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Going round the bend in a bunch

If you had a friend who was an actress, and she was on the brink of a nervous collapse, what would you do to cheer her up? Or rather, what wouldn’t you do? I bet you wouldn’t take her to New York to visit a mutual friend, another actress, who was starring on Broadway — after all, that would be a bit vindictive, wouldn’t it? I mean, what’s more likely to give an actress a nervous breakdown than the success of a close personal friend? Well, Cissie O’Brien is a comedienne (ghastly, unfunny word), so perhaps she does it as a joke: she whisks her depressed actress friend, Maggie Salt, off to Manhattan to visit their pal Helena Cassidy who is the current toast of the theatre world. Nice work, Cissie.

Surprising literary ventures | 28 October 2006

Jimmy Stewart and His Poems (1989) by Jimmy Stewart The most intriguing thing about this book is its title. Ernest Hemingway and His Novel by Ernest Hemingway would not work. Katherine Mansfield and Her Short Stories by Katherine Mansfield wouldn’t either. Poems by Jimmy Stewart would be ridiculous, as if he were pretending to be Auden. But Jimmy Stewart and His Poems by Jimmy Stewart is perfect, managing to suggest that Jimmy Stewart realises that writing poetry is a highly eccentric activity, but that he knows he’s a bit of an oddball in a loveable, self-effacing, gangling sort of a way, and so he thought he’d have a stab at it.

Making it up as we go

For the scales at which we live — the buildings we inhabit, the vehicles we drive, the sports we play — classical physics is a useful, highly accurate and reassuringly comprehensible system. But at scales we never personally encounter, at immense velocities, infinitesimal sizes or cosmic distances, things are not so simple. In these worlds, time passes more slowly or quickly depending on one’s own speed, light beams travel on bendy paths through a universe of dented spacetime and electrons are not distinct particles but rather probabilistic clouds which collapse into specific measurements only when we observe them. The novelist and playwright Michael Frayn is fascinated by such worlds.

A chill Cabinet

In a taped diary entry for April 2003, David Blunkett describes a terrible dream: ‘a dream that had all the undertones of being on the outside, of being alienated, of being given the cold shoulder, of being friendless and leaning on a stick, having fallen out with Tony Blair and then having challenged him in the middle of a speech in the Commons and humiliating him by raising something that left him floundering.’ Well, you don’t have to be Freud to analyse that particular nightmare. This is an important book, though not for the reasons many anticipated.

Getting to know the General

It is a tribute to Pervez Musharraf’s powers of persuasion that after reading this book you’re not entirely sure which country he rules. Is it Pakistan or Fantasististan? The rational choice is Pakistan, but the country he describes belongs to another world altogether. Women are empowered, the madrassahs are being curbed, democracy is waxing, terrorism is waning, investment is up, poverty down, the economy is booming, it’s all marvellous. How on earth did Pakistan get by before the general came along? A quick corrective to this self-congratulatory tome is not difficult to find. Human Rights Watch, for example, says that in Azad Kashmir ‘the Pakistani government represses democratic freedoms, muzzles the press and practises routine torture’.

Fighting free of Father

When the second world war began, Nicholas Mosley, the distinguished novelist son of the fascist leader Sir Oswald, who thought that Britain should not fight Germany and whose second wife, Diana Mitford, counted Goebbels and Hitler as friends, was a 16-year-old schoolboy at Eton. ‘At this time,’ he writes in his new book, in which he reconsiders and reflects on his wartime experiences, ‘I thought my father was a politician less lunatic than most.’ It was a help, he adds, that many Eton boys knew what it was like to be connected to ‘maverick politicians’. Even so, he felt self-conscious when in June 1940 his father was locked up under regulation 18b. However, ‘there were glances, but not much was said’.

Radium and the nature of love

For 16 years, from 1878, Blanche Wittman was a patient in the infamous Salpêtrière Hospital in Paris, diagnosed by the famous Dr Charcot as a hysteric. Putting Blanche on display in a cataleptic state, Charcot explained to audiences that he hoped to reveal, through her ‘a certain system, a secret code, which … could point the way to the meaning of life’. He was no quack (he was the first person to identify multiple sclerosis); Freud was his assistant for a time; and Blanche not only admired him but also, it appears, loved him, and the love was returned. After leaving the hospital, Blanche was taken on by Marie Curie as an assistant to work in the Paris laboratory where, in 1898, radium was discovered.

Little and Large

T. S. Eliot was happily married to Valerie Fletcher for years, but it is only his relationship with Vivien Haigh-Wood that people want to hear about. (‘My nerves are bad tonight. Yes, bad. Stay with me. / Speak to me. Why do you never speak? Speak.’) Lauren Bacall’s second husband was Jason Robards — but who cares about him? In her memoirs and on chat shows it’s Bogie, Bogie, Bogie. Dame Plowright must be irritated to be eclipsed in the Larryographies always by Scarlett O’Hara. So it goes. It is as if there is room only for a single grand passion in a celebrity’s life, and though Tom Cruise and Nicole Kidman were divorced in 2001 and have since moved on to new partners, they still belong together in the public mind.

A master carpenter

Who did Evelyn Waugh call ‘the only living studio-master under whom one can study with profit’? Answer: Somerset Maugham. Surprising answer? Perhaps. Others judged him more harshly; Edmund Wilson dismissed him as ‘a half-trashy novelist who writes badly, but is patronised by half-serious writers who do not care much about writing.’ Actually Maugham took a lot of trouble over his writing, as his notebooks show. They, incidentally, like Wilson’s own notebooks, are full of descriptive passages in embarrassingly purple prose. Hard to see the point of them; when did either author think he might take one of these passages and shove it into a novel? Maugham also resorts to cliché, on almost every page. This is not necessarily a bad thing, in moderation anyway.

