El Greco

A feast for quiz-lovers: Christmas gift books

The Christmas gift book market is a fascinating thing. Things come into fashion, other things drop out, although the desire to amuse and/or make the mind boggle is pretty much constant. This year’s book that performs both tasks admirably is The History of Art in One Sentence (Bloomsbury, £14.99) by Verity Babbs, which I am assured is her real name. She is an art historian and a comedian, an unusual combination in academe and a very effective one here. Her task is to guide us through 50 art movements from the past 500 years, one sentence at a time. Each short chapter asks ten judicious questions about the movement, then profiles three significant artists and three significant artworks. And it’s all done with a delicious light humour that makes the whole book sing.

Whipping up a masterpiece: painters and their materials

If you are someone who revels in the deliciousness of oil paintings, who looks at them and wants to eat them ‘as if they were ice cream or something’, in Damien Hirst’s phrase, then Martin Gayford’s latest book will be a banquet. In part, this is thanks to the illustrations – luscious close-ups of Van Gogh’s brushstrokes like buttercream icing, and a double-page spread of a golden Rothko large enough to tumble into. But mainly it’s due to his intention to understand the medium of painting from the inside out: from the artists’ viewpoint rather than the art historian’s. He is well placed to do this, having interviewed almost every well-known artist (many of them for this magazine) during his past 30 years as a critic.

An old master who still feels new

From our US edition

This article is in The Spectator’s March 2020 US edition. Subscribe here. Velázquez prized his work, but El Greco’s reputation fell quickly after his death in 1614. Another Spanish painter, Antonio Palomino (1655-1726), called The Greek ‘contemptible and ridiculous, as much for the disjointed drawing as for the insipid colors’. In the 1800s, ‘The Burial of the Count of Orgaz’, now regarded as one of his masterpieces, lay rolled up in the basement of a Toledo church.

el greco