Culture

Cutting the arts and decimating culture

From our UK edition

Rationing Mammon emaciates the Muses. Plato knew it, and so does Polly Toynbee: it’s just simple cause and effect. And government cuts tend to be cyclical: seven fat years of abundance are invariably followed by lean years of famine. Unlike health and overseas development, the arts seem to have no divine right of exemption from the fiscal straitjacket presently being strapped around other departments of state: it is undeniably politically easier to cut Northern Ballet than hospital beds or malaria nets. But the suggestion that a reduction of £150 million amounts to little more than a slight nip‘n’tuck in a very fleshy sector is a little misleading.

A clash of commerce and culture

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Other People’s Money — and How the Bankers Use It by Louis D. Brandeis was a collection of articles about the predatory practices of big banks, published in book form in 1914. Nearly a century later, it remains in print. In 1991 Danny de Vito starred as ‘Larry the Liquidator’ in the film Other People’s Money. The wanton boys of banking sport with us in life and art and in Justin Cartwright’s latest novel. Other People’s Money — and How the Bankers Use It by Louis D. Brandeis was a collection of articles about the predatory practices of big banks, published in book form in 1914. Nearly a century later, it remains in print. In 1991 Danny de Vito starred as ‘Larry the Liquidator’ in the film Other People’s Money.

Come together

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Niru Ratnam invites you to join in and take off your trousers in the name of art at the taxpayer’s expense — while you still can In the week before the G20 summit in early 2009, I found myself sitting at a large, round, glass-topped table in the new extension to the Whitechapel Gallery. A large tapestry copy of Picasso’s ‘Guernica’ hung on one of the walls nearby. Around the table were 30-odd people made up of students, random art folk, regulars of the Anarchist Bookshop located in the alley next to the gallery and, somewhat incongruously, the managing director of the Whitechapel Gallery looking dapper, if increasingly confused, in the chair. We had all been invited along to respond to ‘the current political and economic climate’.

Healthy competition

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The 2010 Gramophone Awards took me by surprise the other day — quite possibly because I took no interest in the 2009 Awards and therefore may have missed out on a trend. The 2010 Gramophone Awards took me by surprise the other day — quite possibly because I took no interest in the 2009 Awards and therefore may have missed out on a trend. It was as if the recording equivalent of the Campaign for Real Ale had come along, swept away the Watney’s Red Barrel, Whitbread’s Trophy Bitter and Worthington ‘E’ of the classical music industry and replaced them with all those myriad micro-breweries with funny names and higher alcohol levels.

What it is to be British

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What is it about the British and flag waving? I ask after watching last night's superlative BBC Proms, a brilliant end to the best season for years. On HD and wired to the hifi, it was all the better. As the end approached, my Czech mother-in-law asked: if this is Britain's flagship musical event, why are there so many foreign flags? It's hard to explain. Britain has a mutating relationship with flags and nationality. Twenty years ago, the Union flag was used in England matches, then devolution came and the St George's cross made an emphatic comeback. I'm sure I saw a Cornish flag last night, and at least one Saltire, so part of it is regionalisation.

The role of libraries

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New government statistics show that libraries are less popular than ever, with a drop over 5 years of nearly one-third in the number who visit them. Over 60 percent of adults do not use them even once a year. Libraries seem vulnerable. With government striving to make economies and councils made to cut budgets, libraries could see their spending cut dramatically. Libraries face a downward spiral in which councils try to make savings by cutting hours, letting some staff go, and closing some facilities altogether. Libraries then become less convenient to use, and usage figures decline even further. There are alternatives. Although libraries mostly loan popular bestsellers and do-it-yourself books to adults, they also introduce children into the world of reading.

Mawkish charades

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This book is an engaging rant against the folly, claptrap, self-indulgence and hypocrisy of mankind, written in the brisk and trenchant style which readers of the author’s Spectator articles will recognise. This book is an engaging rant against the folly, claptrap, self-indulgence and hypocrisy of mankind, written in the brisk and trenchant style which readers of the author’s Spectator articles will recognise. Theodore Dalrymple has chosen a large target, which yields plenty of choice material. The more revered the individual and the more widespread the sentiment, the more acerbic the language in which Dalrymple mocks and reviles it. Not since Christopher Hitchens launched his assault on Mother Teresa have so many sacred cows been publicly slaughtered in one short volume.

Never again should so much be wasted by so few

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If you tire quickly of the tediously lengthy build up to Christmas, which starts about now, then heaven help you in dealing with two years of hyperbole about the 2012 Olympics. Even the most enthusiastic synchronised swimming fan will find it hard to imagine that the actual event will live up to the billing. And as a keen follower of sport (well, proper sport like football or motor racing), I hope that the London Olympics absolutely bomb.   I want half empty stadia, feeble athletic performances (particularly from British competitors) and embarrassingly low television viewing figures.

Words fail me…

From our UK edition

...when it comes to the Lib Dem's offical election song, performed by the Liberal Democrat Community Choir: You can, er, buy it on iTunes if you like.

Brutal and brutalising

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In this book, Jonathan Safran Foer, the American novelist, tries to make us think about eating meat. He ate meat, then became a vegetarian, then ate meat again, then got a dog, then started to worry about eating animals, and didn’t stop worrying. This book is the result of what happens if you start to worry about eating animals, which is what most of us do, but then carry on worrying, which is what most of us don’t do. It’s horrifying. He starts off by thinking about why we don’t eat dogs. Well, we’d hate to do that, wouldn’t we? They’re dogs, for God’s sake. They are ‘companion animals’. We love them, in the same way that the Indians love their cows. But the Indians eat dogs, don’t they? And Koreans eat dogs.

