Yannick nézét-séguin

Words are the most important part of any opera

The long days wane, summer fades and sure enough, the big international guest orchestras begin to land at the BBC Proms. A rare catch this year was the Proms debut of the orchestra of the New York Metropolitan Opera, under its music director Yannick Nézét-Séguin. Debut? No, I couldn’t quite believe it either. What with the regular Radio 3 broadcasts from the Met, and all those live cinema relays, the Met Orchestra almost feels like part of the family. Certainly, there must be few overseas orchestras whose live performances are more familiar to British audiences. No question, though, there’s always something rather festive about hearing a great opera orchestra in concert.

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Rachmaninov’s First Symphony begins with a snarl, and gets angrier. A menacing skirl from the woodwinds, a triple-fortissimo blast from the brass, and then the full weight of the strings, hammering out one of those doomy Russian motto-melodies like lead boots dragging you to the bottom of the Neva. ‘Vengeance is mine; I shall repay’ glowers the epigraph that Rachmaninov inscribed at the top of the score, and you’d better believe it. The symphony’s première in 1897 was a disaster that stunned the 23-year-old composer into near-silence.