David Blackburn

Over at the books blog, Tory MP Philip Davies has answered our Bookbencher questionnaire. Davies is the present holder of the Readers’ Representative at the Spectator’s Parliamentarian of the Year Awards. He believes that 1984 is the book that best describes now; and he would rescue the three volumes of Margaret Thatcher’s autobiography from the burning British Library. Davies is known by some as the ‘darling of the right’, but after this he should be nicknamed The Gruffalo.

Only America, a friend of mine once insisted, could produce the New Criterion. This friend happened to be American, but his point stands nonetheless. America alone is sufficiently large, wealthy and self-confident to sustain a conservative arts journal of such consistent quality. The New Criterion is 30 years old this year. The anniversary has given its editors cause for consideration as well as celebration. They have commissioned a series of essays on the questions prompted by the unnerving nature of the future.

Gore Vidal was famously waspish or infamously nasty, depending on your point of view. Most outspoken (and successful) writers divide opinion, but Vidal does so more than most. His distinctive prose and the righteous fashion in which he expressed his liberal opinions are not for everyone; one man’s crusading iconoclast is a preachy monomaniac to those of different inclinations. In all the dense weight of recollections and memorials published since Vidal’s death on Tuesday, I have not seen a sharper criticism of his writing and its preoccupations than that made by Spectator reader Walter Taplin in a letter to the magazine in 1982. ‘Sir, On page 13 of the Spectator 23 October there was a cartoon of Mr Gore Vidal holding a cane.

Here is the Booker longlist, announced earlier this afternoon: The Yips by Nicola Barker (Fourth Estate) The Teleportation Accident by Ned Beauman (Sceptre) Philida by André Brink (Harvill Secker) The Garden of Evening Mists by Tan Twan Eng (Myrmidon Books) Skios by Michael Frayn (Faber & Faber) The Unlikely Pilgrimage of Harold Fry by Rachel Joyce (Doubleday) Swimming Home by Deborah Levy (And Other Stories) Bring up the Bodies by Hilary Mantel (Fourth Estate) The Lighthouse by Alison Moore (Salt) Umbrella by Will Self (Bloomsbury) Narcopolis by Jeet Thayil (Faber & Faber) Communion Town by Sam Thompson (Fourth Estate) As expected, the judges are clearly determined to avoid last year's 'dumbing-down' controversy.

‘In a relationship, when does the art of compromise become compromising?’ Thus spoke Carrie Bradshaw. Such knowledge suggests that I have passed her tipping point; my compromises have compromised me. But, then again, one can’t dissent from Robert Louis Stevenson’s view that ‘compromise is the best and cheapest lawyer’, especially when it comes to relationships. There are worse fates than having to do the washing-up occasionally to a backing of unwanted telly. Yesterday evening, I had hoped to watch highlights of England’s humiliation at the hands of the South African cricket team, but, alas, was forced to settle for Eastenders. Such is life. In fact, Eastenders wasn’t all that bad. It certainly wasn’t dull.

Thanks to Twitter for alerting me to this small act of rebellion: Taken outside the display windows at Smiths, @HypnoPeter As Fleur Macdonald wrote a couple of weeks ago, it is a mystery 'why people might want to read it [Fifty Shades of Grey] rather than Réage’s The Story of O, Bataille’s The Eye or any back issue of Cosmopolitan. And that's to name but a few, and none of the masters like Henry Miller. As the Samizdat above tells you, assuming that you are in the market, go forth and find good smut. Please, anything but 'it'.

EL James has a lot to answer for. Yesterday brought news that a British publishing house, Total-E-Bound Publishing, will sex-up some of the classics in the hope of cashing in on the Fifty Shades of Grey phenomenon. In the forthcoming editions: Cathy and Heathcliffe will do a little bondage. Sherlock Holmes will bed down with Dr. Watson (you’ll have to read the books to find out what Mrs Watson makes of that). And Jane Eyre, of course, will get rogered by Mr Rochester, presumably while St. John Rivers plays with himself in his cottage, or perhaps even the schoolroom — the perverse possibilities are almost endless where poor, conflicted St. John is concerned.

‘It is time for me to chuck in the sponge,’ said Peter O’Toole with characteristic singularity. The 79-year-old has announced his retirement from stage and screen, after a career that will span 56 years: with two films in post-production to be released next year. He goes, he said, ‘dry-eyed and profoundly grateful.’ He will devote his time to finishing a third volume of memoirs, which will record the ‘meat’ of his Hollywood career. The two previous volumes — Loitering with Intent: The Child and Loitering with Intent: The Apprentice — stand largely unread on my bookshelves. I dip into them from time-to-time; they’re that sort of book.