Books

We’re finally allowed to say Biden was senile!

So, Joe Biden spent a great deal of his term in office suffering from what might politely be called senile dementia, and those who enabled him led the Democrats to one of their most humiliating electoral defeats off the back of this subterfuge. This cannot in all honesty be called a revelation.When I first read the breathless headlines that came about from the publication of Jake Tapper and Alex Thompson’s exposé of the Biden regime, Original Sin, I was reminded of Horatio’s words in Hamlet: “There needs no ghost, my lord, come from the grave, to tell us this.” And although Biden himself may not be in the grave, the (suspiciously timed) announcement of his late-stage prostate cancer may mean that this book functions as an epitaph of sorts for him.

Original Sin

Hasn’t Salman Rushdie suffered enough?

I used to run into Salman Rushdie at London literary parties a couple of decades ago, before he became a US citizen in 2016 and largely made his life there afterwards. He was always charming and likable company, during the brief conversations that we had, and the worst that I would say of him is that he was all too aware of his own fame and reputation. Certainly, I was not the only one in a long line of admirers and acolytes wishing for a couple of moments with the great man, and Rushdie certainly paid rather more attention to the attractive women or girls than he did to the rather gauche young men who had read Midnight’s Children or The Satanic Verses.

Who was William F. Buckley Jr., really?

What more can be said of the American conservative commentator, novelist, musician, sailor, talk-show host and tireless public intellectual William F. Buckley Jr. (1925-2008), that he or his previous biographers haven’t already said or written? After all, this is an individual who in 1983 wrote a 90,000-word book, called Overdrive, covering the events of a single week of his life. Plenty more, it turns out, as Sam Tanenhaus proves in his thousand-page biography Buckley: The Life and the Revolution That Changed America. Buckley was blessed with a voice that sounded like he let it marinate in a cask of port between appearances Buckley was 58 when he wrote Overdrive, and kept to a schedule that would have taxed the energy of a man half his age.

Buckley
Murray

A profound account of the October 7 pogrom

I first learned about anti-Semitism at the age of eight, when my father explained to me that his closest business friend could not live near us because he was Jewish. This was 1961, hardly three miles from Mount Vernon, Virginia, in a new-build neighborhood that was racially segregated, as was my elementary school. Black children descended from George Washington’s slaves lived in a nearby rural ghetto called Gum Springs and were not welcome east of Fort Hunt Road. Somehow that memory – like John F. Kennedy’s assassination two years later and the view of his funeral procession from my father’s office window – is one of my earliest and starkest recollections.

Vuong

Ocean Vuong’s newest work is an affecting celebration of misfits

Ocean Vuong’s writing is heavily influenced by his own experiences. The protagonist of his first coming-of-age novel, On Earth We’re Briefly Gorgeous, is a carbon-copy of the author. Vuong was born in Vietnam in 1988. While serving with the US Navy, his American grandfather fell in love with “an illiterate girl from the rice paddies” who gave him three children. When one of them, Vuong’s mother, was identified as mixed-race by a policeman, the family was displaced to a refugee camp in the Philippines and finally made it to Hartford, Connecticut, where Vuong was raised by his mother, aunt and grandmother. His family story merits a book of its own.

McNally

Keith McNally’s memoir is strangely unappetizing

Harvey Weinstein has a memorable walk-on role in Keith McNally’s memoir I Regret Almost Everything. Taking a break from being New York’s most celebrated restaurateur, McNally wrote and directed a film called End of the Night that was screened at Cannes in 1990. Its auteur hoped that Weinstein, who distributed the previous year’s Palme D’Or-winning picture Sex, Lies, and Videotape, would warm to it. He was blunt: “I didn’t like your film and I’m not going to buy it.” As McNally swallows the shot, there’s a chaser. “But I’d still like to come to the after-party.” McNally admires Weinstein’s honesty, if little else. So I’m going to be straight, too. I didn’t enjoy I Regret Almost Everything. This is a shame, because the ingredients are promising.

