Alexander Larman

Alexander Larman is an author and the US books editor of The Spectator.

Is this the end of the Jeffrey Epstein case?

The death of the financier and pedophile Jeffrey Epstein at Manhattan’s notorious Metropolitan Correction Center has been ruled to be a suicide, and one that took place entirely by Epstein’s own hand, without any external interference. At least, that’s the story according to the Department of Justice and the FBI, who have also announced for good measure that the so-called Epstein Files, which supposedly contained the details of his high-profile clients, do not exist. After the disappointment of the decidedly low-profile release of the JFK-assassination files earlier this year, this is a second blow for conspiracy theorists who have been assured by the government that there is definitely, 100 percent nothing to see here. Will this be enough for them?

Jeffrey Epstein in Mar-a-Lago (Getty)

Elio and the decline of Pixar

The news that Pixar’s latest picture, the alien-contact family comedy Elio, has been an egregious flop at the American box office, grossing a mere $20.8 million on its opening weekend, has been greeted with both surprise and disappointment. Surprise, because Pixar has long been seen as the gold standard of contemporary animation, and disappointment, because its films are not supposed to flop. No fewer than 13 of their pictures are in the 50 highest-grossing animated films of all time roster, and nine have won Best Animated Feature at the Oscars, most recently 2020’s Soul. And if there had been rumors that the company was in trouble, these were apparently put to bed by the enormous, epochal success of Inside Out 2 last summer, which grossed $1.7 billion at the box office.

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Diddy

Diddy is finished

In the end, the verdict in the most talked-about trial of the year, perhaps the decade, came in far quicker than most commentators had expected. Judge Arun Subramanian had wisely suggested that he wanted a unanimous verdict on the charges that Diddy had been arraigned on and that he wanted this verdict to come in before the 4th of July holiday. Many had assumed, given the sheer weight of evidence against Diddy (real name, as we were informed many times, Sean Combs), that it would take at least a week to sort through the often sordid and distressing material that the jury were presented with over the course of the seven-week trial. In the end, however, it took just over a day of deliberations.

The wildly misguided My Oxford Year

When I studied English literature at Oxford about two decades ago, the issue of tutor-student relations was a vexed one. On the one hand – so the reasoning went – students were adults, over the age of consent and entitled to make their own decision as to whether they wanted to indulge in sexual congress with the men and women responsible for inculcating a knowledge and, hopefully, love of their subject into them. On the other, there were clear – although sometimes blurred – conflicts of interest relating to these invariably older figures also on occasion being responsible for marking their favored students’ examinations.

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The Royal Train’s retirement is a loss to Britain

From our UK edition

King Charles is a man acutely aware that the monarchy has to be seen to provide value for money in these straitened times. Therefore, to coincide with the announcement that the royal household is to be given over £130 million of public money for the next two years to complete works on Buckingham Palace, it has been revealed that the cash-guzzling royal train is to be scrapped. It is true that, from any economic perspective, the regal locomotive does not represent a worthwhile investment; it only made two trips last year, each lasting two days, and the total cost was nearly £78,000.

Take me back to Glastonbury

From our UK edition

Judging by the coverage of this year’s Glastonbury festival, and the reaction in certain quarters, you would be forgiven for thinking that it was little less than a hard-left, Jew-hating Nuremberg rally. It is an impressive achievement to unite the government, led by the Prime Minister, and the opposition in blanket condemnation of two of the acts performing. But the groanworthily named ‘Bob Vylan’ – and the more up-and-at-‘em Kneecap – managed to raise their profiles far beyond what their mediocre music warrants by making various anti-Israel, pro-Palestine comments during their sets.

How the drive-thru took over Britain

From our UK edition

Britain has received many things from America that we have little reason to be grateful for: Black Lives Matter, Instagram, the word ‘gotten’ – and the brief and unlovely period that Meghan Markle was a resident of this country. Yet one of the most enduring American imports is something that we no longer much notice: the drive-through – or ‘drive-thru’ – restaurant. The all-American tradition of stuffing yourself with burgers and fries while sitting in the comfort of your car is here to stay. Thanks, America There are now over 2,600 drive-thrus in Britain. A good number, of course, are McDonald’s – 1080, to be exact – but such is the growing allure of the drive-thru that others are getting in on the act – not least my beloved Greggs, which has 50 such outlets.

