Who’s deceiving whom?: The Art of the Lie, by Laura Shepherd-Robinson, reviewed
In this age of lies and delusions, the trickster may seem to be a peculiarly modern creature, but he or she is almost as old as literature itself. Long before phishing or fake news, stories about cunning foxes, Loki, Anansi the Spider-Man and Odysseus brought delight; Puck, Tom Ripley and Sarah Waters’s fingersmith Sue Trinder are some of their descendants. Encountering such a figure is always a joy, and in Laura Shepherd-Robinson’s latest novel, The Art of a Lie, there are two. Hannah Cole is a shopkeeper in 18th-century London, struggling to keep her confectionary business open. Her husband Jonas has been murdered, and we soon learn that not only is the celebrated author and magistrate Henry Fielding investigating Mr Cole’s death but that Hannah is, in fact, his killer.