Biography

If you crush the right testicle of a wolf and administer it in oil or rose water it will induce a loathing for sex. The Turks have a drink called coffee (for they use no wine). The Chinese have no nobility, or only those philosophers and doctors who have raised themselves by their worth. If you allowed a human being 25 square feet each, the Earth could bear 148,456,800,000,000 people. The Persian kings trained sparrows to hunt butterflies, inspired by hunting with hawks. Speaking of sparrows, the reason they are so short-lived is because of their salacity, which is very frequent.

Consider the hare and the hyena. The hare, Clement of Alexandria told readers of his 2nd-century sexual self-help manual Paedagogus, was thought to possess both male and female sexes and swapped their roles from year to year. As for the hyena, it was believed to acquire an extra anus annually and ‘to make the worst use of these added orifices’, as Michel Foucault puts it in the newly translated fourth volume of his History of Sexuality. For early church theologians the moral lesson was clear: we must not emulate gender-bending hares or randy hyenas. Rather, sex should be procreative, not pleasurable; we must go forth and multiply, borne by duty, not ecstasy.

Whose were those feet in ancient time that walked upon England’s mountains green? That William Blake assumed his readers were on his same wavelength is one of the things, according to John Higgs, ‘that makes his writing a glorious puzzle’. Equally puzzling, argues Higgs, is that the cockney visionary, unsung in his lifetime and buried in a pauper’s grave, has now been absorbed thoroughly into mainstream culture without our having the faintest idea of what he was on about.

The 20th-century Austrian mathematician Kurt Gödel did his level best to live in the world as his philosophical hero Gottfried Wilhelm Leibniz imagined it: a place of pre-established harmony, whose patterns are accessible to reason. It’s an optimistic world, and a theological one: a universe presided over by a God who does not play dice. It’s most decidedly not a 20th-century world, but ‘in any case’, as Gödel himself once commented, ‘there is no reason to trust blindly in the spirit of the time’. His fellow mathematician Paul Erdös was appalled: ‘You became a mathematician so that people should study you,’ he complained, ‘not that you should study Leibnitz.

‘Who do you think you are — Stirling Moss?’ a genially menacing traffic cop would ask a hapless motorway transgressor. At the peak of his popularity as the most successful English motor-racing driver, Moss personified the glamorous daredevilry of racing at top speed. Richard Williams, the author of this sympathetic, exhaustive anatomy of an international sporting hero, part-time playboy (‘chasing crumpet’) and ultimate family man, is a veteran sportswriter for national broadsheets. He has also written critically acclaimed books, including one with the wonderfully comprehensive title A Race with Love and Death.

‘To see a world in a grain of sand’, to attain the mystical perception that Blake advocated, requires a concentrated, fertile imagination. Barbara Hepworth (1903-1975), one of the leading and most popular British sculptors of the 20th century, fervently imagined that her works expressed cosmic grandeur and her own spiritual aspirations. In the foreword to this thoughtful and enjoyable biography, Ali Smith testifies that Hepworth was ‘fiercely intelligent’, while its author, Eleanor Clayton, candidly declares: ‘I write as a curator who loves the artist she presents, a fan writing of her hero.’ Her research shows how frequently the sculptures convey ‘concepts [Hepworth] considered universal and eternal’.

On 1 January 1806, a little over one year after his coronation, the Emperor Napoleon ordered the abolition of France’s new republican calendar and a return to the old Gregorian model. Over the past seven years republicans had grown used to ‘empire creep’, but even for those who had been forced to watch the principles of the revolution dismantled one by one and a republican general metamorphose into Emperor of the French, this last insult carried a peculiarly symbolic charge. For all its engaging dottiness — each new year, coinciding with the autumnal equinox, would begin on a different date — the short-lived republican calendar had embodied some of the most attractive and fragile dreams of the revolution.

This timely book celebrates one of the most remarkable women of the 18th century. Lady Mary Wortley Montagu was so impressed by the Turkish technique of ‘engraftment’ to prevent smallpox that in 1721, exactly 300 years ago, she arranged for the first such inoculation in England — and, even more controversially, had it carried out on her own three-year-old daughter. Smallpox pus from a sufferer was carried in a walnut shell and applied to a cut made in her daughter’s arm. She discovered the technique too late to use it on herself. As a young woman and court beauty, she had contracted smallpox during one of the frequent epidemics that swept London, leaving her scarred and without any eyebrows.

At the masquerade celebrating the end of the War of Austrian Succession no one could take their eyes off the beautiful Elizabeth Chudleigh. She had come, she said, as ‘Iphigenia, ready for the sacrifice’, and it was what she was wearing — or to all appearances not wearing — that caused a sensation that lasted for months. In the candlelight, her clinging costume of flesh-coloured silk made her appear completely naked; ‘a perfect review of the unadorned mother of mankind’, said one account. The furore caused by this episode was only eclipsed when, 27 years later, Elizabeth, now the widowed Duchess of Kingston, was put on trial for bigamy.