Books

Why Generation Woke loves romantasy

From our UK edition

When the willowy human Feyre meets the faerie Tamlin in A Court of Thorns and Roses (known as ACOTAR by fans), he is a ‘snarling gigantic beast with golden fur’. Drama ensues when Tamlin, with his ‘elf-like horns’ and ‘yellow fangs’, kidnaps Feyre. He keeps her in captivity, then claims her: turning up in her room at night and clamping his teeth down on to her neck against her will. Two hundred pages later, the pair finally have sex and Feyre marvels that while ‘his claws were out’ they are ‘devastatingly gentle on my hips as he slid down between my thighs and feasted on me’. She moans his name and he ‘sheathed himself inside me in a powerful, slow thrust that had me splintering around him’.

Let straight white men write novels!

From our UK edition

About 15 years ago, I tried to interest my literary agent in a state-of-the-nation novel set in 21st-century London. My model was Bonfire of the Vanities, Tom Wolfe’s masterpiece about New York in the 1980s. I’d read Wolfe’s essay in Harper’s magazine called ‘Stalking the Billion-Footed Beast’ in which he urges ambitious young authors to dispense with namby-pamby, post-modernist experimental nonsense and follow in the footsteps of Balzac, Zola and Dickens – write realistic novels documenting every aspect of contemporary society in granular detail. I wrote a 10,000-word proposal summarising the story, which began with a black teenage drug dealer coming to the rescue of a posh teenage girl in Shepherd’s Bush by fighting off a group of roadmen trying to steal her puppy.

Glennon Doyle’s latest offering marks a change in direction

Glennon Doyle – wife, mother, lesbian, blogger, former Instagram phenomenon, political influencer –  says “we can do hard things.” This aphorism, taken from a poster in a classroom back when she was a third-grade teacher in Virginia, might just be one of the most successful dicta to emerge in recent American history – more successful, even, than Barack Obama’s “Yes we can!” When Joe Biden won the presidency in November 2020, his campaign manager swiftly tweeted “We can do hard things... and you just did!” Months later, in January 2021, Democrat Chuck Schumer, addressing Congress after the siege of the Capitol, declared: “In America, we do hard things.

Doyle
Scalia

How to make America read again

Christopher J. Scalia, in 13 Novels Conservatives Will Love (But Probably Haven’t Read) hopes not only to refresh “how conservatives talk about fiction,” but also to disabuse the left of the notion that “conservative thought is an oxymoron.” He’s set himself a difficult task, since, as he notes, nobody reads any more; whether this is truer of conservatives than of the left, I don’t know. Using the form of a book in order to attract people who don’t read might seem odd, but Scalia knows his audience and his light, avuncular style proves engaging throughout. He’s also chosen a structure that even the most TikTok-numbed zoomer might appreciate: the extended listicle.

Lewis

The enduring brilliance of C.S. Lewis

Unexpectedly, the Oxford literature professor Clive Staples Lewis – better known as C.S. Lewis – is having something of a moment, more than six decades after his death. Director Greta Gerwig, of Barbie fame, has embarked upon the ambitious project of filming all seven of his Chronicles of Narnia books for Netflix, starting with The Magician’s Nephew. She has assembled a starry ensemble that will include Daniel Craig, Carey Mulligan, the excellent Emma Mackey as the White Witch and, for the voice of the divine lion Aslan, none other than Meryl Streep. There are rumors that Lewis’s ever-popular satirical epistolary novel The Screwtape Letters is to be turned into an animated film.

Letters: Why we need libraries

From our UK edition

NHS origins Sir: Your leading article ‘Wes or bust’ (5 July) credited Labour with founding the NHS. In fact, the NHS was founded during the second world war by the Labour, Liberal and Conservative coalition. The speech with the famous line ‘free at the point of use’ was in fact made by Winston Churchill. He made it because he was PM and it was his job. For Labour to claim to be the initiator is somewhat disingenuous. Edward Hirst Aston, Sheffield All aboard Sir: Michael Gove is quite right (‘Tracks of my tears’, 5 July): the retirement of the royal train is sad news for those of us who like trains and their history. Rather than the royal family viewing it as a liability, might it not still be a useful national asset?

