Alexander Larman

Alexander Larman is an author and the US books editor of The Spectator.

F1 is forgettable, but a lot of fun

From our US edition

In a largely patchy summer for blockbusters – the excellent 28 Years Later aside – Joseph Kosinki’s F1 stands out for two distinct reasons. The film has arrived at an interesting time for the sport, which is finding increased popularity in the United States among demographic groups that previously may have ignored it – such as younger women – due to the success of the Netflix show Drive to Survive, accordingly name-checked in the movie. That show gives a behind-the-scenes look at Formula One racing and is now onto its seventh series.

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Starmer may regret bringing forward Trump’s state visit

One of the most notable features of Keir Starmer’s otherwise undistinguished premiership is the bromance that he seems to have formed with King Charles. Both men seem to have a shared sense of moral values and a reticence of character that appears to have served them well in what, up until now, has been a harmonious working relationship. However, the first serious cracks in their partnership might be about to appear, and they come courtesy of none other than Donald Trump. It was announced earlier this year that the President would be hosted in Britain on a state visit, as he had been in 2019.

Elizabeth II deserves better than this awful tribute

The winner of the contest to design a memorial to the late Elizabeth II has been announced, and it’s not very good. When the shortlist of five designs was unveiled last month, the most striking feature of the various hopefuls was how little they had to say about the much-loved Queen, or the country she ruled over. Instead, they were empty displays of kitsch, with the only halfway palatable one being Tom Stuart-Smith’s design of an oak tree from Windsor Great Park. Had that been picked, I would have shrugged and sighed, but at least it was inoffensive enough.

Why television can’t depict the posh

In her 1954 essay ‘The English Aristocracy’, the author Nancy Mitford popularised the descriptions ‘U’, i.e. upper-class or aristocratic, and ‘non-U’, to denote household terms. Although she did not coin the phrase (that credit belongs to the otherwise forgotten linguist Alan S.C. Ross), she brought it to wider public attention. When her friends John Betjeman and Evelyn Waugh added their own contributions, the result was the 1956 book Noblesse Oblige: An Enquiry Into the Identifiable Characteristics of the English Aristocracy. Language termed ‘U’ included ‘loo’ rather than ‘toilet’, ‘vegetables’ rather than ‘greens’, and saying ‘what?’ rather than the apparently more polite ‘pardon?

Whatever will Meghan think of selling next?

Well, you can’t say that we weren’t warned. Repeatedly. At the beginning of this week, the Duchess of Sussex wrote in a subscriber newsletter, in that inimitably faux-chummy way that she has perfected: First off, a sincere thank you for making the debut of As Ever absolutely extraordinary. We had a feeling there would be excitement, but to see everything sell out in less than an hour was an amazing surprise. We are pleased to share that on 20 June, we're going live with the products you love – plus, some new delicious surprises.  ‘Absolutely extraordinary’ is one way of describing the profoundly underwhelming launch of a few pieces of overpriced tat.

28 Years Later is the movie of the summer

From our US edition

Was anyone out there desperate for a third instalment of the 28 Days Later series? It has been nearly two decades since 28 Weeks Later. Many who were once thrilled to the adventures of hapless humans attempting to dodge the ravages of surprisingly fast-moving zombies have moved onto other genre fare, not least The Last of Us. However, the astonishingly visceral trailers for 28 Years Later, soundtracked by a vintage audio recording of Rudyard Kipling’s poem ‘Boots’, were some of the most compelling and attention-grabbing trailers ever made. So does the film live up to its advertisements? Thankfully, it does.

28 years later

Should we worry about the Princess of Wales?

The announcement, when it came, was a strangely botched one. The official Ascot carriage list had stated at 12 p.m. that the Prince and Princess of Wales would be riding in the second carriage in the royal procession, accompanied by their friends Mr and Mrs Justin Rose. It was already known that Prince William would be presenting the prizes at today’s race meeting, so there was inevitable excitement at his presence and that of his wife. Catherine always brings a touch of glamour to whatever occasion she graces, helped by, of course, the finest couture that money could buy.