The meeting of the twain

Seize the Hour is an admirable example of the storyteller’s power. From Homer to the great playwrights and novelists whose works we can hear or read repeatedly, the telling is all. Achilles pursues Hector around the walls of Troy; we know how it will finish, but like Homer’s audiences we want to hear it again. Anna Karenina throws herself under a train — for us it may be the fourth time. Ahab raises his lance to kill Moby Dick; it will end badly for the captain, but this is the third time we have taken Melville’s mighty story on holiday. I’m sure Margaret MacMillan, Warden-elect of St Antony’s College, Oxford, won’t repine if I say she is neither Homer nor Melville, but she does what they do: she tells a good story.

Nevertheless, the real thing

It’s difficult not to warm to Mad Tracey from Margate (‘I like Tracey ... I landed on my feet with that name’), the inventor of the Rothko Comfort Blanket for Private Views, however reluctant one may be to have one’s nose rubbed in other people’s bodily fluids and spiritual excretions. She famously staggered out of a solemn television debate saying, ‘I want my mum’, and loves her old Nan so much (as she memorably describes in one of the conversations recorded here) that when Nan dies she visits her in the funeral parlour to pluck her whiskers and do her nails as she used to when she was alive, and gets locked in, to inexplicable strains of ‘The Sun has Got his Hat On’.

Finding an exceptional voice

At the end of his excellent introduction to Auschwitz Report, Robert Gordon invokes W.G. Sebald’s argument in his last book, On the Natural History of Destruction: compared to ‘natural histories’, e.g. contemporary medical reports such as this one, more literary texts ‘[know] nothing’. W.G. Sebald was one of the greatest thinker-writers of the 20th century, as great in his own way as Primo Levi himself. But here, I think, he exaggerates. The original Auschwitz Report was written by Levi and his friend Dr Leonardo De Benedetti in the spring of 1945, in the transit camp of Katowice, only months after their liberation from Buna-Monowitz, a sub-camp of Auschwitz. It was commissioned by the Katowice Command, as part of the Soviet investigation into Nazi crimes.

From West Dorset to Westminster

Claire Tomalin is an accomplished biographer. While she recognises Hardy’s genius, this book is not an essay in literary criticism. With great skill and sensitivity she uses his poetry, novels and his extensive correspondence to illuminate the life of a man for whom she writes ‘the wounds inflicted by life never quite healed’. He never entirely forgave the vicar of Stinsford church, where his family was buried and he himself wished to be, for preaching against members of the lower orders who presumed to escape from their station in life by entering the professions. This was precisely the ambition of Hardy. As a boy of 12 he taught himself Latin, the entry ticket to a wider world beyond the confines of the Dorset village of his birth.

Adjustment and reappraisal

Having It So Good follows hard on the heels of Dominic Sandbrook’s Never Had It So Good, which appeared last year. Both are doorstoppers — over 600 pages long — and the reader groans as he picks them up. Soon, no doubt, literary editors will be asking reviewers to weigh books rather than write about them. Having It So Good is, in fact, two books rolled into one. The first, on the high politics of the period, offers an outstanding interpretation of the 1950s, and is likely to become the new orthodoxy against which, no doubt, younger historians will come to react. But Hennessy is more ambitious, insisting, in uncharacteristically pompous terms, that he ‘comes from a British historical tradition that is uneasy with high politics absorbed neat’.

The shape of things to come?

The Dutch film-maker Theo Van Gogh had quite a send-off. As per the plans he drew up himself before his death, the memorial party organised by the Friends of Theo was adorned with a rock band, comedians, miniskirted cigarette girls, and female guests in twin-sets and pearls — something Van Gogh had found an erotic turn-on. A wooden coffin rotated on a platform surrounded by champagne bottles, and the room was scattered with ‘phallic cacti’. On stage were two stuffed goats, supposedly there for anyone who felt the urge to have sex with one. This alluded, defiantly, to what had caused all the trouble in the first place. ‘Goat-f****r’ was Van Gogh’s preferred term for a Muslim.

The rhetoric of fairyland

I have never met George Monbiot, and I know nothing personally about him to his discredit. I have no reason to think that he is other than polite to shopkeepers, considerate to other road-users, fond of animals, a staunch friend, a sound family man, a respectful and affectionate son. I can only judge the keeper of the Guardian’s green conscience from the tone of his writing, and I don’t much care for it. Each week for ten years or so Monbiot has ascended the pulpit provided for him by successive Guardian editors to preach his world view.

Two stricken strikers

The most affecting moment in Gordon Burn’s new book is only marginally connected to its subjects. Borrowed from Jackie Milburn’s autobiography Golden Goals, it takes in a long-ago Christmas morning when the future England centre-forward woke in the small hours to discover a new pair of football boots — the first ever allowed him — lying among the presents. The temptation was too much to resist. At 3.30 a.m. Milburn let himself silently out of the house to find most of his friends, all wearing their festive sporting gear, ‘playing football by torchlight in the middle of the street’. Best and Edwards offers plenty of twitches on this lost, prelapsarian thread.

Magic and mischief

Susanna Clarke taps enchantingly into a vein of folkloric gold. She presents our world as existing in tandem with ‘Faerie’, but without butterfly-winged Victoriana. Instead she creates a sense of danger, as if the Faeries in question are the displaced gods of Robert Graves’ The White Goddess, still retaining elements of frightful power over mankind. Her debut novel, Jonathan Strange and Mr Norrell, was hard to miss: it worked, like a charm. A story of the relationship between two master magicians in the early 19th century, it combined wit, vigour and elegance with a cracking good story.