James Bond should be more like Paddington Bear

From our UK edition

Denis Villeneuve, the Oscar-nominated director of such blockbuster behemoths as Dune and Blade Runner 2049, has been hired to reboot the James Bond franchise. Villeneuve is a hugely capable director, somewhat in the Christopher Nolan school of blending epic set-pieces with an intellectual and emotional core. As the first auteur to be hired to direct a Bond film – a gig he has made clear he’d like for the last decade – he promises to bring a unique sensibility to it that will, hopefully, ensure that critics and audiences alike go doolally when it’s released sometime around 2027. I will not be one of them. Much as I admire Villeneuve, I don’t think I’ve laughed once during any of his films, which tend to take themselves very seriously indeed.

F1 is forgettable, but a lot of fun

In a largely patchy summer for blockbusters – the excellent 28 Years Later aside – Joseph Kosinki’s F1 stands out for two distinct reasons. The film has arrived at an interesting time for the sport, which is finding increased popularity in the United States among demographic groups that previously may have ignored it – such as younger women – due to the success of the Netflix show Drive to Survive, accordingly name-checked in the movie. That show gives a behind-the-scenes look at Formula One racing and is now onto its seventh series.

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Starmer may regret bringing forward Trump’s state visit

From our UK edition

One of the most notable features of Keir Starmer’s otherwise undistinguished premiership is the bromance that he seems to have formed with King Charles. Both men seem to have a shared sense of moral values and a reticence of character that appears to have served them well in what, up until now, has been a harmonious working relationship. However, the first serious cracks in their partnership might be about to appear, and they come courtesy of none other than Donald Trump. It was announced earlier this year that the President would be hosted in Britain on a state visit, as he had been in 2019.

Elizabeth II deserves better than this awful tribute

From our UK edition

The winner of the contest to design a memorial to the late Elizabeth II has been announced, and it’s not very good. When the shortlist of five designs was unveiled last month, the most striking feature of the various hopefuls was how little they had to say about the much-loved Queen, or the country she ruled over. Instead, they were empty displays of kitsch, with the only halfway palatable one being Tom Stuart-Smith’s design of an oak tree from Windsor Great Park. Had that been picked, I would have shrugged and sighed, but at least it was inoffensive enough.

Why television can’t depict the posh

From our UK edition

In her 1954 essay ‘The English Aristocracy’, the author Nancy Mitford popularised the descriptions ‘U’, i.e. upper-class or aristocratic, and ‘non-U’, to denote household terms. Although she did not coin the phrase (that credit belongs to the otherwise forgotten linguist Alan S.C. Ross), she brought it to wider public attention. When her friends John Betjeman and Evelyn Waugh added their own contributions, the result was the 1956 book Noblesse Oblige: An Enquiry Into the Identifiable Characteristics of the English Aristocracy. Language termed ‘U’ included ‘loo’ rather than ‘toilet’, ‘vegetables’ rather than ‘greens’, and saying ‘what?’ rather than the apparently more polite ‘pardon?

Whatever will Meghan think of selling next?

From our UK edition

Well, you can’t say that we weren’t warned. Repeatedly. At the beginning of this week, the Duchess of Sussex wrote in a subscriber newsletter, in that inimitably faux-chummy way that she has perfected: First off, a sincere thank you for making the debut of As Ever absolutely extraordinary. We had a feeling there would be excitement, but to see everything sell out in less than an hour was an amazing surprise. We are pleased to share that on 20 June, we're going live with the products you love – plus, some new delicious surprises.  ‘Absolutely extraordinary’ is one way of describing the profoundly underwhelming launch of a few pieces of overpriced tat.

28 Years Later is the movie of the summer

Was anyone out there desperate for a third instalment of the 28 Days Later series? It has been nearly two decades since 28 Weeks Later. Many who were once thrilled to the adventures of hapless humans attempting to dodge the ravages of surprisingly fast-moving zombies have moved onto other genre fare, not least The Last of Us. However, the astonishingly visceral trailers for 28 Years Later, soundtracked by a vintage audio recording of Rudyard Kipling’s poem ‘Boots’, were some of the most compelling and attention-grabbing trailers ever made. So does the film live up to its advertisements? Thankfully, it does.

