Unpacking Tucker Carlson’s 9/11 documentary
The documentary claims the Saudis were behind 9/11 – and the CIA then protected them
The documentary claims the Saudis were behind 9/11 – and the CIA then protected them
It’s a strange time, McEwen reflects, to be an artist
The Life of a Showgirl is conceptually mature and compelling
It is a grand, multifaceted masterpiece of badness
The band never lost sight of what first made them great, and what made rock ’n’ roll great
The novelist’s Happy Meal plotting serves up the same constituent parts over and over
The writer’s posthumous reputation and influence continue to manifest themselves in writing, music and theater
Katie Herzog has all the serial relapser energy you would expect from the addict who has forsworn AA
One leaves these stories not depressed, but wanting to punch the air in solidarity with these ornery old dudes
‘It’s impossible to predict hits,’ said the man paid $1.4 million a year to, well, predict hits
The Met’s show is tribute to a fine artist of boundless talent
The much-missed musician is the beneficiary of a new, bespoke space inside the Victoria & Albert Museum’s East Storehouse outpost
The week has evolved into a content-driven machine
Above all, Reiner proves his vim and vigor by the very quality of the film
Twelve Churches is a hugely accomplished and endlessly readable book, rich in historical and ecclesiastical detail
Many books mix fiction and memoir. Successfully incorporating criticism into a novel is more unusual
Buckeye is a fine illustration of how drawing-room tensions can fester and become matters of historical significance.
A new Woolf typescript is cause for celebration. Two cheers for Seshagiri. But this new edition is a weak casket
The curators’ political peacocking has long carried no risk
The artist’s unflinching vision of a world gone awry is as powerfully direct as his late-in-life compositions of compassion and hope