Elon musk

For many, the upcoming launch of NASA’s Artemis 1 (after a botched attempt earlier this week) undoubtedly seems the start of a new and exciting era in space exploration. Not only is the US finally planning to return to the Moon — this time to build a permanent outpost on the lunar surface — but in just a few months Elon Musk’s SpaceX will be sending its gigantic Starship, theoretically capable of carrying 100 astronauts, into Earth orbit. “Space is sexy again,” as astrophysicist Paul M. Sutter recently put it. “After the excitement of the initial Apollo missions dwindled into a subject only discussed by ultra-nerds, and the cool factor of the Space Shuttle gave way to the realization that it didn’t really do much, people generally lost interest in space.

Articles about the future and “progress” have been popping up a lot lately, with conversations revolving around the inevitable advancements in technology and automation. Where we should head next is the collective theme. To the metaverse? To outer space itself? But instead of setting our sights on colonizing Mars or creating a perfect alternate reality, we should slow our roll, focus on the here and now and consider whether the frenzied “progress” we’re in such a rush to make has demonstrated any benefit to real-life people. Manufacturing is a good place to start. Let this startling reality sink in, reported in 2017 by the Organization for Economic Co-operation and Development: Between 2000 and 2010, US manufacturing experienced a nightmare.

I’m old enough to have viewed the grainy TV images of the first Moon landings by Apollo 11 in 1969. I can never look at the Moon without recalling Neil Armstrong’s ‘One small step for a man; one giant leap for mankind’. It seems even more heroic in retrospect, considering how they depended on primitive computing and untested equipment. 20 July 1969 (NASA/AFP via Getty Images) Once the race to the Moon was won, there was no motivation for continuing with the space race and the gargantuan costs involved. No human since 1972 has travelled more than a few hundred miles from the Earth. Hundreds have ventured into space, but they have done no more than circle the Earth in low orbit.

Jordan Peterson went from being a psychologist advising troubled kids to an unlikely political figure as he fought against the Canadian government’s compelled speech law for pronouns. Cockburn watched with fascination as Peterson clashed repeatedly with the left-wing narrative, even going as far as to resign from his tenured position at the University of Toronto due to their rampant leftist ideology. On June 28, Twitter suspended him for this tweet (as recalled by his daughter): https://twitter.com/MikhailaFuller/status/1541946666567323649 Clearly referring to someone by their birth name is a sin for Twitter. Little did Cockburn know that Dave Rubin, the host of The Rubin Report, was to be next on the chopping block. Rubin sent this tweet before being suspended: https://twitter.

If Elon Musk truly intends to make Twitter a free-speech platform, he’s clearly got a fight on his hands. That was made abundantly clear by the collective meltdown among media and political elites that greeted the billionaire’s shock takeover of the platform last month. The vested interests in keeping Twitter a sanitised, censorious place are apparently considerable. And not only will Musk have the great and good, his own employees, our own Nadine Dorries and Joe Biden’s new ‘disinformation tsar’ to contend with, but potentially Twitter’s advertisers, too.

News that billionaire Elon Musk is buying Twitter has shaken the world to the point that left-wingers are threatening to deprive us of their every thought by quitting the platform. My guess is this blustering will take those celebrities about as far away as they went when they pledged to leave the country if Trump was elected president. And though Twitter is likely far from rid of the Jameela Jamils and Chelsea Handlers of the world, even a brief reprieve from the balderdash could do us wonders. Last weekend, I had the privilege of experiencing a one-of-a-kind event at my local theater. “Rick Benjamin’s Paragon Ragtime Orchestra” came to town and performed the original musical score to Buster Keaton’s Steamboat Bill, Jr., a 1928 silent film.