Sam Leith is literary editor of The Spectator.
The sound in the Grand Hall is like the chattering of sparrows. Milling at the door, most wearing bright yellow T-shirts with plasticky decals so big they practically double the weight of the cotton, are the domino sharks, kibitzing and waiting their turn for the tables. Inside, at the far end, a dais is decorated
‘Reviewers,’ laments the Dr Cake of Andrew Motion’s title, ‘they are devils. Devils. I have seen good men, good authors, broken by their deprecations. The worst of it is their presumption in supposing that those they chastise do not know their own faults, and admonish themselves with a ferocity others can only imagine.’ From a
The 13th Earl of Haddington (cr. 1619) was minded to revise his theory about crop circles to incorporate pixies, he told me the other day while we were enjoying a pre-dinner cigarette at the chimney piece of a grand dining-room in Chillingham Castle, Northumberland. Lord H. – a whiskery, engaging gent in tartan trousers –