The lost art of late dining

One of the most memorable dinners I ever had was about 20 years ago, at a Michelin-starred restaurant in Fitzrovia called Pied à Terre. It’s still going, and indeed remains a stalwart of the city’s fine dining scene, but what I especially remember, rather than the food or wine, was how deliciously louche an experience it was. I couldn’t get a booking before 9 p.m., and by the hour that I turned up, it was packed to the rafters with well-heeled diners. My guest and I were kept happy with complimentary champagne until we finally sat down for dinner sometime after 10 p.m. In my (admittedly hazy) recollection, we didn’t finally leave the restaurant until well after 1 a.m. As we were staggering out, I asked our waitress whether she minded being kept out so late.

The tragedy of Brian Wilson’s life

The late Brian Wilson, who has died aged 82, once had his songs, which included modern-day classics such as ‘God Only Knows’ and ‘Good Vibrations’, described as 'pocket symphonies to God'. For just about any other artist, such a description would be grandiloquent tosh. Yet in the case of Wilson, who struggled with personal demons that all but consumed him after a brief, brilliant flourish of early success, such praise is entirely justified. It is little wonder that his friend and rival Paul McCartney was inspired to write Sgt Pepper’s Lonely Hearts Club Band after hearing the Beach Boys’ masterpiece Pet Sounds for the first time. That album was thrillingly alive to the possibilities of what pop music could be and transformed American culture forever.

Farewell to Frederick Forsyth, the master of the thriller

If Frederick Forsyth had not existed, you would have had to invent him. Yet no novelist could have come up with as convivial, swashbuckling and lively a character as the thriller writer, who has died at the age of 86. Many of his millions of admirers thought him almost immortal, and over the course of a half-century career – which began in earnest with the publication of The Day of the Jackal in 1971 and seldom slackened thereafter – Forsyth produced a series of bestsellers that sold tens of millions of copies in dozens of languages. After briefly serving as an RAF pilot, he went to work at Reuters and then as a BBC correspondent, where one of his assignments was to cover the attempted assassination of Charles de Gaulle in August 1962.

Who’d want to stay in Meghan Markle’s hotel?

Say what you like about the Duchess of Sussex – and I try to  – but she has a knack for coming up with the provocative. While the world is still reeling from the recent video of her twerking (and a thousand thinkpieces solemnly debating exactly whether she has a right to twerk or not), she has returned a few days later with news that is both entirely unexpected and grimly predictable. Meghan is considering parlaying her 'As Ever' lifestyle and homeware range into a series of restaurants and – be still my beating heart – hotels.  Although details of this potential hospitality empire are as yet sketchy, it has been reported that the brand has been trademarked with a view to providing 'hospitality services'.

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The Tony Awards were surprisingly safe and unexciting

From our US edition

So, in the end, it wasn’t so much Oh, Mary! as it was Not Tonight, Mary! Cole Escola’s out-there, queer-as-they-come farce, revolving around the strained relationship between the “foul and hateful” Mary Lincoln, a dipsomaniac with ambitions to be a cabaret singer, and honest Abe, here presented as a pitiful figure so deep in the closet he may as well be in Narnia, was widely regarded as the play to beat at this year’s Tonys. There hasn’t been an out-and-out comedy that’s won the major awards for a considerable time, let alone one that emerged from off-Broadway, and it’s testament to Escola’s prowess (as well as some of the most laudatory reviews in recent memory), that it was front-runner for Best Play.

Why did it take so long to give David Beckham his knighthood?

Arise, Sir Goldenballs. Next week, David Beckham will finally become Sir David in the King’s birthday honours, which in turn will mean that his wife will become Lady Victoria Beckham. Once, when she was best known for being the pop songstress Posh Spice – and he was most famous for being an unusually petulant Manchester United footballer – this would have seemed like a ridiculous state of affairs; the monarchy pandering to celebrity at its most naked and obvious. It may be a sign of how Britain, rather than the Beckhams, has changed over the intervening decades that the only observation that many might have about the award is why it has taken so long to be bestowed.

Meghan Markle has a strange definition of privacy

There are some sights that nobody should ever be forced to see, lest they be forced into a lifetime of therapy-intensive PTSD. To this list should be added a video of Meghan, Duchess of Sussex twerking. For some unfathomable reason, Meghan and Harry decided to mark their daughter Lilibet’s fourth birthday by posting a video on Instagram that featured the heavily pregnant expectant mother gyrating wildly in a hospital room to a song called ‘Baby Mama’, in apparent recreation of a (checks notes) TikTok trend.  I assumed at first that it was an AI-created spoof, and that litigation from this never knowingly under-lawyered couple would be coming soon. But no.