The final act of Thomas Pynchon

Whisper it, very quietly, but the now 87-year-old author Thomas Pynchon is having something of a moment in 2025. Not only has his 1990 novel Vineland supposedly served as the loose inspiration for the eagerly awaited new Paul Thomas Anderson-Leonardo DiCaprio collaboration One Battle After Another, but the near-impossible has been announced: Pynchon will publish a new novel, entitled Shadow Ticket, around the time of the movie’s release. It will be his first book in more than a decade, his ninth novel and his third consecutive noir-influenced story.

thomas pynchon

Amanda Knox’s new memoir asks what lies next

The question at the heart of Amanda Knox’s latest memoir Free: My Search For Meaning is a simple one: what are the life prospects for an exoneree? It follows 2013’s Waiting to be Heard, which detailed the Seattle student’s imprisonment in Italy before and after a wrongful murder conviction, and her fight for justice. For anyone who was asleep under a boulder at the time, Knox is the gauche American student who became the target of a media firestorm following the brutal murder of her British roommate Meredith Kercher in Perugia, Italy, in 2007. She was convicted of the crime alongside her boyfriend Raffaele Sollecito in 2009 and freed on appeal in 2011. (Kercher’s actual murderer, Rudy Guede, was convicted in a fast-track trial in 2008, and released in 2021.

amanda knox
isherwood

The double life of a single man

In the late 1930s, the author W. Somerset Maugham said that Christopher Isherwood “holds the future of the English novel in his hands.” But the younger writer was about to leave London for Los Angeles. He and his close friend W.H. Auden emigrated in January 1939. En route, their ship was beset by a blizzard. It arrived in New York looking like a wedding cake, in Isherwood’s evocative description. Their journey to the New World was a wholescale rejection of what Isherwood had long thought of as “the Test.” For earlier generations, this had been the Great War (Isherwood’s father, Frank, was killed at the Battle of Ypres). For them, it was to be World War Two. Auden and Isherwood would be damned as cowards, but Isherwood had already found other interests.

dickens

A Charles Dickens patchwork

What connects pistachios, hay, and Mr. Krook in Charles Dickens’s Bleak House? Asked this question on a recent episode of the British TV quiz show Only Connect, the contestants noted all three are prone to spontaneous combustion, although, as one player exclaimed, “I can’t imagine that happening in a novel, but things were different back then.” Novels contain novel imaginings, but people back then were equally skeptical. Dickens eventually had to defend the death of Krook, the sozzled owner of a rag-and-bottle shop, by listing the historical precedents. He knew a thing or two about a rapid reaction between fuel and oxygen that emits a fiery blaze of energy. By night he walked and walked, to still his beating mind.

Val Kilmer should be more appreciated in death than he was in life

The late Val Kilmer was difficult. That word is a kiss of death in Hollywood, because as soon as it’s murmured that you are hard to work with, your career declines inexorably. Kilmer had directors lining up to say how impossible he was. Joel Schumacher, who made Batman Forever with him, barely stopped kvetching about the actor, calling him “overpaid, overprivileged and psychotic.” Shortly after the film’s release, Schumacher said “He was badly behaved, he was rude and inappropriate. I was forced to tell him that this would not be tolerated for one more second. Then we had two weeks where he did not speak to me, but it was bliss.

Kilmer

A crisp and refreshing account of the apple

In Food for Life, Tim Spector’s book on the science of eating, the author gives the chemical makeup of a mystery food, listing more than 30 scary-sounding E numbers, sugars, acids and chemicals, before revealing that it is an… apple. Sally Coulthard’s book, The Apple, shows that it’s the apple’s complexity as well as its familiarity, that makes it the ideal punchline for Spector, and, for Coulthard, a perfect vehicle to carry the history of how we grow, trade, cook and eat together and take responsibility for each other and the environment (or not).

apple

Apple TV+’s Dope Thief is an ugly mess

LOG is the name of ungraded digital video footage. It’s flat, lifeless, and dark, but that’s fine because you can tweak, tune, and adjust in a way that was never possible with film, fiddling with exposure, contrast, saturation, and so forth. In those days, everything had to look as good as possible on the film. But, with the ability to grade in post, fix visual effects in post, and change backgrounds and designs in post, directors started getting lazy. And eventually, some convinced themselves that ugliness is a distinct stylist choice. It’s not laziness; it’s an aesthetic. I say all this as, in another era — an era with more care — Dope Thief could have been a great show.