Public libraries deserve to shut – they’ve forgotten why they exist

From our UK edition

The usual piece about public libraries runs like this. Public libraries are for ‘more than just books’. They are in a desperate plight after years of cuts, or better still ‘Tory cuts’. Librarians, who are heroes, struggle to go on serving their local communities. Libraries are hanging on by a thread, and because of those government cuts can’t be as useful as they once were. The only solution, of course, is more money from central government to local authorities, who, of course, will dash to spend the extra millions on reinstating public libraries and not add it to other things they want to splurge on.

Spare us from ‘experimental’ novels

From our UK edition

Some sorts of books and dramas have very strict rules. We like a lot of things to be absolutely predictable. In romantic comedies, a girl chooses between a charmer who turns out to be a rotter and another man she hates at first but then falls for. In the BBC’s long-running Casualty, if a worried patient turns up with his put-upon wife who coughs twice, it’s the wife who’s got an undiagnosed fatal disease. Bertie Wooster falls for a girl that Jeeves doesn’t care for and the valet goes to some lengths to detach his employer. We like these things because they’re safe and a little bit cosy and we all know what the rules are. One of the most rigid genres at the moment is slightly different.

Why I burnt the Quran

From our UK edition

My name is Hamit Coskun and I’ve just been convicted of a religiously aggravated public order offence. My ‘crime’? Burning a copy of the Quran outside the Turkish consulate in London. Moments later, I was attacked in full view of the street by a man. I was hospitalised. Then I was arrested. Some may say that book-burning is a poor substitute for reasoned debate. I would counter that it was a symbolic, non-violent form of expression intended to draw attention to the ongoing move from the secularism of my country of birth to a regime which embraces hardline Islam. As I told Westminster Magistrates’ Court, what I did constituted political protest and the law, as I understood it, was on my side.

Seventy-five years of Strangers on a Train

According to her own notebook, the idea for Strangers on a Train came to its author, Patricia Highsmith, in December 1945, while she was walking along the Hudson River in upstate New York with her mother, Mary Coates, and her stepfather, Stanley Highsmith. Given her fractious relationship with her mother, it is not surprising that the idea for a novel – two people swapping murders – came while in the company of the woman she thought of as her lifelong enemy. Divorced from Patricia’s father nine days before she was born in 1921, Mary spent most of her daughter’s childhood courting a new suitor, Stanley.

Highsmith

Could the French Revolution have been avoided?

In the middle of the 18th century, on the north side of the Palais Royal gardens in Paris, there stood a magnificent chestnut tree called the Tree of Cracow. In his presidential address to the American Historical Association in 2000, Robert Darnton explained that the name Cracow probably derived from the heated debates that took place in Paris during the War of the Polish Succession, but also from the French verb craquer: to tell dubious stories. News-mongers or nouvellistes de bouche, agents for foreign diplomats and curious members of the public gathered round the tree, which was at the heart of Paris’s news network, a nerve center for transmitting information, gossip and rumors.

Darnton

The short history of short histories

From our UK edition

My friend Ruby recently started a TikTok channel called ‘Too Long Didn’t Read’. With boundless enthusiasm and a colourful wardrobe, she prances around Hampstead Heath, summarising classic novels in 60 seconds. The channel ‘sums up anything ever written so you can talk about it to your mates’. Ruby is not alone in her approach of offering such educational digests. Scan the tables at Hatchards in Piccadilly and you will find endless shortest histories, or – for brevity’s sake – ‘shistories’. Popular formulas include ‘The Shortest History of …’, ‘A Brief History of … or ‘A Little History of …’.

The odd couple: Austen and Turner at 250

From our UK edition

History is full of odd couples: famous but unrelated people who happen to have been born in the same year. 1809: Charles Darwin and Abraham Lincoln. 1926: Queen Elizabeth II and Marilyn Monroe. Yet few historical pairings are as unlikely as the novelist Jane Austen and the painter J.M.W. Turner, born within a few months of each other in 1775. Usually the only time these two cultural icons encounter one another is in our purses or wallets: Turner depicted as a dashing young Romantic on the £20 note, Austen looking demure and doe-eyed (a heavily airbrushed version of the portrait originally sketched by her sister Cassandra) on the £10 note. Otherwise they might appear to have little in common.

