,plus vanloads of soldiery sped off ahead at a pace Matthew would surely have preferred,with sirens and flashing lights, to get there first;   all of which might have been designed to persuade his parents that being blown up by a bombat.

Webs

Each morning it is there. A cocoonof memory visible and invisible waiting for me to stumble into it.   I feel its viscid grip. Its symmetryof silken threads spun into a tensile trapeze that bends in the breeze.   Day and night a cobweb of neuronsalways firing whether awake or asleeptrapped in strings of sticky remorse.   Mesmeric arachnid dream architecture,a dew encrusted bracelet left among bracken, a trickster’s gift, fake diamonds.   Filaments, strung from the wing mirrorof my car, cannot easily be brushed aside,they stick to my fingers and accuse me   of wanton destruction. Every time youdraw your subtle snare in the air youremind me: beauty can also be lethal.

Deep South

Across the great divide…   They kept them hidden till I stepped inside       One for a birthday card,Puzzled at first by what was there       And what was not. And what was there to hide?   Huge glossy frozen packs of pig’s feet, tripe,       Hog maws and chitterlingsAnd no promotions down the aisles       I recognised.

Five Stars

Years of working weekends, cashing in his holidays, dossing in loveless digs beside arterial roads or in vans to pocket his expenses.   He’d earned it, kept on how soon he’d be in Lido di Jesolo, a linen suit for evenings;us lot wouldn’t exist.   Back three days later, rubbing down skirting boards before we arrived. Couldn’t stand it:the kids, the heat, the wife.

The Ferry Café

The door is broken! The door is broken. A Polar wind squalls and flings it open.The bloke behind the fish fryer with a ragthrown over his shoulder tells me to leave it;wipe-clean menus skid across the floor.I’m always somewhere like this in winter.   Trawlers queued at the Wyre light for an openberth before the Cod Wars. This place is broken.A Romany woman shouts; the door again. Men fishing, rummage in carrier bags for ragworm;an uprooted tree waits in the rising flotsam for high tide and a slow descent to the ocean floor.

Delayed Postscript to Teenage Heartbreak

We trudged the grounds of a country house       under a featureless skyas stark trees bled out with morning rain       and what light there was started to die,   and every time you grabbed for my hand       I felt a little thrill,unmentioned, ineffable.       I’m glad to feel it still –   I spent half a life being bad at that.       And here we were, noses to wind,simply happy, which nobody is,       but as close as I’ll ever find.   And in came her message. And later that night       I looked at it, then at her profile:smiley-faced. Husband gone. Three gorgeous kids.       Was thinking of you!

Council House Ghost

There are no headless horsemen, White Ladiesor rattling chains in this ghost story;he died in the chair from black lung, coughing;the coal dust that did for him, and the fags. In life, he’d been a nasty piece of work; like those blokes at the pictures my grandmawarned me about in their fetid raincoats,Brylcreemed hair. We played Ouija and asked him:who are you? I’m a G. H. O. S. T.On Christmas eve we saw him; sports jacket,flannels, crouching over the gas meter.At night he seethed; smoking phantom Woodbines.Enough! I brayed. He slammed the cellar door,and threw a bin across the kitchen floor.

The Handshake Trick

A canny cousin taught me the handshake trick. I was ten or eleven. Small for my age, but quick As a flash, after a smiling approach, I could duck Beneath my arm and get the affable chap Locked in a Half-Nelson. Thing about tricks is   You shouldn’t use them too often. This I learnt when I approached a strong young American, hand Extended, smile applied. He took that hand and Had me floored. Saw it coming, Howell. Pinned beneath him, head against the concrete,   I broke down, shamed in front of everyone. Of course they cheered, the lot of them. I know I got what I deserved. But how could I tell anyone What contempt I felt then for myself? It Was sickening. That was the end of my trick.

I Remember Arras

‘I Remember Arras’, a sequence in four parts corresponding numerically to the four stanzas of ‘Adlestrop’, imagines Edward Thomas as having survived the war and looking back on his experience in France. The sequence plays fast and loose with some bits and pieces drawn from Thomas’s writings, including his 1917 diary. I ARRASI remember Arras, more than the name; yes- terday here, too, was chilly and raw, no thaw yet why are we forgotten? Why do we forget? Place Victor Hugo. Shutters blown out. Rimbaud and Verlaine stopped there, claimed to be murderous criminals, just for the fun of getting arrested. Amid the gunfire (courage tested) I made out the sound of a wren chuckling as she soared out of her nest of prose.

Friday

After breakfast, our bonuses in the bag, time sheets collected, the weekend begins. Down by the battered garages near the burnt-out Escort, our apprentices go for it: first to find one gets chips for his dinner. Stanway says to take it behind that steel-shuttered house, top of the estate, and for all of us to be there, midday. In the unkempt garden, we watch Stanway – 56, kids at uni, wife a pharmacist – chucking bricks. The wider the screen, he says, the bigger the bang. One of the lads promises an old black and white from his nana’s spare room, at last taking a real interest, can’t wait for next week.

Persian

Summer in the suburbs, Its wealth confined to a bedroom Where a tepid waft disturbs And strokes with silver gloom The long beast with demon eyes Who, stealthy as all cats, will come To tipple from the vase of the anemones.

Wound-i-stan

My soul, my shadow, the dreams I stare into the night are wounded. I kiss my mirror-self. The lips with which I bite are wounded.   I am a year filled with venom, every season is autumn: leaf-filled evenings, the snaking twilight are wounded.   The signs of the stars – my Scorpio, my Libra, Sagittarius pierced by his own arrow’s flight – are wounded.   The snorting bull, on whose proud horns the Earth is caught, is heartsick. His heart, my heart, breaking at our plight, are wounded.   I have no country, no land, not even a room the size of a grave. No sky. Centuries of starlight are wounded.   My father gives me food/ gave me water: childhood’s homework. Beneath dust and blood, the pages are white, are wounded.

The Other Café

Hearing ‘Caravan’ by Duke Ellington and I’m at the Blue Parrot in Casablanca: the house bird perched outside unfazed by whirring ceiling fans, and the belly dancer’s creeping shadow. The band playing jazz to a fluent clientele leave the exotic bird unperturbed. A street market unfolds under her gaze. How simple the menu at Ferrari’s place: pleasure, talk, a handshake, the deal. No choice to be made about right or wrong, ideals or love, one song over another. Buying and selling is Ferrari’s trade, attending to his business of the day, the rake-off on sex, liquor, hookahs.

Breath

In the beginning a slap gets it going and a child once told me breath’s here ‘to blow bubbles’. In heaven I was once informed breathing is no longer needed. I should have guessed. Breath’s always been a downmarket option, wholly belonging to earthly struggles, to life and death and other mundane matters.