Dope Thief

How F. Scott Fitzgerald anticipated our modern age

It has never been easier, or less rewarding, to be a Great Gatsby bore. As the book that is frequently, and speciously, cited as the Great American Novel — perhaps because, at around 180 pages, people have bothered to read it — turns 100 this month, it has become the byword for a certain kind of middlebrow literary appreciation. Even people who are barely aware of the novel know certain images and lines, such as the omnipresent lighthouse, “So we beat on, boats against the current, borne back ceaselessly into the past” and the whole Ralph Lauren-esque visual aesthetic that F. Scott Fitzgerald appeared to anticipate. The novel, published in April 1925, has achieved the impossible by breaking free of the page and reverberating across the world in a kind of endless meta-narrative.

Gatsby

Caroline Calloway wants to give you some advice

Caroline Calloway — “It” girl, Instagram phenomenon, scammer, grifter — wants to give you some advice. Except, like most things in Calloway’s world, it’s not that simple. What she actually wants is for Elizabeth Wurtzel, author of Prozac Nation (1994), to give you some advice. But there’s just one problem: Wurtzel is dead. No matter: Calloway is stepping in, updating Wurtzel’s unpublished advice guide with some of her own insights and social-media savvy. If this unbidden collaboration from beyond the grave sounds farfetched, that’s because it is. Elizabeth Wurtzel and Caroline Calloway’s Guide to Life is about as mad as you would expect from the self-published author of Scammers and no less extraordinary for it. Of collaboration, Calloway knows a fair bit.

Calloway

Scott Turow’s latest novel attempts to understand humanity

Scott Turow’s Presumed Innocent burst into the world in 1987, zinging out of bookstores into bestseller-dom like nobody’s business. It concerned Rusty Sabich, a lawyer who became a suspect in the case he was prosecuting. There were enough twists and turns to satisfy the most Daedalian of labyrinth-makers, and its longevity was demonstrated by its being adapted into a new, Jake Gyllenhaal-starring show last year on Apple TV+. Presumed Guilty’s title plays nicely on its predecessor’s, and also points toward this new book’s consideration of racism within the American justice system. Sabich is now an old man, nearing his eighties. But boy, is he active. We know this because he likes to canoe while stripped to the waist. He chops wood in the outdoors!

Turow

A biography of Lorne Michaels that strays into hagiography

The gilt fell off Saturday Night Live’s reputational gingerbread almost from the moment of its inception. Long before the arrival of Bob Woodward’s Wired: The Short Life and Fast Times of John Belushi (1984) — its antihero dead at the age of thirty-three — whatever luster the show had possessed had been well-nigh obliterated by a tide of scuttlebutt. The girls were (apparently) all bulimics and anorexics. The guys were coke fiends and egomaniacs. Misogyny (exemplified by Belushi’s dislike of sketches written by women) and back-stabbing were endemic; drug dealers sat in on the writing sessions.

Lorne

Why Europe needs to take the Putin threat more seriously

Russia’s war on Ukraine presages a dire future for all of Europe unless Vladimir Putin’s military is decisively defeated. That is the powerful and persuasive argument advanced in Keir Giles’s new book. To appreciate fully the importance of his contentions, you must acknowledge not only Giles’s own status as a supremely well-connected senior fellow at the famed Chatham House think tank in London but even more so the all-star cast of international military luminaries who have publicly endorsed his analysis: the now-retired US generals John Allen and Ben Hodges, UK general David Richards, Australian general Mick Ryan, plus former Estonian president Toomas Hendrik Ilves. Giles’s assertions thus should be taken with the utmost seriousness.

Giles

The courage of Salman Rushdie

I know that our readers have led varied and colorful lives, but I would suggest that few, if indeed any, of you have spent decades cowering under the daily terror of a fatwah imposed upon you by a totalitarian state because of a literary novel that you once wrote. I would also suggest that, when Salman Rushdie — for he had that dubious privilege — emerged from a lengthy, frightening and tedious period of hiding, he chose to immerse himself in the social life of both London and the United States to show that he was not afraid, and that the threats and grimacing of extremists did not mean that he was not entitled to lead his own version of his best life. He was right to do so.

salman rushdie