What cinema gets wrong about nuns
Why are filmmakers so interested in nuns? They’ve been exploring the subject for more than a century, which might seem odd, given that real-life dramas in convents are mostly confined to quarrels about the washing-up. But celluloid nuns are a different matter. As early as 1922, in the Swedish silent movie Häxen, a nun reaches for a spiked leather belt before leading her sisters in a demonic dance. That’s the beginning of one stereotype, the nun as sadomasochistic hysteric, which reached its apogee in Ken Russell’s The Devils (1971).