Spectator Life

I fled New York City in March for my hometown in Pennsylvania. I brought with me one suitcase, a good chunk of it filled by my favorite book: the bestselling Nothing Fancy by Alison Roman of the New York Times. I’m now facing weeks here with three shirts and an impractical selection of underwear, but I regret nothing about my packing. As my father drove up the turnpike to evacuate me, I had decided in a burst of wartime can-do spirit that my contribution to the household would consist in cooking for the family, and damn if I wasn’t going to make a go of it. There was more than a little self-interest in this idea. Like all middle children, I long for a chance to shine in front of my family.

Ovid’s little how-to manual, The Art of Love, is full of good advice. Let’s say you are interested in a girl. Take her to the games. Sit close to her. If a speck of dust falls on her lap, ‘flick it off with your fingers. If none falls, flick off — none.’ The Art of Love is full of such useful tips, elegantly expressed. Practical chap that he was, Ovid knew that even so subjective a pursuit as love could be helped along by the mastery and deployment of certain techniques. Among the many impressed by Ovid’s handbook was the German Renaissance humanist Vincent Obsopoeus. In 1536, he published De Arte Bibendi (The Art of Drinking), an allegro poem deeply inspired by Ovid’s Ars Amatoria.

It’s been one day since Northern Virginia closed its liquor stores and already civilization has collapsed. Fires burn on the horizon as the cry of the sober mob reverberates through the streets. People nail boards over their windows and spray paint ‘NO VODKA’ on them. Yuppies have descended into the underground Metro stations, where rumor is they’ve become something less than human. Harvesters, we call them, and last night they came for my friend Bone Saw… That, of course, is not what’s happened in Virginia since the state ordered the temporary closing of some liquor stores last week. Life in the quarantined DC suburbs has mostly continued as usual.

This article was originally published in The Spectator’s UK magazine. Subscribe to the US edition here. I had to go to Hillsdale, Michigan, home of Hillsdale College, to make my first visit to Healdsburg, the Sonoma County town that is the epicenter of about 100 California wineries and tens of thousands of vineyard acres. On this first, virtual trip, I dipped my toe into the Alexander Valley, the region north-northwest of Healdsburg. There are more than 40 vineyards in the Alexander Valley and I sampled two of the best, Silver Oak and Jordan. At least since Plato’s Symposium (Greek for ‘drinking party’), it has been understood that the essential accompaniment to wine is not food, though that is nice, but conversation.

‘Seacuterie’ is a crime of a word. It looks OK in writing, if you don’t think about it too much, or if you’re the kind of person who approaches words like a scientist observing a new strain of bacillus. A linguistics student would point out that seacuterie is a portmanteau word, in which segments of multiple words are cut loose from their motherships and roped together into rafts of new meaning, producing such fantabulous and indispensable neologisms as ‘sheeple’ and ‘frenemies’. ‘Seacuterie,’ he’d tell you, is a portmanteau of ‘sea’ and ‘charcuterie.’ That’s all very well, but portmanteau or no portmanteau, ‘seacuterie’ sounds silly when you say it aloud.

The annual publication of the century-old Michelin restaurant guides creates an excitement in France akin to the Oscars, but the 2020 Guide Michelin is provoking dyspepsia. This is the first time since 1965 that the restaurant founded by Paul Bocuse — the pope, the Napoleon, of French cuisine — no longer figures among the 27-strong group of French restaurants receiving the ultimate culinary accolade: three-star status. Two years after the maestro’s death, the black truffle soup and volaille de Bresse en vessie Mère Fillioux no longer seduce Michelin inspectors. What Bocuse called la sainte trilogie, butter, cream, wine, has lost its infallibility. And Monsieur Paul is not the first to go.

Since late last summer, I’ve been experimenting with something pretty crazy. It’s not drugs. Nor is it a trendy celebrity religion. It’s meat. Like Jordan Peterson and other great apes, I’m on the carnivore diet. The carnivore diet is a lot simpler than keto, for example, which involves counting macronutrients. On carnivore, you merely refrain from eating anything that isn’t an animal product. Beef, lamb, chicken, pork and seafood are all in, but vegetables, fruit and grains are out. It’s reverse veganism, or the hunter-gatherer diet, but with more hunting and no gathering. Apart from those who work at a zoo, most people know of the carnivore diet because of Peterson and his daughter Mikhaila.

