Olivia Potts

Sometimes, when I am planning a pudding, it can feel like there is a hitch in my brain, a little sticky spot that I catch on, and have to release myself from before I can move on. That hitch, that sticky spot, is rhubarb and custard. I know that there are other pudding bases, sweet dishes that are more original, more popular. I know that there exist other marvellous fruits that deserve the spotlight, that there are chocolate concoctions that will ooze and impress, bitter caramels that will shock and delight. But in order to get to them, I have to move past my first instinct which is always: rhubarb and custard. It’s not simply that it is a default combination in my mind.

When it comes to cooking, I make no secret of the fact that I’m something of a traditionalist: I like old-fashioned steamed puddings, I like the classic and the heritage. I like blancmange and rice pudding and suet. I am unashamedly unfashionable. I’m not sure whether I chose the Vintage Chef recipe writing life, or whether the Vintage Chef recipe writing life chose me. I just don’t see the point in reinventing the wheel, or injecting unusual flavours and twists just for the sake of it. But, as I look back through recipes I’ve written, Easter has always been my exception: hot cross bun ice cream sandwiches, hot cross bun bread and butter pudding, cakes topped with mini eggs.

This week’s recipe is for a chocolate cake that is not a terribly traditional chocolate cake. But that is its charm. It uses only one egg, no butter and, most magically, absolutely no chocolate. Instead, it uses cocoa powder and boiling water: the boiling water releases a deeper, rounder flavour from the cocoa, which is enhanced by vanilla, a little strong coffee, and a pinch of salt. The cake’s flavour is a little like that of a packet mix of brownies – which is not to diminish it, but to signal its fudgy darkness. Feel free to swap the sugar for whatever you have: caster, granulated, even dark brown sugar would work here, or a mixture of whatever’s in your cupboards.

Spaghetti and meatballs is an iconic dish: whether it’s Lady and the Tramp that springs to mind at the name, cosying up over a shared bowl of the stuff, facilitating their canine kissing, or Henry Hill describing the prison meatballs that they make to remind them of home in Goodfellas, while Paulie slices garlic paper-thin with a razor blade, there’s no denying that this pasta dish is one which has taken on significance beyond the sum of its parts.

With Shrove Tuesday upon us, I am forced to face my annual pancake day gripe. It is, inevitably, the cook’s gripe: standard crèpe-like pancakes should be eaten as soon as they are cooked, each doled out to waiting mouths as soon as it’s ready. Yes, recipes tell you you can keep them warm in a low oven, but doing that tends them towards the rubbery and luke-warm. This means that the cook is standing at the stove ladling batter while everyone else eats. As a greedy cook, I resent this. But there is a pancake solution: the Dutch baby. The name does not point to a Holland heritage: instead, the dish is named after the Pennsylvanian Dutch, a group of German-speaking immigrants to America.

I don’t quite know how the Americans got away with it: convincing first their own people, and then the rest of the world that a muffin is a suitable breakfast food? A foodstuff which is, let’s be honest, cake. But then, we are quite happy to sprinkle our worthy porridge liberally with demerara sugar, to use yoghurt in our overnight oats or alongside granola, to combine butter and flour in any manner of breakfast staples from toast to pancakes, what’s so different about combining all those things?

There’s something inherently romantic about eggs: whether you’re preparing them for another person, or being served them, they always strike me as a little act of love. Maybe it’s that they suggest breakfast in bed. Breakfast in bed is not about flirting or seduction, it’s more than that. You don’t make breakfast in bed for someone in whom you’re uninterested. Breakfast in bed is not a collaboration, it’s a gift from one person to the other, reserved for those you wish to impress, or to whom you wish to signal your love. That said, while in theory I like the idea, in practice I can feel a little allergic to breakfast in bed: the prospect of crumbs dropped and discovered the following evening is about the least romantic thing I can imagine.

There is a very particular fear that runs down your spine when you realise you've forgotten to buy a gift, be it for a birthday, Christmas or as a surprise for a special someone. Whatever the occasion, the same panic spreads through you, the social anxiety of knowing that you have failed in gift-giving etiquette, that you’re going to have to receive their present with nothing to hand over in return. Having learnt the hard way, this is why I like to have a little stash of homemade edible presents at home, ready to swerve such an occasion. Over the years I’ve done jams and jellies, fudges and toffees, little jars and crinkly cellophane bags, all bedecked with ribbons, ready to be doled out.

My casserole dish is seeing heavy use at the moment: with each day seeming colder than the last, a blipping stew sitting on the hob feels like a defence against midwinter. This week I’ve been making a variation on coq au vin: coq au riesling. As the name would suggest, coq au vin is a French dish, made by cooking chicken in wine. Traditionally, that ‘coq’ would be a cockerel, older and tougher than the chicken, but the slow braising in the liquor-rich sauce renders it tender and flavoursome. But then, traditionally, the dish would also use blood for thickening. Don’t worry: I’m not going to suggest you try to procure either an ageing rooster or a bag of blood. Some traditions are products of their time, and best consigned to it.

Our friend Colin is back in the news again. This time, it's not his name that has caused a storm – Colin's many fans may remember M&S filed an intellectual property claim against Aldi back in April in an attempt to stop them from selling their copy cat-erpillar Cuthbert. Rather, it's the suggestion that he may have been present at the Prime Minister's impromptu birthday party,  that is raising eyebrows. Like Prince, Madonna and Boris, in birthday party circles, Colin needs no second name, with over 15 million sales under his belt during his 30 year life. I’m only slightly older than Colin, and he’s been present at perhaps half the birthday parties I’ve ever attended, plus more than one wedding.

If these chocolate chip cookies are my only achievement for the entirety of last year's lockdown, I think I’ll be satisfied: crisp and buttery on the outside, fudgy and sweet within, with pools of dark chocolate, and just the right amount of salt. As ever, with baking, there are always substitutions you can make, if you don’t mind a slightly different (but still delicious) end product. Sub in the light brown sugar for dark brown sugar for an even deeper toffee flavour, or swap out the caster sugar for granulated or demerara. Strong white bread flour will work, if you can spare it, and rye or spelt flour will produce a damper but nuttier cookie (a delightful variation, in my books).