Food

The River Cafe has grown a thrifty annexe, and this passes for democratisation. All restaurants are tribal: if dukes have Wiltons, ancient Blairites have the River Cafe. It is a Richard Rogers remake of Duckhams oil storage, a warehouse of sinister London brick, and a Ruth Rogers restaurant. Opening in 1987, it heralded the gentrification of Hammersmith, which has stalled now that Hammersmith Bridge is closed to traffic and sits dully on the Thames, a bridge of decline. The River Cafe appears, thinly disguised, in a J.K. Rowling Cormoran Strike novel where a literary agent murders her client because he writes Swiftian pastiche, and it is a good place to watch the Boat Race. It is intensely disorientating until sunset.

The immaculate bourgeois socialists of north London – that is not code for Jews – like to eat and drink in the former servants’ quarters of Kenwood House, because this is a mad country.  Kenwood is beautiful. It is Hampstead’s best house, standing at the top of the heath, near the head waters of the River Fleet, the river of the journalists. Further down the hill the immaculate bourgeois socialists gambol in the swimming ponds, which is apparently a fashionable thing to do. I prefer the lido, but I am not afraid of working-class teenagers. Hampstead Heath is an excitable woodland.

La Môme is the new ‘Mediterranean’ restaurant at the Berkeley, Knightsbridge’s monumental grand hotel. It has changed, as all London’s grand hotels have changed: it is Little Dubai in the cold and the chintz is on the bonfire. Fairy lights hang from the awning of the entrance, as if in an eternal Christmas. I barely recognise it, though I ate an impersonation of a mandarin in its overwrought Instagram-friendly bakery two years ago, and it was inferior to a real mandarin. I cling to that. Designers must keep busy: this means grand hotels are always getting renovated – it’s life of a kind. The lobby feels gold, though that may only be an impression.

The Audley Public House is on the corner of North Audley Street and Mount Street in Mayfair, opposite the Purdey gun shop where you can buy a gun and a cashmere cape, because the world has changed. The Audley is a vast pale-pink Victorian castle, and it meets Mayfair in grandeur and prettiness. If the Audley looks like it could puncture you with an ornamental pinnacle, it also seems frosted with sugar – but that is money. This is the tourist Mayfair of the affluent American imagination: the pharmacies and grocers have gone, replaced by fashion (Balmain, Simone Rocha) and the spirit of Paddington Bear. Woody Allen shot Match Point in the Audley, and that is the most normal thing about it now.

The Harrods bookshop, which I browse for masochistic reasons, is mesmerising: an homage to the lure of ownership. The first book I find is called, simply, 150 Houses. Is that enough? Then I find Luxury Trains, the Porsche Book, the Lamborghini Book and the Jaguar Book. Then I find a book designed for a lifelong self-guided tour of the world of James Bond, who is a fictional British civil servant. Then I find books called Dior, Balmain, Prada and Gucci. I didn’t know they did words. I want to tell you that the Harrods bookshop is entirely advertorial for the life I can’t afford, but that would be unfair. Because I also find a copy of Mansfield Park in the same colours as a Minion: custard yellow and bright blue.

The Savoy Hotel is a theatre playing Mean Girls with a hotel attached to it, so you can expect it to both dream and fail. That is a polite way of saying that its new restaurant, Gallery, is not a success, but the Savoy will survive it. Though it didn’t survive the Peasants’ Revolt. It burned down, courtesy of medieval far-leftists who I would suspect were less annoying than modern far--leftists. They could hardly be more so, and I’m sure Geoffrey Chaucer, who wrote some of the Canterbury Tales on this site, would agree.

I see this column as an essay on cultural polarisation: artisanal butter can only take you so far into wisdom. I cower in Covent Garden, mourning Tory romanticism, and stare, cold-eyed in St James’s, at oligarchic mezze. Sometimes I eat by mistake. I couldn’t get into the fashionable noodle place in Soho, whose Instagram-made queue stretched to Cambridge Circus on Saturday night. It reminded me of the crowds at royal weddings: both camp for dreams. So, I went to Wingmans instead.  Wingmans – it lost the apostrophe, it’s a decadent age – calls itself ‘London’s best wings’. They are chicken wings, not angel wings, and this is Pottersville, not Bedford Falls. (Some people think Pottersville is more fun and that may be, but not here. This is not a wonderful life.

