Thomas Allen

The Arts Council’s bleak vision for the future of opera 

English National Opera’s first production created in Manchester is Angel’s Bone, a one-act opera by Du Yun and the librettist Royce Vavrek. It was premièred in 2016 in New York and subsequently won the Pulitzer Prize, but we shouldn’t hold that against it. Musically, at least, it’s certainly more interesting than recent US imports like Jeanine Tesori’s Blue – worthy, sub-minimalist Yankslop addressing the fashionable issues of the day. (It’s funny how the classical music world imagines that the way to reach British audiences in 2026 is to programme stuff that was relevant to Americans in 2016.) It was a pretty horrible experience nonetheless. Daytime TV-fixated suburbanites Mr and Mrs X.E.