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A starring role for the Tsar

In reviewing Robert Harvey’s The War of Wars: The Epic Struggle Between Britain and France, 1793-1815 in these pages three years ago, I asked the question, ‘Who, in the end, defeated Napoleon Bonaparte?’; or rather, I repeated the question that Harvey himself posed at the end of his comprehensive account of the revolutionary and Napoleonic wars. In reviewing Robert Harvey’s The War of Wars: The Epic Struggle Between Britain and France, 1793-1815 in these pages three years ago, I asked the question, ‘Who, in the end, defeated Napoleon Bonaparte?’; or rather, I repeated the question that Harvey himself posed at the end of his comprehensive account of the revolutionary and Napoleonic wars.

The one that got away

Michael Palin is the meekest, mildest and nicest of the Pythons. The latest chunk of his diaries traces his attempt during the 1980s to break away from his wacky colleagues and forge a film-making career in his own right. The title, Halfway to Hollywood, reflects his modest, circumspect nature. We first meet the millionaire filmstar living a monkish existence in Camden in 1980. He occupies an ordinary townhouse. His three children attend state schools. And he drives a Mini, albeit with a sun-roof. To concentrate on screen-writing he turns down $180,000 to appear in a Hollywood movie (you should multiply by about six to get today’s values) and a week later he goes to Hamleys, where he startles himself with his extravagance by spending £59.

But then the snow turned to rain

My daughter when small came home from school one night singing these extraordinary lines: ‘Fortune, my foe, why dost thou frown on me/ And will thy favours never lighter be?’ My daughter when small came home from school one night singing these extraordinary lines: ‘Fortune, my foe, why dost thou frown on me/ And will thy favours never lighter be?’ Five hundred years on, this Tudor ballad, said to have been played at hangings, provides the theme, and the structure, of Seasonal Suicide Notes. Only, this being the 21st century after all, it is bawled, not from a cart to Tyburn but from a converted convent in Bromyard, being Roger Lewis’s latest book.

New departures

For a crime writer, success comes with its dark side. As Conan Doyle learned to his cost, your readers often become obsessively attached to your series hero, while you yourself find him or her increasingly tiresome — and limiting. Ian Rankin’s well-deserved success with the genre has largely derived from his Inspector Rebus novels set in Edinburgh. When he brought the series to an apparent end with Exit Music in 2007, his readers were curious to know what lay ahead. Last year’s Doors Open, a relatively lightweight caper novel set in Edinburgh, was no more than an expanded version of a previously published short story and clearly a way of marking time. Now we know the answer. This year, Rankin returns with The Complaints, which may well be the first of a new series.

The teacher you wish you’d had

Sometimes you can become too well known. For years Richard Dawkins was a more than averagely successful media don, an evolutionary biologist, fellow of New College, writer of popular science books and tousle-haired face of rationalism on countless television shows. It was a good living, and kept us all entertained, but for Dawkins it wasn’t enough. So he wrote The God Delusion, an unambiguous attack on religion and the religious. I should probably say at this stage that I am not a believer, but it does seem to me that if people want to believe in a god or gods, that’s very much up to them. In his stridency, Dawkins inadvertently aligned himself with the fundamentalists he hates so much: he became identified as a sort of fundamentalist atheist.

A lost civilisation

It’s odd that a writer as excellent and long-established as Ian Jack hasn’t ever written an actual book but has stuck doggedly to the humble trade of journalism, of which this volume is a collection. It’s odd that a writer as excellent and long-established as Ian Jack hasn’t ever written an actual book but has stuck doggedly to the humble trade of journalism, of which this volume is a collection. The reason may be that since what he called ‘perhaps the best Sunday morning of my life’, the day in 1970 when Harold Evans offered him a job as a sub-editor on the Sunday Times, journalism has remained his first love.

Philosopher in transit

The answer is Heathrow Airport’s newest terminal, as seen through the eyes of Alain de Botton, who agreed over the summer to become its first writer in residence. It was a brave task to take on; not only could the result have been very dull but de Botton could have felt bound to be nice. Instead he has produced a work which will do no harm to his reputation for thought-provoking reportage. This slim book is simultaneously poignant and terribly funny, thanks to de Botton’s knack of seeing the philosophical in the mundane and not being afraid to play up the incongruity. It is snobbish, too, but its targets are never the hardworking airport employees. Rather he aims his satire at pricking the bubbles of corporate grandiosity — and at himself.

Karl Marx got it right

Whether the refusal to allow the Confederate states the right to self-determination, flying as it did in the face of the Declaration of Independence, was the first overt act of American imperialism is a question that goes largely undiscussed. John Keegan does not raise it. For him, unlike World War I, which was ‘cruel and unnecessary’, the American Civil War was cruel and necessary. (What constitutes an uncruel war is not explained.) Necessary both sides deemed it. At the outset volunteers came forward in such numbers that equipping them and finding capable officers to lead them proved nearly beyond both the Union and the Confederacy.

The Father of Scottish Tourism

‘How do we make Scott more popular?’ The question ran round the table and none of us had an answer. ‘How do we make Scott more popular?’ The question ran round the table and none of us had an answer. It was a meeting of the Abbotsford Trust. I am not myself a trustee, but was there as a member of an advisory committee. The Trust itself was set up after the death of Dame Jean Maxwell-Scott, Sir Walter’s great-great-great-granddaughter who, with her late sister, Patricia, had owned Abbotsford for many years and had made it the happiest and most welcoming of houses. Scott bought it in 1812.

