Restaurants

Food courts appear to be everywhere in London at the moment and, for reasons too boring to go into here, I found myself at three of them across the capital in the space of four days last week. (Yes, before you ask, I am beginning to question my life choices as a result.) Not that there is anything innately wrong with food courts as a concept, of course. If you’ve been to one, you’ll know the drill, which is essentially that they are semi-industrial spaces lined with vendors plying all manner of street food from locations that aren’t too challenging to the average British diner.

Let me introduce you to the performative chef. The performative chef is a man. He is between 23 and 29 years of age. Both of his arms are covered in fine-line tattoos. His favourite tattoo is a quote from Philip Larkin that reads: ‘They fuck you up, your mum and dad. They may not mean to, but they do.’ His parents are in fact lovely people, but he’ll never tell you that. He sports a mullet (or buzzcut depending on the season). He rides a fixed-gear bike to work. He exclusively wears oversized clothes. He talks to every stranger that will listen about getting an eyebrow piercing. He studied classics at a Russell Group university, not that it matters; he did the degree just because it was something to do.

There’s no shortage of catastrophic predictions for New York under Zohran Mamdani’s leadership. While the city probably won’t see breadlines, the wildly expensive, exhaustingly derivative restaurants that dominate its food scene are likely to become more dominant. Mamdani’s big pledge on food is to ‘make halal eight bucks again’. But it’s a ‘false promise’ of street-food affordability according to Heritage Foundation economist Nicole Huyer. She says Mamdani’s economic programme, which includes higher taxes, steeper leasing regulations and a pledge to raise the minimum wage to $30 an hour by 2030, will effectively make restaurants even more expensive.

Smart Italian restaurants in cultural destinations are like buses: you wait ages for one and suddenly two come along at once. I recently praised Locatelli at London’s National Gallery. Returning to the city, it is the turn of Cicoria at the Royal Ballet and Opera, Covent Garden; a joint under the aegis of Angela Hartnett, well-known for her upscale restaurant Murano in Mayfair, her casual chain Cafe Murano and her frequent appearances on the box. Surprisingly few of the world’s great opera houses have given much thought to catering, although things are improving. I ate very well recently at Madrid’s Teatro Real and you can push the boat out with caviar at the Met in New York.

The New York Times recently released its annual list of America’s Top 50 restaurants – and the perfectly predictable honorees highlight just how beholden the restaurant industry is to the tastes of a would-be cosmopolitan class. The casually refined, vaguely ethnic-fusion cuisine that you stumble upon even in America’s most provincial places is rife. From New York to Los Angeles and everywhere in between, America’s restaurant industry has never been more diverse. Yet somewhat counterintuitively, it’s also never offered more of the same. Often, these restaurants propose some mix of French staples (think mother sauces, patisserie) or Italian comfort food (pasta, pizza) fused with Latin, Asian and/or Middle Eastern flavors.