Veronese

Inspiring, educational, moving, sometimes distressing, this is a riveting visual history of man’s best friend. Thomas Laqueur, from a German Jewish family, whose mother owned boxers, introduces us to many hitherto unexplored facts. Who knew that in 1938 guard dogs, using Bedouin herding dogs, were specially bred for ‘the new Zion’? Or that Darwin thought that dogs have a conscience?   We are encouraged to scrutinise master- pieces of art with a fresh eye. In ‘The Wedding at Cana’ (1563), Paolo Veronese includes one white dog, who is ‘looking up at Jesus’s white shining face and invites us to join it’. Five dogs feature in this painting, and I took some time to spot each.

Hard by the Rialto, in a densely packed and depressingly tacky quarter of Venice, the church of San Giovanni Cristosomo houses one of Giovanni Bellini’s most luminous and exquisite paintings. ‘I Santi Cristoforo, Girolamo e Ludovico di Tolosa’ is known to locals as ‘the Burger King Bellini’, after the fast food outlet opposite the church door. In any other city, the picture’s exquisite handling of light and complex mingling of Christian piety with Renaissance Neo-platonism would grant it a museum of its own, but in Venice its principal spectators are weary tourists in line for a Whopper. Martin Gayford’s paean to Venice as ‘a huge, three-dimensional repository of memory’ is constantly alert to such anomalies.