Non-fiction

Saturday

Sam Leith

The heart of Hemingway

From our UK edition

A new biography of ‘Papa’ has deeply impressed Sam Leith, although its thoroughness — like its subject — ‘teeters on nuts’ Hemingway’s Boat is just what it sounds like. It takes as its conceit — and it’s a good one — that writing about Hemingway’s boat Pilar (now up on blocks in Cuba) is a way of getting at deep things about the man. Pilar was there all the second half of his life and may have been the only friend he never fell out with. Fishing was more than a recreation for Hemingway: it was at the centre, this book plausibly suggests, of his being in the world. Paul Hendrickson duly set about getting to the core of Hemingway’s relationship with Pilar. And how! His research is flat-out phenomenal.

Dan Jones

When treason was the last resort

From our UK edition

One hundred and fifty years after Anglo-Saxon England was invaded by the Normans, Anglo-Norman England was invaded by the French. On 21 May 1216 King Philip Augustus’ eldest son, Louis the Lion, landed at Stonor on the Isle of Thanet, kissed a crucifix, planted it in the ground and began an 18-month war for the English crown. He had been invited to England by a group of barons who wished to replace King John as punishment for repudiating the terms of Magna Carta. The war Louis waged, although ultimately unsuccessful, was a damned near thing. Sean McGlynn’s new book calls this England’s ‘forgotten invasion’, although in recent years Hollywood has been trying to remind people about it.

Ian Thomson

Still roughing it

From our UK edition

We are all tourists now, and there is no escape. The first thing we see as we jet round the world is a filth of our own making. Resort hotel seepage. Takeaway detritus. Travel, in its pre-package sense, can no longer be said to exist. Airports even have ‘comfort zones’ with dental clinics, cinemas and (at New York’s JFK) funeral parlours. Some travel writers, desperate to simulate the hardship of Victorian travel, have imposed artificial difficulties on themselves. The late Eighties saw a glut of such daft titles as Hang-Gliding to Borneo and To Bognor on a Rhinoceros. In every case, however, it would have been quicker to take the train. Why windsurf across the Mojave when there’s a decent coach service?

Saturday

Philip Hensher

Mavericks need not apply

From our UK edition

Philip Hensher gives a critical insider’s view of the Creative Writing industry It has always been a challenge to get a novel or poem published. Twenty years ago, I went about it in the traditional way. I read a hell of a lot of books. I did a couple of literary degrees. I got an interestingly peculiar but rather gruelling job. I wrote a novel or two in the evenings or on holiday. Then I met a literary agent at a drinks party and he took one on and sold it to Hamish Hamilton — and has possibly regretted it ever since. The traditional way has, in the last few decades, been supplanted by a more professional sounding one called the Creative Writing degree.

Thomas W. Hodgkinson

Who’s the real monster?

From our UK edition

‘The first monster that an audience has to be scared of is the film-maker. They have to feel in the presence of someone not confined by the normal rules of decency.’ Thus decreed Wes Craven, that maestro of horror who gave us, among other gems, The Last House on the Left (1972), in which a girl is forced to urinate on herself by a gang of rapists. And on some level, he is obviously right. But as Jason Zinoman points out in his deft study of the rise of New Horror — that is, horror movies of the late 1960s and 1970s, which were more realistic, and so a hell of a lot scarier, than the Hammer-style schlock that had gone before — the pioneers of the style actually tended to be mild-mannered, geeky types, at least to outward view. Peaceniks. Film buffs.

Jane Brown

The shape of things to come | 31 December 2011

From our UK edition

I opened Futurescapes with anticipation, knowing Tim Richardson to be a forceful commentator, and landscape architects to be in dire need of an articulate champion. The mixed marriage of ‘landscape’ and ‘architecture’ has always been an unfortunate union, blessed by the founding of the American Society of Landscape Architects in 1899, whilst Britain followed suit in 1929. Landscape architects found their feet with the 1951 Festival of Britain and the new towns of the Sixties, when they became early converts to ‘globalism’ holding international conferences. They rode the first ecological wave of the Seventies and then followed the money to the Middle and Far East.