28 years later

Should we worry about the Princess of Wales?

From our UK edition

The announcement, when it came, was a strangely botched one. The official Ascot carriage list had stated at 12 p.m. that the Prince and Princess of Wales would be riding in the second carriage in the royal procession, accompanied by their friends Mr and Mrs Justin Rose. It was already known that Prince William would be presenting the prizes at today’s race meeting, so there was inevitable excitement at his presence and that of his wife. Catherine always brings a touch of glamour to whatever occasion she graces, helped by, of course, the finest couture that money could buy.

The lost art of late dining

From our UK edition

One of the most memorable dinners I ever had was about 20 years ago, at a Michelin-starred restaurant in Fitzrovia called Pied à Terre. It’s still going, and indeed remains a stalwart of the city’s fine dining scene, but what I especially remember, rather than the food or wine, was how deliciously louche an experience it was. I couldn’t get a booking before 9 p.m., and by the hour that I turned up, it was packed to the rafters with well-heeled diners. My guest and I were kept happy with complimentary champagne until we finally sat down for dinner sometime after 10 p.m. In my (admittedly hazy) recollection, we didn’t finally leave the restaurant until well after 1 a.m. As we were staggering out, I asked our waitress whether she minded being kept out so late.

The tragedy of Brian Wilson’s life

From our UK edition

The late Brian Wilson, who has died aged 82, once had his songs, which included modern-day classics such as ‘God Only Knows’ and ‘Good Vibrations’, described as 'pocket symphonies to God'. For just about any other artist, such a description would be grandiloquent tosh. Yet in the case of Wilson, who struggled with personal demons that all but consumed him after a brief, brilliant flourish of early success, such praise is entirely justified. It is little wonder that his friend and rival Paul McCartney was inspired to write Sgt Pepper’s Lonely Hearts Club Band after hearing the Beach Boys’ masterpiece Pet Sounds for the first time. That album was thrillingly alive to the possibilities of what pop music could be and transformed American culture forever.

Farewell to Frederick Forsyth, the master of the thriller

From our UK edition

If Frederick Forsyth had not existed, you would have had to invent him. Yet no novelist could have come up with as convivial, swashbuckling and lively a character as the thriller writer, who has died at the age of 86. Many of his millions of admirers thought him almost immortal, and over the course of a half-century career – which began in earnest with the publication of The Day of the Jackal in 1971 and seldom slackened thereafter – Forsyth produced a series of bestsellers that sold tens of millions of copies in dozens of languages. After briefly serving as an RAF pilot, he went to work at Reuters and then as a BBC correspondent, where one of his assignments was to cover the attempted assassination of Charles de Gaulle in August 1962.

Who’d want to stay in Meghan Markle’s hotel?

From our UK edition

Say what you like about the Duchess of Sussex – and I try to  – but she has a knack for coming up with the provocative. While the world is still reeling from the recent video of her twerking (and a thousand thinkpieces solemnly debating exactly whether she has a right to twerk or not), she has returned a few days later with news that is both entirely unexpected and grimly predictable. Meghan is considering parlaying her 'As Ever' lifestyle and homeware range into a series of restaurants and – be still my beating heart – hotels.  Although details of this potential hospitality empire are as yet sketchy, it has been reported that the brand has been trademarked with a view to providing 'hospitality services'.

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The Tony Awards were surprisingly safe and unexciting

So, in the end, it wasn’t so much Oh, Mary! as it was Not Tonight, Mary! Cole Escola’s out-there, queer-as-they-come farce, revolving around the strained relationship between the “foul and hateful” Mary Lincoln, a dipsomaniac with ambitions to be a cabaret singer, and honest Abe, here presented as a pitiful figure so deep in the closet he may as well be in Narnia, was widely regarded as the play to beat at this year’s Tonys. There hasn’t been an out-and-out comedy that’s won the major awards for a considerable time, let alone one that emerged from off-Broadway, and it’s testament to Escola’s prowess (as well as some of the most laudatory reviews in recent memory), that it was front-runner for Best Play.