Peter Jones

MPs are not exactly attracting plaudits for their recent attempts at governing. Perhaps Cicero’s three-book work On Duties (De Officiis) might be of assistance. It was written in 44 BC, a few months after the tyrant Julius Caesar was assassinated. Seeing life as a complex of obligations to others and oneself, Cicero picks apart the challenges this raises. Book III is of particular interest, where he tackles the problem of how to resolve a situation in which there is a clash between what is advantageous and what is right. He is not looking for the perfect solution, he says — no one is perfect — but for a working solution that ‘comes within the range of our comprehension’ and is ‘relevant to all mankind’. His example is Caesar’s assassination.

The ‘social mobility tsar’ Katharine Birbalsingh has suggested that children, born evil, ‘need to be taught right from wrong and then habituated into choosing good over evil’. The Twitter mob is equally certain that all children are born ‘good’, and it is their environment that spoils them. Ancient Greeks, ignorant of St Augustine, did not think that this was a simple either/or question but that moral capacity was determined in many different ways, depending on e.g. age, sex, status, intelligence, chance, fate (etc.) — and nature. Greeks thought the gods had little to say about the question, since myth did not suggest they were our moral superiors, though that did not stop gods intervening in a man’s life if they so chose.

The Globe theatre’s project to ‘decolonise’ Shakespeare, as if that would make plays like The Tempest ‘acceptable’ to them and their audience, would have met with no approval at all from Plato (c. 425-348 BC). For him, all poetry and the arts were corrupt, and in his Republic, a discussion of how an ideal state should be constituted, he called for them all to be banned. Plato’s argument begins from exactly the same position as the Globe’s: that all art, but especially that which deals in words, has an educational effect. In other words, it instructs, whether it likes it or not (and Greeks did indeed argue that this was its effect, and even purpose).

Twitter and other easily accessible means of online communication have encouraged the public to believe that Their Voice Will Be Heard. When it isn’t, they express their frustration through abuse and threats or by blocking roads. In this way, the mentality of the ancient curse-tablet lives on. In the ancient world, the purpose of the curse was to ‘bind’ the person you disliked — i.e. frustrate them from achieving the end they wanted and you did not. It was written on a thin lead plate, rolled up tight, sometimes twisted (to ‘hobble’ the victim) and pinned (to constrain him), then placed into the tomb of someone who had died before their time.

Professor Kathleen Stock of Sussex University is accused by a group of students of being transphobic and a danger to transgender people because she believes that people cannot change their biological sex. ‘We’re not up for debate,’ the students said. ‘We cannot be reasoned out of existence.’ This, in Aristotle’s terms, is pure hatred. In his Art of Rhetoric, Aristotle tackled the emotions and made a most instructive distinction between hatred and anger. Anger (orgê), as he defined it, was ‘desire, accompanied by distress, for revenge because of an obvious but undeserved belittlement of oneself or those near to one’. If that is the case, he went on, the angry man must ‘always be angry with a particular person’.

So James Bond is back, doing exactly what he always does, inviting the audience into a fantasy world for the pleasure of wondering ‘What if?’ In this respect, Bond films resemble the work of the world’s first recorded comic poet, the Athenian Aristophanes (c. 440-380 bc). His premise was that Athens’s problems could be solved only by little people of no importance, not the greedy, vain and incompetent leaders in the public eye. So the scene was set for the hero(ine) to put them firmly in their place. One favourite subject for his comic fantasies was the long war between Athens and Sparta (431-404 bc). Take three examples. In 421 bc Aristophanes sent a farmer Trygaeus up to heaven on a dung-beetle to find Peace and restore her to earth.

Hardly a day goes by without headlines about immigrants, asylum-seekers and refugees. In the ancient world, movements of people were also very common (state boundaries did not exist), often because war, famine or exile left them with no option. So how did refugees try to win acceptance? In Homer’s world of heroes (c. 700 bc), a man indicated he was harmless by kneeling before his (proposed) helper, perhaps touching the knee, and appealing for aid in the name of Zeus, god of suppliants. He expected a welcome into the household as a guest, and becoming part of that household, or being helped on his way. When Athens was a democratic city state (c.

Why are cabinet ministers Liz Truss and Dominic Raab squabbling like children over access to grace-and-favour Chevening? Because they know they are, ultimately, powerless. The Greek statesman Solon (c. 590 bc) made the point long ago: ‘Those who have influence with monarchs are like pebbles used in calculations: for [depending on their place on the board] they can one moment represent a very large number, the next a very small one. So a monarch treats each of his advisers now as important and famous, now as valueless.’ Result: they seek to inflate their self-importance — while they can. No one understood that better than the Stoic philosopher Epictetus (d. ad 135).

The extraordinary sporting achievement of Emma Raducanu and the response it has received from royalty and politicians alike makes one wonder whether she, too, might start to encourage popular initiatives of the sort Marcus Rashford supports. Roman elites were keen to use such figures in the public eye to keep the people happy. Romans were a rough and ready lot and used rough and ready tactics when it came to drawing the attention of the elites to their concerns, e.g. food shortages. A street riot was one way of getting through to the bosses, and plenty of street leaders were happy to organise them.