William Leith

The Devil in the mirror

From our UK edition

As a kid growing up in Scotland in the 1950s, Dennis O’Donnell was aware of ‘loonies’, and the men in white coats who were supposed to take them away. Then, as a student, he became one of the men in white coats. At first, he thought he’d find himself in a world of Beckettian absurdity and insight. But it was grim. One man believed he was the King of Egypt. Another man smoked rolled-up bits of lavatory paper. One poor soul spent his time waiting for a visit from his daughter, who never came. When a patient died, O’Donnell was on hand to carry out official procedure: ‘Orifices have to be plugged — need I say more?’ He went back to university, where he was studying English literature.

Jane Ridley

Crusader on the attack

From our UK edition

Why have we forgotten John Bright? In his day he was a massive political celebrity. He could command audiences of 150,000, delivering thrilling impromptu speeches night after night. Perhaps, as Bill Cash suggests, Bright’s eclipse has to do with the decline of conviction politics and public alienation from parliament. Or perhaps, as the novelist Anthony Trollope remarked, the trouble with Bright was that he didn’t actually create anything — he spent a lifetime attacking evils: ‘It was his work to cut down forest trees, and he had nothing to do with the subsequent cultivation of the land’. Bright was a Quaker, the son of a self-made businessman who established a successful cotton mill in Rochdale, Lancashire.

Stuart Wheeler

Painful truths

From our UK edition

Juan E. Méndez has a fantastic CV. Mercilessly tortured in Argentina, the country of his birth, when 30, he is now, four decades on, the UN Special Rapporteur on Torture, in other words, its chief investigator. In between, he has worked for Human Rights Watch for 15 years and been the United Nations First Special Adviser to the Secretary General on the Prevention of Genocide. Why does torture still exist? The author points out the painful truth: that many ordinary people have come to believe it to be not only inevitable but often even desirable. And some regimes try to deny that ‘enhanced interrogation techniques’ — waterboarding, sleep deprivation, stress positions, for example — constitute torture at all, thereby lending them legality.

Saturday

Geoffrey Wheatcroft

Portrait of a singular man

From our UK edition

The posthumous publication of Hugh Trevor-Roper’s wartime diaries continues the restoration of his reputation, says Geoffrey Wheatcroft Nothing is more elusive than reputation. A writer’s standing goes up and down like a share price, during his life and after, for no obvious or objective reason, as D. J. Taylor observed in a recent perceptive essay in the TLS on the fall from favour of Angus Wilson, although I still read his novels if no one else does. Then again, others recover. Terence Rattigan’s stock was very low when he died in 1977, long sneered at as the epitome of middlebrow, middle-class West End theatre. But lo, there has been a startling Rattigan renaissance.

Martin Gayford

Currents of imagery

From our UK edition

In the first book of his scientific-cum-philosophical poem ‘De rerum Natura’ — or ‘On the Nature of Things’ — Lucretius draws the reader’s attention to the power of invisible forces. The wild wind, he wrote, whips the waves of the sea, capsizes huge ships, and sends the clouds scudding; sometimes it swoops and sweeps across the plains in tearing tornado, strewing them with great trees, and hammers the heights of the mountains with forest-spitting blasts. It was a description I was well placed to appreciate as I read this whimsical, scholarly and original book while staying in a Georgian folly on a country estate in Kent.

Patrick Marnham

Funny old world

From our UK edition

The most remarkable thing about this book is that it should have been published at all. No one could have imagined in 1961 that Private Eye — a blotchy reproduction stapled together on what looked like yellow scrap paper — would still be going 50 years later, selling hundreds of thousand of copies every fortnight and apparently employing about 50 people. Adam MacQueen has not written a history of the paper but has compiled a biographical album of contributors, staff, stories and various dramas in its history. The author suggests that it could be read from cover to cover, but that would be hard work even for a satirical anorak. It is much better approached on a random basis, following the cross-references or just leafing through it.

Adam Marsjones

Glamour on the campaign trail

From our UK edition

Though this book is published by Oxford University Press and the author teaches at the University of Southern California, it is really only semi-demi-academic. Steven J. Ross has conducted interviews and trawled through archives, but his instincts are for the flat vividness of journalism rather than anything more scholarly or searching. In a footnote he may mention that Harry Belafonte, in an interview in the mid-1990s, got the date of a crucial meeting with Martin Luther King wrong by three years, but is happy to quote Belafonte’s version (in that same interview) of what King said — ‘We are caught up in a struggle that will not leave us’ — as if a memory confused about dates could be relied on for exact phrasing.