The spaced-out years

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Barry Miles came to London in the Sixties to escape the horsey torpor of the Cotswolds in which he grew up. Known at first only as ‘Miles’, he worked at Indica and Better Books and was soon helping to organise the Albert Hall reading of 1965 which is supposed to have changed British poetry for ever, though whether it did, or for the better, is debatable (Alan Ginsberg thought none of the British poets were worthy to read with him). He then moved into journalism on the International Times and wrote biographies of both Beats and Beatles, as well as Zappa and The Clash. He seems to have been present at every ‘underground’ event of the next 20 spaced-out years.

Why we should give the Elgin Marbles back to Greece

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While we’re talking about countries on the brink, it’s worth taking a look at Greece – which has probably passed beyond it.  The government has published its package of austerity measures – aiming to reduce its deficit to 8.7 percent of GDP by the end of 2010 – and the markets are deciding what they think. But, in the meantime, the country faces strikes; the Euro is taking a pummeling; there are fears that problems may spread to countries like Portugal and Spain; and Greek foreign policy – particularly with regard to Macedonia and the Balkans – is stalling.  Nobody is through the woods yet. All this mean that George Papandreou's problems are also the EU's problem.

For all his faults, Gradgrind was right

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The next time your four year old nephew smears chocolate over your trousers you are to congratulate him. According to government guidance, soon to be issued to nurseries by Dawn Primarolo, the glibly smirking illiterate would have been writing.  Yesterday’s Independent reported that in response to evidence that the gender gap between children under the age of five has widened in writing, problem-solving and personal development, the government believe that boys should work harder.  This seemingly impossible task will be eased by ‘making learning fun’: boys will be allowed to graffiti any given surface with chocolate and coloured sand.   What a way to begin the new decade: by creating a mass of juvenile Banksies.

Satire is dead

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I laughed more at the Antiques Roadshow than I did at The Thick of It. In fact, finding the louche Eric Knowles delivers more cutting gags per minute than Malcolm Tucker has become a feature of my weekends. And it’s a sad one because The Thick of It was the sharpest and most savage programme on television - a welcome focus for one’s anger at the Labour government. Truth is, Armando Iannucci’s show has dated. The outwardly crisp style of government it satirised has descended into a very public ‘omnishambles’. The reality is funnier than the fiction.

Big Brother and the limits of television

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Big Brother is dead. This is terrific news – particularly if you’re one of those morbid hacks who specialise in articles lamenting ‘the excessive trivialisation of our culture’. Even now the long dreary ‘think-pieces’ are being commissioned for the Sunday papers. We all know what they’ll say. Big Brother (born 2000, died 2010, RIP) is responsible for creating the great scourge of modern culture, the noodle-brained, cross-eyed, half-witted celebrity. The ‘bad’ celebrity, in other words, of whom Jade Goody, (a BB graduate) is the outstanding examplar.

Amis at 60

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Martin Amis says that when a man turns 40 he stops saying "hi" and starts saying "bye". So, as a 41-year-old, I now stand unequivocally on the farewell side of the tracks, putting my affairs gradually in order before the eventual arrival of the Grim Reaper - who in an Amis novel would probably be called Keith or Tel and speak an obscure London argot. Amis himself is 60 today and I wonder how significant a milestone that is for the writer himself. For his father's generation, 60 was a moment freighted with messages - what Martin calls "the Information" in his novel of the same name - about work, longevity, sex, prospective senility and so forth.

Breast is barred

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Truth is indeed often stranger than fiction. It appears Big Brother is not just watching our every move but has also infiltrated our bodies. Speaking to a cranial surgeon over the weekend, I was fascinated to discover that most of our replaced, repaired or “surgically-enhanced” body parts are now bar-coded and given serial numbers - just like supermarket goods or a improbable plot devised by Ira Levin. Jasmine Fiore - the former Playboy model allegedly murdered by her boyfriend Ryan Alexander Jenkins - was recently identified by her breast implants. Her teeth had been forcibly removed, yet this did not deter detectives from their investigation. For those who strongly object to the government holding DNA records, the writing is on the wall: there is no escape.

Introducing Cappuccino Culture

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Just to introduce The Spectator's new team blog on arts and cultural affairs - Cappuccino Culture. Spectator writers will be posting all day, every day on what's new and what matters in the cultural landscape: from arthouse movies to X Factor, from modern poetry to the latest production of Hamlet, all the reviews and the rows. Above all, we want you, our readers, to join the debate by making your own comments on each post. So please head over to new.spectator.co.uk/culture, and let's embark on a cultural odyssey.

A poetic evening

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From its founder Joseph Addison – a poet of some significance – to its present poetry editor, Hugo Williams, the Spectator has always had a rich association with the poetic art. Indeed, an editorial by J.D.Scott in 1954 was widely regarded as the founding text of the so-called “Movement” of that decade; Vita Sackville-West, Sassoon, Freya Stark, Larkin, Kingsley Amis and James Michie have all played their part in this glorious history. So it was in the spirit of renewing our finest traditions that we hosted a very special poetry event at 22 Old Queen Street this evening – a standing-room only sell-out - featuring Sir Andrew Motion, Clive James, Annie Freud and Olivia Cole.

Blur in the park

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Been meaning to post all day a hat-tip to our very own Alex James who - before he was a Spectator columnist and celebrated cheese-maker - used to play the bass in a rather successful little group called Blur. Last night, reunited and re-energised, they played their final UK gig in Hyde Park. And, whether or not you were around first time to enjoy these great songs, it really was rather special. From the opening chords of "She's So High", it was clear that the band which defined "Cool Britannia" do not intend to fade into obsolescence with that New Labour-infected moment, nor to go through the motions like a nostalgia act, reforming occasionally to ensure an annual pay day from their grown-up and now-professional fanbase. They still mean business, thank God.