Why does no one want to be a cartoonist any more?
‘Nightmare!’ is how The Spectator’s cartoon editor Michael Heath has been describing cartooning for at least 30 years, but it’s truer now than ever. Eighty years ago, cartoonists were so celebrated that waxworks of Low, Strube and Poy were displayed in Madame Tussauds. Today, all that remains of Low is a pair of waxy hands in Kent University’s British Cartoon Archive. We are a vanishing species. There is a lack of new blood in the industry that doesn’t bode well for the future. When I was a student, getting published in Punch and Private Eye was seen as the pinnacle of a career in humour. Many tried —and succeeded —