A ‘State of the World’ report warns that a third of the world’s wild tree species are threatened with extinction. Agriculture and logging are the main culprits. They were in the ancient world too. It is hard to overestimate the importance of trees for past societies: they were the only source of fuel for heating, cooking, potting, including tiles and bricks, and smelting (coal came into play only from the 16th century), and of timber for building. The emergence of palace states and the growth of trade during the Bronze Age from c. 3000 bc — bronze, made by smelting tin and copper, was far more durable than copper — increased its use dramatically.

In the 18th century, art historians’ admiration for the beauty of white-ish ancient Greek marble statuary led people to draw conclusions, on the back of their belief in classical ‘authority’, about white superiority. This, we are told, turned many classicists into racists. Today some members of the Cambridge Classics Faculty feel the white-ish plaster-cast replicas of those statues in their museum ‘entrench[es] racism’ in the same way. Their proposal is to put up a notice about it. Wow. Go, Cambridge! That’ll show those racists! And surely those still disgustingly white originals all over the world need notices as well. Two things need to be said.

‘No one is stupid enough to choose war over peace. In peace sons bury their fathers; in war, fathers bury their sons,’ said Croesus to his conqueror, Cyrus of Persia, according to Herodotus. But actually man’s stupidity has lasted thousands of years, and one rather doubts whether the fanatical Taliban will buck that doleful trend. Romans were proud of their pax Romana, but it had been won in blood, over centuries, as they were well aware. ‘Who wishes for peace, let him prepare for war,’ said Vegetius. ‘Peace was secured by victories,’ boasted Augustus; Virgil talked of Rome ‘imposing the practice of peace’. Tacitus made the Caledonian leader Calgacus remark that Romans ‘make a desert and call it peace’.

Oxfam is arguing that if all billionaires forked out 99 per cent of their profits made during the Covid pandemic, the whole world could be vaccinated and every unemployed worker given a handy payout. Dream on. The ancient Athenians had rather more intelligent ways of soaking the rich. They raised annual taxes only for specific, stated ends (‘hypothecation’). These were funded by the 300 richest property-owners. A typical wealth-level was four talents (2,400 drachmas; an average wage was about 350 a year) and around 100 events a year needed to be covered. The tax was called a leitourgia (literally ‘work for the public’) from which we get our ‘liturgy’.

The government’s promise to fund a pilot scheme promoting the teaching of Latin in secondary schools is music to the ears of the charity Classics for All, which has introduced classical subjects into more than 1,000 state schools. Latin has been taken up with especial enthusiasm in primary schools, where word derivations have proved very popular. The ancients loved them too. The Roman Varro (116-27 bc) wrote a 25-volume de lingua Latina (‘On the Latin Language’). Six survive, three discussing etymology, all full of interest because Varro, ignorant of scientific etymology (it developed only from the 17th century onwards), produced total nonsense.

Winners at the Olympics were thought to have come as close to a god as any man could. But that did not stop some Greeks wondering whether it was all worth it. The poet Xenophanes commented that ‘a noble boxer would not make a city better ordered, nor keep its granaries filled’. Diogenes the cynic once met an athlete boasting about how fast he was. Diogenes replied: ‘But not faster than a rabbit or deer, the swiftest of animals, and also the most cowardly.

Every red-blooded Englishman has believed that exercise in the open air is the finest prophylactic against popery, adultery and the fine arts. Baron de Coubertin, who dreamt up the modern Olympic Games, took a different view. He admired the spirit of games on the playing fields of Eton and thought that they might provide a model for games of the sort he imagined the ancient Greeks enjoyed at Olympia: competitive but amateur, fair, wholesome, played for the sake of it and also, he hoped, acting as a stimulus to world peace. Up to a point, Lord Copper. The Olympic Games, founded in 776 bc, celebrated Zeus, god of Mount Olympus, at his sacred site, Olympia (the actual mountain is more than 160 miles away).

The Prime Minister is urging citizens not to throw caution to the winds when lockdown ends on 19 July but to behave ‘responsibly’. But there seems little incentive when legions of psychiatrists, lawyers, counsellors, social workers etc appear to insist you must never blame people (only ‘society’ or ‘the Tory cuts’) for anything. Can the ancients help? For ancient Greeks, it was the prospect of public shaming that kept people behaving responsibly. In Homer’s Iliad, the first work of European literature (c. 700 bc), the heroes who always feared what other people would say about them if their behaviour did not come up to what was expected of them exemplified that sense of shame (aidôs). A myth explained all.

The recently unveiled funerary monument of Princess Diana prompts comparison with Greek and Roman archetypes. To many, Diana was a heroic figure. Greek sculptors represented females as dignified figures, intricately coiffed, in graceful, loose-fitting, free-flowing tunics and ankle-length cloaks, with contrasting vertical and diagonal folds. Males were nude, a public statement of power and physical perfection, as if human significance did not end in death. Both were idealised figures, illustrating character and quality, not likeness. There is no hint of heroic ideals in this Diana, dressed presumably as a nursery teaching assistant. She does not even look like Diana, an attractive, delicate-featured woman.