Close your eyes and think about the word ‘winery’. What image comes to mind? I’m guessing you will say, ‘A large stone pile from the 17th century or before surrounded by lovingly tended gardens and row after row of neatly staked vines.’ That is not wrong, but it is incomplete. There are plenty of wineries in France and elsewhere that feature modernist architecture. And there is one in Brooklyn, New York at 175 Van Dyke Street, towards the end of Pier 41 at the old Navy Yard. With a spectacular view of the Statue of Liberty and the New Jersey waterfront, Red Hook Winery — a retail tasting room in front, barrels and vats in the back — occupies a fetching but improbable spot. Red Hook was started in 2008 by Mark Snyder.

This article is in The Spectator’s February 2020 US edition. Subscribe here. In the 20th century, you joined a city or country club for status and a good meal on the regular. But who wants to eat the same food from the same chef every meal for the rest of your life? Now we go to restaurants. There’s always a new spot, a new dish, a new someone you need to impress by swiping right across the menu. It’s been my lifestyle choice for over a decade now. My life revolves around food, and most of my monthly budget goes on gastronomy. But I’m tired. Most of these hotspots just aren’t that hot. My jaded palate needs something new — or rather, something old.

This article is in The Spectator’s March 2020 US edition. Subscribe here. If the Roman Catholic Lent can be exemplified by fish fries, the Byzantine Catholic Lent can be encapsulated by Patrick Bateman’s final monologue in the movie American Psycho: ‘My pain is constant and sharp, and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others.’ I am not a misanthrope. But a mere several days into the Byzantine Great Fast preceding Easter, going to social events can be torturous. The sight of meaty or cheesy foods causes me to want to pull the pin from my corporal grenade of self-control.

This article is in The Spectator’s February 2020 US edition. Subscribe here. Donald Trump serves the best food in Washington. The residents of DC won’t say so, but it’s true. America’s capital has a lively food scene, with many excellent restaurants. None is better than the two that are in the soon-to-be-sold Trump International Hotel on Pennsylvania Avenue: Sushi Nakazawa and BLT Prime by David Burke. Burke’s joint is absolutely my kind of place. It’s in the hotel lobby. The building used to be a post office before the Trump family converted it. The enormous glass-roofed lobby area is a marvel: put politics to one side and admit that it is an extraordinary achievement.

This article is in The Spectator’s February 2020 US edition. Subscribe here. I think it was from the late Roger Scruton, back when he was writing about wine for another magazine, that I learned the importance of being a terroiriste — not, nota bene, a terrorist. That, as Qasem Soleimani learned to his sorrow, is something else entirely. No, what Sir Roger had in mind was the importance of environment to the production of delicious wine. Terroir means the composition of the soil, yes, but it also means so much more. One dictionary sums it up as the ‘complete natural environment in which a particular wine is produced, including...the soil, topography, and climate’.

This article is in The Spectator’s February 2020 US edition. Subscribe here. The children are eating eggs and bacon by the time I make it downstairs. A pair of frozen hash browns sits lonely on the plate at the head of the table. They have been cooked in a separate pan, one greased in vegetable oil rather than butter. I scold myself for the bitter glare I cast upon the urchins crying ‘Good morning, Daddy!’ They cannot know that the crisp pork fat and fried eggs lie on their plates only because Daddy has agreed to go vegan for the amusement of Spectator readers. The English never seem to tire of starving the Irish. At least there are potatoes this time around. Vegans forsake leather in their belts, wool in their coats and any animal product in their mouths.

Activists from the animal welfare group Direct Action Everywhere (DxE) last week released photographs taken on an Iowa pig farm. They claimed they had walked through an open door, photographed pigs suffering from hideous rectal prolapses and open sores, as well as what appears to be overcrowding. The photographs were taken last April, and the activists have claimed that they withheld the pictures to avoid the accusation that they had contaminated the living conditions and endangered the pigs. Ironically, they have received criticism both for endangering the pigs and for withholding evidence.The owner of the farm is Republican State Sen. Ken Rozenboom.