The passage of Ragtime

Back in the winter of 1980, a young Martin Amis found himself on the London set of Miloš Forman’s movie Ragtime. The plan was to inspect what Norman Mailer, whom Amis was profiling for the Observer newspaper, was doing with the part of Stanford White, the real-life architect murdered by the deranged husband of New York chorus girl Evelyn Nesbit. Impressed by the lavish million-dollar backdrop, Amis looked on as the nattily dressed and neatly bewigged author of The Executioner’s Song, accompanied by his sixth wife, Norris, made his way into a reconstruction of Madison Square Garden.

Ragtime

Worth watching for the dog: The Friend reviewed

From our UK edition

The Friend is an adaptation of the novel by Sigrid Nunez starring a harlequin Great Dane. If I remember rightly, Naomi Watts and Bill Murray are also in the mix somewhere but I can’t be sure. Who could notice anything but Apollo in all his noble, giant, majesty? Watts and Murray are fine – if they are even in it? – but Bing, who plays Apollo, is astonishing. It’s his first role, yet he must be a shoo-in for the Palm Dog prize at Cannes this year. Even if you’re not into the ‘non-action’ genre it’s worth it for the dog To be clear, though, this isn’t your usual cute-doggo movie. This isn’t Turner & Hooch. In fact, if you’ve read the book you’ll be wondering: how can it even be a film?

The benign republic of Julian Barnes

From our UK edition

Not long into this essay I found myself wondering if it would have been published if the author were not Julian Barnes. I also wondered: would I have guessed the author’s identity if it had been withheld from me? Actually, it’s really five little essays, whose subjects are ‘Memories’, ‘Words’, ‘Politics’, ‘Books’, and ‘Age and Time’.

Tender and gripping portrait of Edna O’Brien

From our UK edition

You could say it’s impossible to make a poor documentary about the writer Edna O’Brien as she’s never said or done anything uninteresting in her life. Point a camera and we’re away. But Sinead O’Shea’s Blue Road: The Edna O’Brien Story is especially rewarding as it is not only beautifully constructed but also includes diary entries that have never been made public before, plus an interview conducted with O’Brien in July last year just before her death. She was 93 and frail but as extraordinarily vivid as ever. She was born, she says, ‘ravenous for life’ and, blimey, what a life it was.

Petroc Trelawny, Gareth Roberts, Tom Lee, Leyla Sanai and Iram Ramzan

From our UK edition

28 min listen

On this week’s Spectator Out Loud: Petroc Trelawny reads his diary for the week (1:14); Gareth Roberts wants us to make book jackets nasty again (6:22); Tom Lee writes in defence of benzodiazepines (13:44); Leyla Sanai reflects on unethical practices within psychiatry, as she reviews Jon Stock’s The Sleep Room (19:41); and, Iram Ramzan provides her notes on cousin marriages (24:30). Produced and presented by Patrick Gibbons.

Bring back gory book covers!

From our UK edition

Looking for a light, breezy read? If you happened to be browsing the bestseller bookshelves this summer your eye might be drawn to a cover that shows two colourful beach chairs under wafting palms on a bright, sandy shore. The shadows cast by the chairs become those of two children – maybe it’s a story about a holiday romance, a couple who knew each other when they were younger and reunite under the Seychelles sun. If you somehow didn’t know that Stephen King was a horror writer you might not realise that this book, You Like It Darker, is his most recent short story collection. One of those stories is a sequel to Cujo, King’s 1981 shocker about a family’s amiable dog who gets nipped by a bat and embarks on a rabies rampage.

Wonderfully intimate: The Drawings of Victor Hugo, at the RA, reviewed

From our UK edition

You feel so close to Victor Hugo in this exhibition. It’s as if you are at his elbow while he sighs at his standing desk at the top of his house on Guernsey, where he held France constantly in view as he worked. Here, frustrated by Les Misères (working title), he has thrown down his pen and moved to his art table, sloshing great washes of sepia ink across paper to form lowering clouds. And there, daydreaming, he has cut out a stencil of a castle, and placed it on a cloud of ink. (Hmm, ‘castle on a cloud’ – could make a nice lyric for a song one day…) Here is a person thinking with their pen – or rather, letting their pen think with them There is a wonderful intimacy to his travel sketchbooks, full of minutely well-observed brickwork and staircases.