Thriller

Monday

Alexander Larman

Black Bag is about as good as mainstream filmmaking gets

If you would like to see that rarest of endangered species — a smart, witty and original 90-minute thriller aimed at adults — then stop reading this review immediately and go and see Steven Soderbergh’s Black Bag. It is a film that is probably best enjoyed by going in entirely blind, where the bare bones of the premise, revolving around a husband-and-wife pair of British spies who find themselves under suspicion of treachery, possibly by one another, is all you need to know. Yet if you need further convincing, then rest assured that this a one-of-a-kind blend of Mission: Impossible, Private Lives and Tinker, Tailor, Soldier, Spy, with a little Mr. and Mrs. Smith thrown into the mix, to season.

black bag

Thursday

Philip Womack

Scott Turow’s latest novel attempts to understand humanity

Scott Turow’s Presumed Innocent burst into the world in 1987, zinging out of bookstores into bestseller-dom like nobody’s business. It concerned Rusty Sabich, a lawyer who became a suspect in the case he was prosecuting. There were enough twists and turns to satisfy the most Daedalian of labyrinth-makers, and its longevity was demonstrated by its being adapted into a new, Jake Gyllenhaal-starring show last year on Apple TV+. Presumed Guilty’s title plays nicely on its predecessor’s, and also points toward this new book’s consideration of racism within the American justice system. Sabich is now an old man, nearing his eighties. But boy, is he active. We know this because he likes to canoe while stripped to the waist. He chops wood in the outdoors!

Turow

Thursday

The Spectator

This month in culture: January 2025

Wallace and Gromit: Vengeance Most Fowl January 3, Netflix The panic that gripped the McMorris household in November 2023 was rivaled by that of the great toilet paper shortage of 2020. Greater even, for this crisis could not be solved with a credit card and the willingness to fight hand-to-hand against fellow Costco members. Aardman Animations, the last bearable producer of children’s entertainment, was running out of clay. The sole remaining British factory that produced the stuff behind Wallace and Gromit and Shaun the Sheep had shuttered. Only a pitchfork would suffice. The advent of CGI has fried parental eyeballs with neon ever since Toy Story and only Aardman has resisted the trend, delivering us stop-motion Stan and Ollie routines.

culture

Monday

Alexander Larman

The late Quincy Jones, a man of many talents

The death of Quincy Jones, at the considerable age of ninety-one, represents not just the passing of a great American musical icon, but the departure of a truly remarkable man from the stage. The winner of an astounding twenty-eight Grammy awards, he excelled in so many different areas of music — from record production and film soundtrack composition to big band jazz and multi-instrumental playing — that it would not have been particularly surprising to discover that he had written operas or symphonies on his days off.

quincy jones

Wednesday

Alexander Larman

‘Slow Horses’ is thriller television at its best

It may come as a surprise to anyone who has read Mick Herron’s peerless Slough House novels, but Slow Horses, Apple TV’s high-profile adaptation of the first book in the series, is not funny. Instead, it takes Herron’s uproariously comic premise — that a group of misfit British spies, cast out of MI5 for misdemeanors exaggerated and accurate alike, have been reduced to grubbing about in a grim office on the periphery of the City of London — and plays it almost entirely straight. Gone are the laugh-out-loud one-liners and endearingly witty pieces of throwaway badinage. Instead, we have a big-budget spy thriller, polished and scripted to within an inch of its life. It’s a bit like seeing the Fresh Prince of Bel-Air reinvented as a gritty urban drama.

horses

Tuesday

Nicky Otis Smith

Affluent white female killer

The poster for I Care a Lot, now available on Netflix and Amazon Prime, has a pull quote from a Collider review: ‘DELICIOUSLY NASTY’. In a better world, perhaps this would be true. But here on Earth, we have J Blakeson’s film, starring Rosamund Pike as Marla Grayson, a predatory professional legal guardian convincing crooked courts to grant her the right to put old people in nursing homes against their will, regardless of their health or mental capacity. This allows her to cash in on their homes, jewelry, valuables and anything else that she can vacuum up. Near the beginning of the film, shortly before she picks up ‘a cherry’ in the form of Jennifer Peterson (Dianne Wiest), we see Marla before a wall of her wards, all taped up and looking miserable in their intake headshots.

care

Saturday

Ben Sixsmith

Stacey Abrams’s new novel is a love letter to lawyers

A politician publishing a novel is a bit like the lead singer of a rock band declaring that not only are they going to release a solo album but it is going to express their newfound interest in electronica. Expectations are low — or high depending on your appetite for other people’s failure. Still, for all the mean things you could say about Stacey Abrams’s new legal thriller While Justice Sleeps, you could say some kind things as well, the foremost being that it is not cynical. This is not some kind of botched cash-in. (For that, look forward to my editors asking me to review Hillary Clinton’s forthcoming novel State of Terror.) Abrams loves to write.

stacey abrams