Religion

The faked video of Nancy Pelosi slurring her words as if she was drunk was shared on social media over 2.5 million times. The video wasn’t only shared by random accounts intent on spreading misinformation. Those willing to believe it, or at least to seem willing to do so, included Trump attorney and former NYC mayor, Hizzonor Rudy Giuliani. ‘What is wrong with Nancy Pelosi? Her speech pattern is bizarre,’ Giuliani asked, before his critical faculties kicked in and deleted the post. Though Facebook has banned some forms of speech, including white nationalism and fair housing ads from the city of Houston, it opted not to take down the doctored Pelosi video. The concept of reality is under threat.

A couple of years ago, in high summer, my wife and I attended Mass in St Patrick’s Cathedral, as we do every time we visit New York. It is, in general, a bracing experience for Catholics who have been paddling in the tepid pools of Irish Catholicism. The celebrant, a middle-aged man with the physique and personality of a matinee idol, gave a startling sermon about the gospel of the day, Matthew 10:34, in which Jesus declares, ‘I have come to bring not peace but a sword.’ In his homily, the priest tore into sentimental notions of Christianity and the corruptions of concepts such as compassion and mercy.

Reading Andrew Sullivan reminds me of a Latin tag the novelist Iris Murdoch favored: corruptio optimi pessima: the corruption of the best is the worst. Sullivan is an intelligent and well educated man. He is capable of writing quite movingly about religion, especially about the challenges our media-saturated age — we really are, as T. S. Eliot put it, ‘distracted from distraction by distraction’ — pose to that reservoir of quiet thoughtfulness that any spiritual life worth the name requires. Back in 2012, Sullivan wrote a little paean to St Francis, a well-to-do young man, who sold everything he had and devoted himself to a life of poverty and renunciation, practices that Sullivan described as the ‘core’ of Jesus’s message.

It will come as no surprise that something in the news has Piers Morgan deeply troubled. For the past two days, Morgan has been incandescent over the Met Gala and its dress code. In a column for MailOnline he claims that, as a Catholic, he has become a victim of cultural appropriation due to fancy dress outfits worn to a party by celebrities.The Gala, a fixture of the New York social season at the Metropolitan Museum of Art, is well known for the theme it sets, and this year it was ‘Heavenly Bodies’ - inspired by the Roman Catholic Church. The Gala was held to launch an exhibition of the same name. Dozens of items of religious clothing have been allowed out of the Vatican Archives to be seen by the public for the first time.Guests at the party took the dress code to heart.