Fiction

Unusually for a work of fiction, Tim Pears’ new novel opens with a spread of black-and-white photographs, part of an ‘investigator’s report’ into a fatal collision said to have taken place on a Birmingham dual carriageway in the summer of 1996. Unusually for a work of fiction, Tim Pears’ new novel opens with a spread of black-and-white photographs, part of an ‘investigator’s report’ into a fatal collision said to have taken place on a Birmingham dual carriageway in the summer of 1996. The victim is a six year-old girl named, Sara Ithell. Her father, 35 year-old, Owen, loses both his right hand and his livelihood as a jobbing gardener to the local bourgeoisie.

Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. ‘Talk about a bolt from the blue,’ she said. ‘McEwan does slapstick. I never saw that coming.’ She added (unfairly, I thought) that you might class On Chesil Beach as slapstick of an unintentional sort, but her point holds. Here, in a book around a scientific theme of considerable seriousness — global warming and renewable energy — McEwan has written the closest thing he’s ever done to a farce. Told in three chunks, spaced at intervals between 2000 and 2009, Solar is the story of a Nobel-prize-winning physicist on a slow slide to disaster.

When I was about half way through Little Hands Clapping, Dan Rhodes’s fifth published book, I started a list of the innocent characters on whom fate and their author play nasty tricks. When I was about half way through Little Hands Clapping, Dan Rhodes’s fifth published book, I started a list of the innocent characters on whom fate and their author play nasty tricks. I thought of the decent doctor who marries a woman so beautiful and yet so unfaithful that it ruins his life; the two good-looking children who have eyes only for one another, until they discover that he is in fact the most beautiful man in the world and she looks quite ordinary; and the young man with a passion for opera whose rich, older wife transforms him into a Pavarotti lookalike.

In little more than a decade, the cosy world of Anglo-American crime fiction has been transformed by wave after wave of Scandinavian invaders. Some, like Steig Larsson, are suddenly parachuted into the bestseller lists almost before we have had time to become aware of their existence. Others, like Iceland’s Arnaldur Indridason and Norway’s Karin Fossum, advance steadily but less dramatically in terms of sales and critical plaudits. And then there’s Henning Mankell, the Swedish commander-in-chief of the invading forces, who deserves a category to himself. He is a distinguished playwright, publisher and children’s author, who has a long and honourable record of supporting charitable causes, especially in Africa.

It would not have been so easy to describe what Joanna Trollope’s early novels were ‘about’ in a few words, but recently she has been writing what the Americans call ‘issue books’, and they can be more readily encapsulated. It would not have been so easy to describe what Joanna Trollope’s early novels were ‘about’ in a few words, but recently she has been writing what the Americans call ‘issue books’, and they can be more readily encapsulated. The Other Family is about just that — a man who has, or had, two of them.

For those unfamiliar with Martin Amis’s short story, ‘What Happened to Me on My Holiday’, written for The New Yorker in 1997, it was a purist exercise in autobiographical fiction; not even the names were changed. For those unfamiliar with Martin Amis’s short story, ‘What Happened to Me on My Holiday’, written for The New Yorker in 1997, it was a purist exercise in autobiographical fiction; not even the names were changed. The Pregnant Widow is a far more complex, troubling piece of work. Amis did indeed spend much of the summer after his second year at Oxford in a castle near the Mediterranean, though not in Tuscany; that would come later.

Probably my opinion of this bold book is worthless. Peter Carey, having decided to write a novel about Alexis de Tocqueville’s visit to the United States in 1831-2, read, among many other works, my biography of Tocqueville, which was published two years ago in, he says, ‘the nick of time’. He is kind enough to call it ‘delightful’, and has plundered it assiduously. What I myself find delightful is the way in which Carey has picked up the signals. I never expected such a close, intelligent reader, and I’m glad to think my work has been of use to him. But this does not make me a dispassionate reviewer. And nobody else has my reasons for studying Carey’s transmogrifications.

Nobody who reads Nigel Farndale’s The Blasphemer is likely to complain about being short-changed. Nobody who reads Nigel Farndale’s The Blasphemer is likely to complain about being short-changed. It tackles five generations of the same family, three wars, Mahler’s ninth symphony and contemporary Islamic terrorism. Along the way, it ponders the nature of male courage, the theological implications of Darwinism and, rather more surprisingly, the existence of angels. As a journalist himself, Farndale also seems to have noted the career path of Sebastian Faulks — that great exemplar for all British journos dreaming of literary glory.