Book review

‘To me, he was sort of like a unicorn,’ writes Mrs Obama, looking back on her courtship days with Barack. He was affectionate, loving, secure and brainy. Very brainy. ‘He consumed volumes of political philosophy as if it were beach reading.’ He was laid back but his sense of purpose was strong. ‘Barack was serious without being self-serious. He was breezy in his manner but powerful in his mind. It was a strange, stirring combination.’ In a languid late-night moment, she asks a penny for his thoughts. ‘Oh, I was just thinking about income inequality.’ This book takes you right back to those days when we all fell in love with Obama.

Bess of Hardwick — who died Elizabeth Talbot, Countess of Shrewsbury — was a remarkable and fascinating woman. The wife of four men, builder of four houses, and by her death the second richest woman in the country, the exceptional Bess has attracted many biographers. Kate Hubbard’s new book differs from these by examining Bess’s life as a ‘builder within the context of the Elizabethan building world’. It is, consequently, part biography and part building history, considering along the way the erection of Elizabethan prodigy houses, such as Longleat, Theobalds, Wollaton (‘a monstrous building, heavy and hectic, overcrowded with ornament, overwhelmed with glass’), and, above all, Bess’s Hardwick New Hall.

‘I have fallen in love many times in my consulting room,’ writes the psychotherapist Jane Haynes. ‘I do not mean that I want to have an explicit sexual relationship,’ she clarifies. That said, she describes herself as the Desdemona of the consulting room, falling in love as she listens to ‘someone share the pity of their history’. And like Othello’s stories that titillated Desdemona, Haynes’s narratives of her and her patients’ painful lives are compelling, if passing strange, particularly given that her profession is usually reticent about what goes on behind closed doors between shrink and shrunken.

‘Marianne had the sense that her real life was happening somewhere very far away, happening without her, and she didn’t know if she would ever find out where it was and become part of it.’ This is the most frustrating part of being alienated and young. You hope that there’s a better life in store for you but you can’t yet bank on it. Sally Rooney appeared two years ago with Conversations with Friends and has rightly been fêted as one of the most important writers of her generation. The question of generation matters because she’s writing about young people. Both novels feature protagonists who are undergraduates in Rooney’s own Dublin.