Unpacking John Lennon and Paul McCartney’s complex relationship

From our US edition

Fifty-five years after they broke up, what is there left to say about the Beatles? There have been so many books written about the group and so many obsessively detailed websites devoted to exploring every song, every public utterance, every twist and turn in their history, that the average rational man or woman might think they know all there is to be known about them. Craig Brown’s magisterial 2020 volume 150 Glimpses of the Beatles was a pop-cultural dive into their peerless influence and standing; Ian MacDonald’s still legendary Revolution in the Head dives into the 241 songs that they recorded (although, of course, it should be 242, thanks to the emergence of “Now And Then” in 2023) and does so with grace, intelligence and slightly frightening attention to detail.

John

Mountainhead gets nowhere near the polished vitriol of Succession

From our US edition

There are few American shows more acclaimed and successful in the past decade than Succession, Jesse Armstrong’s peerless study of the corrupting influence of money and power, as illustrated through a Murdoch-esque media dynasty led by Brian Cox’s bull-like Logan Roy. The series was magnificent because it blended hysterical, unexpected black humor (step forward the excellent Matthew Macfadyen as Tom Wambsgans, who is hilarious virtually every moment he’s onscreen) with the serious thespian pyrotechnics of a starry cast including Cox, Kieran Culkin and the great Jeremy Strong, who, rumor has it, did not believe that he was making a comedy but a serious study of moral decay.

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What future awaits the new Harry Potter stars?

From our US edition

If you haven’t yet heard the names Dominic McLaughlin, Arabella Stanton or Alastair Stout, then rest assured, in a couple of years they will be entirely inescapable. They are the three actors who have been cast in the new and highly anticipated Harry Potter television series, which is going into production for HBO later this year with a likely broadcast date of late 2026 or 2027. Respectively, they’re playing Harry, Hermione Granger and Ron Weasley, and they have been picked after a long search that has seen 32,000 children put themselves forward (or, more likely in many cases, been put forward by their ambitious parents) to play the iconic trio in the new adaptations of J.K. Rowling’s wizarding series.

harry potter

Charles has shown true statesmanship in Canada

As his younger son conducts an attention-seeking trip to China, it was King Charles, addressing Canada’s House of Commons and Senate, who showed how a calm, dignified approach to public life pays far greater dividends than empty point-scoring. The King has been a popular and welcome figure in Canada since he arrived with the Queen on a brief visit yesterday; the enthusiastic greetings from tens of thousands of Canadians was no mere piece of theatre. Charles's oft-forgotten status as King of Canada has been foremost in people’s minds, thanks to the carefully and adroitly handled pageantry surrounding him, but it was his set-piece speech in the Senate in Ottawa that was the most anticipated aspect of his appearance. It did not disappoint.

What is Prince Harry doing in China?

Whenever you read about the latest international escapade of Prince Harry’s, it is hard not to think of the famous words said about the Scarlet Pimpernel, the evasive hero of Baroness Orczy’s novel: ‘They seek him here, they seek him thereThose Frenchies seek him everywhereIs he in heaven or is he in hell?That damned elusive Pimpernel’ ‘Prince Harry, Duke of Sussex, Travalyst Founder’, as he was so grandiloquently billed by his hosts, delivered a brief speech that was the usual mixture of buzzwords and clichés Swap out ‘Frenchies’ for ‘international news media’, and ‘Pimpernel’ for ‘Duke of Sussex’ and you’ve got a pretty good insight into the constant fascination with the activities and actions of the king’s youngest son.

There will never be another Alan Yentob

In the excellent BBC comedy series W1A, which poked a harsher degree of fun at its makers than many would have believed credible, there is one especially amusing throwaway gag. The hapless Ian Fletcher (Hugh Bonneville) is taken on a tour of Broadcasting House, and briefly veers into a meeting room, where, to his surprise, he sees Salman Rushdie and Alan Yentob engaged in a game of arm wrestling. Both men look up at him in pained surprise, and a baffled Fletcher makes his excuses and leaves.   I was reminded of this moment yesterday when the news broke of Yentob’s death, at the age of 78. My initial response was to think predominantly of the broadcaster’s significant, even overwhelming self-regard and preening.