Colin Amery

Soaring splendour

From our UK edition

The glorious monuments built in India by the Mughal emperors, from Babur in the early 16th century to Bahadur Shah Zafar II in the mid-19th century, have long deserved a comprehensive illustrated survey in one volume. George Michell is the ideal author. He is both a great scholar and a fervent communicator on many aspect of India’s cultural history. He has worked as a hands-on archaeologist on major Indian sites and recently established a Deccan Foundation to protect the wonders of that little-known region. He has been extremely well served in this magnificent book by the photographs of Amit Pasricha, who describes himself as a ‘panoramic photographer’. His photographs are staggeringly beautiful and impossible to praise too highly.

Peter Oborne

Guilty by association

From our UK edition

It has become increasingly obvious that something went terribly wrong with British intelligence-gathering, both its methods and morality, after the destruction of the Twin Towers on 11 September 2001. Earlier prime ministers had displayed scruples about the use of intelligence gained from torture. But during the Blair premiership this changed. Britain became part of a nightmarish universe where the standards which we claim to represent were undermined and sabotaged. It is important to stress that there is no evidence at all that our intelligence officers were (unlike their gung-ho counterparts at the CIA) directly engaged in torture.

Selina Hastings

Friends across the sea

From our UK edition

On 12 February 1952 the novelist Anthony Powell received a letter from a bookseller in New York. Robert Vanderbilt Jr was the proprietor of a couple of Manhattan bookstores and a great admirer of Powell’s. He wrote to ask if he might himself publish a couple of the novelist’s out-of-print works. Powell was delighted. The two titles chosen were Venusberg and Agents and Patients, the covers of both to be designed by Powell’s old friend Osbert Lancaster. As their letters make clear, Powell and Vanderbilt quickly found they had much in common, and as Powell had worked in publishing before the war, he was able to engage very much on a level with Vanderbilt when discussing the more technical aspects of the process.

Robert Chandler

A kind of tenderness

From our UK edition

The son of a grocer, Anton Chekhov was born in 1860 in Taganrog, on the Sea of Azov. While studying medicine at Moscow university, he published hundreds of comic sketches in order to pay his way and support his parents and siblings. After becoming famous in the late 1880s, he practised as a doctor only intermittently; most of his medical work was on behalf of the peasants, and unpaid. In 1890 he made the difficult journey across Siberia to Sakhalin Island, where he investigated the living conditions of the convicts, around 10,000 of whom had been exiled there. During the 1890s Chekhov’s tuberculosis worsened and from 1897 he had to spend most of his time in the Crimean resort of Yalta.

Bevis Hillier

Wearing well

From our UK edition

Born in the same year as John Lennon (1940), I was a sucker for the Beatles from the start. They were the accompaniment of my youth, love’s obbligato. I liked their music because it replaced the raw animality of rock ‘n’ roll with sophisticated melody. I think Schubert would have been proud to have composed ‘Yesterday’ or ‘Hey Jude’. Also, unlike most of the rock ‘n’ roll hunks, the Beatles were skinny. So was I — grievously thin — and it was a relief that we skeletons could now come out of the cupboard. In the early photographs of the Fab Four, wearing the monkey-suits their manager Brian Epstein insisted on, they look quite tame; but their hair was already long enough to outrage rednecks.

Richard Shone

Oh brother!

From our UK edition

Long in the writing, deep in research, heavy to hold, this is the latest of umpteen biographies of Vincent van Gogh (1853-90). But it should be said straightaway that it is extremely readable, contains new material and is freshly, even startlingly re-interpretative of a life whose bare bones are very familiar. The more one reads, the more absorbing it becomes, both in its breadth of approach and its colossal detail. Potential readers, however, should be warned: this is no sentimentalising study, no apologia for the excesses of the ‘mad genius’ of popular renown. Quite the contrary: one’s dismay intensifies as the self-crucifixion of Van Gogh’s life unfolds, disaster after disaster on page after page.