Back to the past: it’s safer there. There is a themed restaurant dedicated to George VI of all people, near Berkeley Square – a sort of Rainforest Café for monarchists who won’t sink to the Tiltyard Café at Hampton Court. I was looking for a restaurant my husband might like – Brexit, meat, maps of the Empire at its height in colour – and I found the Guinea Grill in Bruton Place. George VI isn’t a vivid monarch. He lived in the shadow of queens – one Mary, two Elizabeths – and on film he is always crying, or dying. In The Crown (Jared Harris, marvellous) he lost his lung. In The King’s Speech (Colin Firth, good, but handsome) he lost his happiness. I like to think George was tougher and less pitiable than the chronicles suggest.

For British people, America is an idea brought by cinema, and The Dover, the New York Italian bar and restaurant in Mayfair, meets a version of it. It’s not quite the ballroom in Some Like It Hot, not quite Rick’s Café in Casablanca, but it’s as close as you will find near Green Park Underground, and that has a charm to it, because Americans can speak. It’s from Martin Kuczmarski, formerly of the once preening, now ragged Soho House. He has named his company Difficult Name. There’s a message there, and a story, and it made a glorious restaurant with the tagline ‘A good place to be since 2023’.

Home Kitchen is in Primrose Hill, another piece of fantasy London, home to the late Martin Amis and Paddington Bear. It is a measure of the times that Elizabeth II had no literary chronicler – no Amis, no Proust for her – but was, almost against her will, given Paddington Bear instead. When I saw the small bear at her memorials, I thought: is that her genre? Infants’ fiction? Couldn’t she do better? The question that follows is, of course: would they have eaten together at Home Kitchen? The barley is doughty, fragrant and from the earth.

The Ambassadors Clubhouse is on Heddon Street, close to Savile Row and the fictional HQ of Kingsman, which was a kind of privatised MI6. I wonder if the Kingsmen eat here, being clubmen. Heddon Street needs fiction because its reality is one-dimensional. It is an alleyway behind Regent Street, and it used to be interesting. There was an avant-garde café under the Heddon Street Kitchen called The Cave of the Golden Calf. Ziggy Stardust was photographed for his album cover outside No. 23; from Heddon Street you could hear the Beatles play their final concert on the roof of 3 Savile Row in 1969. This is dense, fierce, very sophisticated food and it is all superb But that is over.

Sally Lunn’s is a teashop in Bath. It sits in a lane by the abbey, and the Roman baths. Paganism and Christianity jostle here: Minerva battles Christ, who wins, for now. Sally Lunn’s calls itself ‘the oldest house in Bath’ (c. 1482). It is rough-hewn, with a vast teal window and pumpkins on display. The pumpkins might be plastic. I don’t know. Tourists queue in the hallway behind a large wooden cutout of a woman who might be Sally Lunn. She is a semi-mythical woman: the Huguenot refugee Solange Luyon, who came to Bath in the 1680s with brioche in her hands. No one knows if she really existed.

At Julie’s at the fag end of Saturday lunchtime, Notting Hill beauties are defiantly not eating, and the table is covered with crumbs. Restaurant Ozymandias, I think to myself. This is no longer a district for the perennially wracked, or unrich. The Black Cross – Martin Amis’s ideal pub in London Fields – is now a sushi joint. Of course it is. The omelette is bright yellow and tough, like a hi-viz croissant Julie’s, which is named for its first owner, the interior designer Julie Hodgess, mattered in the 1980s.

Cloth is opposite St Bartholomew the Great on Cloth Fair. People call this place Farringdon, but it isn’t really: it belongs to the teaching hospital and the meat market and William Wallace who died a famous death here and has only a little plaque in turn. Smithfield embraces the dead. Sherlock Holmes met Dr Watson here and, for BBC1, jumped off the roof of the hospital. If Cloth calls itself a ‘neighbourhood wine bar’, which sounds less threatening than ‘restaurant’, its true customers are the dead, and that is no criticism. The chips are marvellous, and this matters. I always judge a restaurant on the chips I am early, so I sit in St Bartholomew the Less – this is how buildings fight!

