Explore the intellectual side of the Renaissance’s softest boi at The Met
There can be resistance to Raphael. A bit unfair, really. Just as Renoir is considered the soft-edged Impressionist, Raphael (1483-1520), indisputably one of the three great artists of the Renaissance, is often eclipsed by his near contemporaries, Leonardo and Michelangelo. Is it because his works are just too beautiful, too ethereal, too perfect? This view is a relatively new phenomenon. In the 19th century, Raphael had pole position because his paintings were so otherworldly. His romance with La Fornarina (the baker’s daughter, sitter for one of Raphael’s greatest portraits) only boosted his reputation further. However, it turns out the 21st century is more inured to love’s dream. We prefer artists to be tortured souls.