When does a drama become a psychodrama?
When Labour blocked Andy Burnham from standing as its candidate last time around, Douglas Alexander, the Scottish Secretary, rejoiced at avoiding "three months of psychodrama – who’s up, who’s down, who’s getting on with who…" But as Gareth Roberts remarked in The Spectator’s Coffee House, "I’m not quite sure what the difference is between psychodrama and good old-fashioned plain original-flavor drama." Indeed, Mr. Alexander’s characterization of psychodrama sounds like the essential lineaments of pure politics: "Who loses and who wins; who’s in, who’s out," as King Lear puts it. King Lear itself might be a classic psychodrama, if madness is the defining feature.