Porthminster Kitchen sits above Warren’s Bakery on St Ives Harbour, like a paradigm of the British class system in food. This happens everywhere, but it is particularly pronounced in St Ives, which is unlucky enough to be a site of pilgrimage for Virginia Woolf addicts – her childhood holiday home sits above the town, her lighthouse is on the bay – and other feckless Londoners. But the balance is long lost. Since the Tate Gallery arrived in 1993, Cornish natives, who used to live alongside artists – Barbara Hepworth, Patrick Heron – have left the old town (‘downalong’).

There is a wonderful cognitive dissonance to Bistro Aix. It thinks it is in Paris but it is really in Crouch End, the flatter twin to Muswell Hill, a district so charismatic it had its own serial killer in Dennis Nilsen. (He killed more people in Willesden, but Willesden doesn’t receive its due: here or anywhere.) We pick our way through the Versailles of north London, past Little Waitrose and the clock tower I have never thrived in Paris. My sister says I always go with the wrong men, which is unfair, because it was a school trip and I had no choice about the (very small) men. I prefer the Paris of my imagination, which is quite a lot like Bistro Aix in Crouch End.

I am working my way around the restaurants of the Old War Office (OWO), now an acronym and Raffles hotel on Whitehall, because the swiftness with which the great institutions of the state have become leisure opportunities for the wrongfully rich is dark, mesmerising and, if you don’t mind too much anarchy, funny. I have reviewed the cold, painted Saison, and the lively Italian Paper Moon, which a kind reader wrote to say he loved and which I do not expect to survive. It is too joyful and well-priced for the wrongfully rich and their internal landscape of nude cashmere and paranoia. It squeaked through. The transience of the exterior is not mirrored within. The opposite is true Here, now, is Café Lapérouse in the courtyard.

The Park is the new restaurant from Jeremy King, and it sits in a golden building to the north of Hyde Park, just off Queensway. This is an interesting district compared with Knightsbridge – it is still capable of reality – but isn’t every-where interesting compared with Knightsbridge? The Park is Art Deco of course: the presiding aesthetic of familiarity, snatched joy and inevitable doom. It looks like an exquisitely appointed cruise ship of the mid-20th century King is a specialist in grand cafés. He opened the Wolseley in Piccadilly and the Delaunay on the Aldwych, though he lost them to his feckless backers in 2022, and has begun again with Arlington by the Ritz, Simpson’s on the Strand, pending, and this. Queensway has a grand café now, and I am pleased for it.

In Spain, you can eat all day – and we did. Earlier in the summer, I spent two days in Andalusia, and most of the 48 hours were taken up by mealtimes. A breakfast of the sweet porridge poleá started the day, then ham-tasting for a mid-morning snack, followed by a two-hour lunch. Spanish law requires that each Iberian pig gets 10,000 square metres to roam – a Cinco Jotas pig gets twice that Spanish chef José Pizarro led the way, taking us to his favourite restaurants and showing us where he sources his ham and caviar. I ate some of the best fish I’ve ever tasted – seafood croquettes on the beachfront at Chiringuito Tropicana in Málaga; creamy black squid ink rolls with flaky crust dipped in aioli at Eslava. Locals are mad for these restaurants.

The Langham is a Victorian Gothic hotel opposite the BBC in Portland Place. It’s an odd place: haunted house near the wreckage of Newsnight. Perhaps I think this because the last time I came here I interviewed Jeremy Paxman about his ghosts: when he was anxious he banged the wall. The time before, my godmother collapsed at tea in this very room, now Chez Roux. It’s a vast, dimly lit silver space. The lights are long and slender, like giant earrings. Palms wobble. A palm court is a Victorian conceit; the Titanic also had one. I wonder if they were here for Napoleon III, Guy Burgess, or Sherlock Holmes. I wonder how they stay alive in darkness. Le Gavroche closed in January, and if it hasa successor, it is this It’s a hard thing to dress, a windowless room.