Film

Is an Oscars upset around the corner?

Can Sinners pull off the biggest Oscars upset in recent times? That’s the question that many in Hollywood will be asking after Ryan Coogler’s genre-bending period-musical-horror picture has been nominated for a mighty 16 Academy Awards, including Best Picture, Director, Actor, Supporting Actor and Actress, and more. While it has been looking like a done deal that Paul Thomas Anderson’s Pynchon adaptation One Battle After Another will be sweeping to victory – and with a far from inconsiderable 13 nominations, it still could – the fact that Sinners is now the most nominated film of all time means that, on paper at least, it’s a serious challenger. Still, PTA won’t

oscars

Good riddance, Kathleen Kennedy

The news that the producer Kathleen Kennedy is stepping down with immediate effect as president of Lucasfilm, to be replaced by Dave Filoni and Lynwen Brennan, may not sound especially consequential; film executives come and go all the time, and their arrival and departure is normally only of interest to those in the movie business. Yet Kennedy, who has run Lucasfilm – home of Star Wars, Indiana Jones and a great deal more – since 2012, and been in sole charge after the departure of the company’s founder George Lucas the same year, is the most consequential Hollywood studio head of the past couple of decades. And, her millions of

kathleen kennedy

Take a trip to The Bone Temple

28 Years Later, Danny Boyle’s ace return to the 28 Days later series, was one of last year’s most pleasant cinematic surprises. Combining serious thrills with creeping suspense and a light dusting of social commentary, it also ended with one hell of a cliffhanger, as its protagonist, Alfie Williams’s young Spike, found himself in the hands of a gang of psychotic Jimmy Savile-styled desperadoes, led by Jack O’Connell’s sinister Lord Jimmy Crystal. Audiences were keen to see how Candyman and Hedda director Nia DaCosta could pick up the pieces in the next installment, The Bone Temple – once again scripted by Alex Garland – and how the narrative threads sewn

bone temple