Twenty years on from The Sopranos
‘People have been calling me Big Pussy for 20 years!’
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
‘People have been calling me Big Pussy for 20 years!’
The way Kondo does it is really quite inspirational. And relatively painless
The answer to the race conundrum was to split the difference between the minorities, and give most of the awards to white actors
The Mule reviewed
Dinosaurs like the comedian steadfastly refuse to acknowledge there are 689 genders now
Holmes & Watson reviewed
Vice reviewed
…apart from one song
‘We can say Merry Christmas again’ — and again, and again
Mary Queen of Scots reviewed
Godfrey Elfwick is deeply troubled by Konstantin Kisin’s reaction to a London university’s perfectly reasonable request
An exhibition in Washington explores the Bard’s influence on the British Prime Minister
Going after Trump is the least subversive act in comedy
Once more, with feeling
Divide and Conquer: The Story of Roger Ailes reviewed
Academy Awards viewers have dodged a bullet
It’s a mediocre vehicle that promotes Queen’s back catalog and some contemporary virtues
Education is now the most important thing to me, and I don’t want anyone thinking it has something to do with politics
First, they came for the Blues…
The Favourite reviewed
Four legs good, two films bad?
Another Music In A Different Kitchen and Love Bites Deluxe LPs by Buzzcocks reviewed
His films were boring, too
The director Nicolas Roeg, who died on Friday aged 90, was a master of daring, dreamlike cinema — so daring and dreamlike, in fact, that the studios often didn’t know what to do with his films. Walkabout (1971) lost money on its release, but slowly became a cult classic. Bad Timing (1980) so alarmed the … Read more
The politics of dancing
My Brilliant Friend reviewed
The Front Runner reviewed
The Marvel editor-in-chief turned the superhero world upside down by introducing ironic detachment and human foibles