The Merchant of Mar-a-Lago
Trump’s use of the word ‘Shylock’ allows his opponents to play the ‘he’s anti-Semitic’ card, when he clearly isn’t
Trump’s use of the word ‘Shylock’ allows his opponents to play the ‘he’s anti-Semitic’ card, when he clearly isn’t
Rhodri Lewis’s book offers so many fresh insights and well-turned phrases that I had to buy a new notebook to fit them all in
On the Ides of March, we should wonder: to what extent does the American Republic circa 2024 live up to the ideals of limited government envisioned by the Founders?
The best chapters of Walter Isaacson’s book recount last year’s Twitter takeover
Race is not where we find it — it is where we put it
Let me tell you a secret: the theater world still adores Shakespeare, even in 2023
When society denies the objective value of human life, no one is safe
Daniel Craig whips through the Shakespeare tragedy in just over two hours
The Tragedy of Macbeth reviewed
Shakespeare, after decades of being found to be Problematic, is now being reclaimed as the wokemeister-in-chief
This is the age of Brexit and Trump, and racism and bigotry lurks around every corner, even when it doesn’t actually exist
It must have seemed a good idea to someone: commissioning a range of well-known novelists to ‘reimagine Shakespeare’s plays for a 21st-century audience’. The first six novels have come from irreproachably literary authors of the calibre of Jeanette Winterson (The Winter’s Tale) and Margaret Atwood (The Tempest). Now, however, we have something a little different: Jo Nesbo, the Norwegian crime writer, has recast Macbeth as a thriller, allegedly set in 1970, though this timeframe should not be taken too literally. The plot is very loosely connected with Shakespeare’s. The location is a crumbling city in a dystopian country where many of the names have a Scottish ring. Prostitution, gambling and