Spies and counter-spies

The origin of this unique publication is the 1990s Waldegrave open government initiative, encouraging departments to reveal more. MI5 began sending its early papers to the National Archive and in 2003 commissioned an outsider to write its history, guaranteeing almost unfettered access to its files. It retained right of veto over the book’s content, but the judgments were to be the writer’s own. The lucky man — unsurprisingly, given his record as an intelligence historian — was Chris Andrew, Professor of Modern and Contemporary History at Cambridge. The result, squeezed into one fat volume, is definitive and fascinating.

A dogged foe

Old detectives rarely die — or age, for that matter: Poirot is forever 60, Sherlock Holmes 50, P. D. James’s Adam Dalgliesh a handsome 38 or so.  Old detectives rarely die — or age, for that matter: Poirot is forever 60, Sherlock Holmes 50, P. D. James’s Adam Dalgliesh a handsome 38 or so. But Rendell’s George Wexford is ageing all right, and it shows. He is all nostalgia and reminiscence and remarking on things that are not getting better in the latest novel set on his old patch, the Suffolk market town of Kingsmarkham. That has certainly changed. It has expanded, become less genteel and sleepy — though plenty of crime happens and much murder, as ever in these dear old places to which P. D.

Agony and ecstasy

Twenty years ago, when William Dalrymple published his first book, In Xanadu, travel writers tended to follow the example of Paul Theroux, whose huge success then dominated the genre, and to cast themselves as the heroes of their narratives. ‘With Nine Lives,’ explains Dalrymple in the introduction to his seventh book, ‘I have tried to invert this, and keep the narrator firmly in the shadows, so bringing the lives of the people I have met to the fore.’ The result is so exemplarily self-effacing — most of the words here are those of others — that it will disappoint some of his fans, who will miss the direct expression of his engaging personality.

Surprising literary ventures | 7 October 2009

‘Recipe for a chic murder,’ runs the blurb on the back of Death Likes it Hot. ‘Recipe for a chic murder,’ runs the blurb on the back of Death Likes it Hot. ‘Take a social-climbing dowager; a house-party full of bright, brittle, amoral idlers; let simmer for a long hot summer weekend, and you get the fanciest killing of the season.’ ‘Recommended to all but maiden aunts,’ said the Manchester Evening News. ‘Welcome to another 100 percent thriller by Edgar Box,’ said the Glasgow Evening News. The Spectator joined in the general praise: ‘The relaxed urbanity of Mr Box ensures a smooth surface finish.’ Indeed. Only it wasn’t by Edgar Box. Edgar Box was a pseudonym for Gore Vidal.

Good women and bad men

Just in case you hadn’t guessed after nearly 1,800 pages of the ‘Millennium’ trilogy, the late Stieg Larsson has his alter-ego hero Mikel Blomkvist spell it out. Just in case you hadn’t guessed after nearly 1,800 pages of the ‘Millennium’ trilogy, the late Stieg Larsson has his alter-ego hero Mikel Blomkvist spell it out. ‘This story is not primarily about spies and secret government agencies,’ he says. ‘It’s about violence against women and the men who enable it.’ Larsson’s three Millennium books, which feature adult reboots of Astrid Lindgren’s children’s characters Pippi Longstocking and Kalle Blomkvist, are slow-burners in the crime fiction charts.

Give peace a chance

Time was, back in the Renaissance, when barely a book would be published which did not feature some lavish hero-worship of Cicero. Machiavelli, Erasmus, Thomas More: they all regularly name-checked ‘Tully’. The same could hardly be said of authors today. Even those who do deign to mention Rome’s greatest orator have rarely tended to feel much admiration for him. Typical was Kingsley Amis. In Take a Girl Like You, the raffish schoolteacher, Patrick Standish, finds himself drilling his pupils in the Phillipics, the speeches which Cicero, with immense courage, delivered against Mark Antony, at the eventual cost of his life.

Concealing and revealing

In 1837 The Quarterly Review’s anonymous critic — actually, one Abraham Hayward — turned his attention to Charles Dickens, then in the first flaring of his popularity as the author of Sketches by Boz, The Pickwick Papers and Oliver Twist. In 1837 The Quarterly Review’s anonymous critic — actually, one Abraham Hayward — turned his attention to Charles Dickens, then in the first flaring of his popularity as the author of Sketches by Boz, The Pickwick Papers and Oliver Twist. ‘It requires no gift of prophecy to foretell his fate,’ wrote Hayward. ‘He has risen like a rocket, and he will come down like the stick.

A bit of a dog’s dinner

Every schoolboy knows that the two most delightful breeds of dog are the Working Clumber Spaniel and the Newfoundland. Any author who dedicates a book to ‘Wellesley, a New- foundland dog’ is therefore by defin- ition a man of discernment. Sadly, the dedication is the best thing about the book, which is a perfectly readable, if unoriginal, canter through the English peerage since 1066, with excursions into Scotland and Ireland. For one thing, it teems with distracting howlers which undermine confidence in the author’s broader judgment. Diana Mosley was not Lord Curzon’s daughter. She was Lord Redesdale’s. This Lord Cobbold is an hereditary, not a life, peer. Lord John Manners, the 19th-century politician, was not the Duke of Rutland’s eldest son.

Books do furnish a life

Ronald Blythe writes from his old Suffolk farmhouse, and Susan Hill writes from her old Gloucestershire farmhouse. The view from the windows, the weather, the changing light and the rhythm of the seasons, are evoked by both of them with a similar lyric precision and grace. Reading about their extraordinarily pleasing surroundings and rich interior lives may cause the word ‘complacency’ — well, not exactly to spring, but maybe to sidle, into the mind. But that’s before you remember that nice things are nicer than nasty things, and should be fostered and celebrated. Their lives are no less ‘real’ than the dreadful lives of zillions of their fellow humans, for whom they are probably praying.