Why don’t you know about Lavell Crawford?
Is it because he is black?
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Is it because he is black?
Cold War reviewed
SNL writers presumably believe that all Fox News shows operate on the same level of idiocy — and that isn’t right
Does a 22-year-old film point to the director’s alleged perversions?
The absence of directness in modern American journalism reflects the cowardice and complicity of the journalists
Fyre Fraud and Fyre: The Greatest Party That Never Happened reviewed
The politicization of the Supreme Court cuts both ways
What possible contribution could this generation make to film or literature?
How else could a drama as knowing and meta and arch do anything other than disappear up its own bottom?
Comics should stop trying to be activists, and commentators, and philosophers
Destroyer reviewed
May God have mercy on our souls
‘People have been calling me Big Pussy for 20 years!’
The way Kondo does it is really quite inspirational. And relatively painless
The answer to the race conundrum was to split the difference between the minorities, and give most of the awards to white actors
The Mule reviewed
Dinosaurs like the comedian steadfastly refuse to acknowledge there are 689 genders now
Holmes & Watson reviewed
Vice reviewed
…apart from one song
‘We can say Merry Christmas again’ — and again, and again
Mary Queen of Scots reviewed
Godfrey Elfwick is deeply troubled by Konstantin Kisin’s reaction to a London university’s perfectly reasonable request
An exhibition in Washington explores the Bard’s influence on the British Prime Minister
Going after Trump is the least subversive act in comedy
Once more, with feeling
Divide and Conquer: The Story of Roger Ailes reviewed
Academy Awards viewers have dodged a bullet
It’s a mediocre vehicle that promotes Queen’s back catalog and some contemporary virtues