Bbc

Stopping the boats shouldn’t require magical thinking

The BBC’s tracking-down of Kardo Ranya as a people-smuggling mastermind is a triumph of investigative journalism. But anyone who thinks this will seriously help ‘smash the gangs’ is deluded. As the drugs trade illustrates, where there is demand there will be supply. What’s to be done? Imagine you were the party leader of a mainstream British political party. Daydreaming, you see a vision – pouffe! A bang and a flash, and there stands the Fairy Queen herself. ‘What, oh party leader,’ she demands, ‘is your heart’s desire?’ Your reply is unhesitating but – you suppose – hopeless. ‘A winning strategy for the next general election,’ you wail. ‘I ask only for that.

The BBC at its nation-unifying best

Children of the Blitz began with the surprising news – to me anyway – that while 800,000 British children in places likely to be bombed were evacuated during the war, two million weren’t. The evacuees’ stories have long been a TV staple, but this riveting documentary was the first programme of any kind I can remember about those who stayed at home. The experience was recalled with extraordinary vividness by people mainly in their nineties or beyond, all of whom gave the type of revelatory interview that programme-makers don’t get merely by pointing the camera and asking questions, but through the careful building of wholly justified trust.

Can our democracy survive the ‘bad chaps’? 

What is the greatest threat to British democracy? Zack Polanski’s call for ‘building a society’ that ‘doesn’t include’ people who ‘identify as right-wing’? Labour’s efforts to flood the Upper House with party apparatchiks? Islamist extremism? The correct answer is Reform UK. That, at least, is the conclusion of a new book called What If Reform Wins by the Times reporter Peter Chappell. Before I get to its flaws, I should acknowledge it’s an enjoyable read, with plenty of deft, comic touches. It imagines that Reform wins a majority in June 2029, and then gives a blow-by-blow account of the constitutional crisis that follows, with the informal rules and conventions underpinning our democracy being stress-tested and found wanting.

The BBC’s shameful treatment of Top Cat

Films nowadays often come with warning of ‘smoking’, ‘partial nudity’, ‘drug use’ or something called ‘language’ (presumably to prevent alarming people un-aware of the invention of the talkies). Yet language can be triggering. I know that from watching the BBC as a child, when two linguistic absurdities drove the seven-year-old me practically insane. One was the Blue Peter habit of referring to Sellotape as ‘sticky-backed plastic’, a phrase unspoken by anyone else in any other circumstances, except in parodies of BBC children’s programmes.

Sunday shows round-up: Will Labour axe fuel duty hike?

Bridget Phillipson: We don’t need to act yet on fuel duty The war in Iran has now gone on for one month and concerns continue to grow over the effect the conflict will have on economies all over the world. On Sky News this morning, Bridget Phillipson played down fears of impending fuel shortages, telling British consumers to ‘continue as you are’. Trevor Phillips noted that more than half of the price of fuel goes to the government and asked the Education Secretary why the government isn’t scrapping the proposed 5p rise to fuel duty in September. Phillipson said the Chancellor is ‘absolutely committed’ to protecting British people from the impacts of the conflict and that the government will ‘take a view closer to the time’ on fuel duty. https://www.youtube.

LIVE: Should we defund or defend the BBC? | Michael Gove & Jon Sopel v Charles Moore & Allison Pearson

60 min listen

Should we defund – or defend – the BBC?   Live from London, the Spectator hosted a debate on the future of this iconic British institution, compered by associate editor Isabel Hardman. The Spectator’s chairman – and long-time Beeb-critic – Charles Moore, and the Telegraph’s Allison Pearson went head-to-head with the Spectator’s editor – and former Tory cabinet minister – Michael Gove and the former BBC correspondent – now-podcaster with The Newsagents – Jon Sopel.    Defund: do you agree with Lord Moore that the BBC is constantly breaking impartiality? That this issue ‘more profound than just about balance’ – that this is a systemic issue which hampers the British public’s opportunity to learn.

LIVE: Should we defund or defend the BBC? | Michael Gove & Jon Sopel v Charles Moore & Allison Pearson

Does Nigel Farage really want to be Prime Minister?

45 min listen

Nigel Farage is a shark – hell bent on devouring Britain's political class, as illustrated with the Spectator's cover story this week, co-authored by James Heale and Tim Shipman. Yet, from rows over the pension triple lock to stagnation in the polls, it isn't clear that Farage has a strategy for power. Reform may win the battle of the Right, but does its leader really want to be Prime Minister? For this week's Edition, host Lara Prendergast is joined by the Spectator's Chairman Charles Moore, deputy political editor James Heale and Times Radio broadcaster Jo Coburn. The panel ponder the idea that Farage may crave power without responsibility. As James puts it, Farage is akin to a southern revivalist – but is momentum waning?

Does Nigel Farage really want to be Prime Minister?

The insidious rise of Tannoy spam

Six people meet for a picnic on Richmond Green. They eat Popeyes chicken nuggets, Sainsbury’s sausage rolls, M&S sandwiches, Cadbury Mini Rolls and Walkers crisps. They drink a bottle of Pinot Grigio and several cans of Sol lager. How do I know? I’m no detective but they’ve made it easy for me. After they’ve finished, they’ve simply got up and left the bottles, wrappers, packages and paper plates on the grass, laid out like a meal on the Marie Celeste. There’s always been litter – Bill Bryson described it as ‘a long continuum of anti-social behaviour’ – but this is something different. It feels more like social anarchy, a total blankness. I can’t get my head around it.

Stop talking rubbish about Radio 3

‘Listen to this drivel’ is not the combination of words a radio presenter longs to see in reference to their exertions, but it’s what The Spectator associate editor Damian Thompson had to say about me on X recently. I’d provoked Thompson’s ire by telling people what was coming up that morning in my Radio 3 programme, Essential Classics, in a one-minute video delivered with a somewhat unserious tone. Thompson did later apologise for being rude but declared: ‘It’s just awful to hear the new house style of Radio 3.’   Thompson joins other Spectator writers who have their collective underwear in a twist about the style of presentation on Radio 3.

Does Sadiq Khan approve of colonising?

How to report Iran? It is a huge story. Perhaps as many as 30,000 people were recently murdered there by the tottering regime, but it won’t let western media in. The BBC’s solution is a deal: their correspondent can enter and report, but the report cannot appear on their Persian service. This agreement is rightly explained on air, unlike the BBC’s iniquitous deal with Hamas over Gaza. Do the terms of the deal benefit journalism, however? We are always told that BBC foreign language services are the lifeblood of truth for citizens of dictatorships. Why are Farsi speakers to be deprived of this? Also, what do we learn from Lyse Doucet walking the Tehran streets in a headscarf? (Is it compulsory or voluntary? Either way, she should explain.

Is Industry the Brideshead Revisited of our times?  

At first glance, there are few similarities between Brideshead Revisited, Evelyn Waugh’s classic 1945 novel – later adapted into an equally classic ITV series – of prelapsarian bliss in Oxford and Industry, the BBC’s adrenaline-fuelled show that exposes the dark iniquity at the heart of the financial industry. The one is a languid examination of (discreetly portrayed) same-sex love and Catholic guilt, and the other is a profane, sexually charged and palpitation-inducing dive into hedonistic self-indulgence. Brideshead is plover’s eggs and Meursault; Industry class A drugs and group sex. They would seem as distinct from one another as chalk and (Comté) cheese.

We don’t need to see radio DJs’ faces

In a week in which embarrassing and damaging revelations about past misdemeanours are very much in vogue, let me reveal one of my own. When I was seven years old, I wrote in to Jim’ll Fix It. My request was to play a giant Wurlitzer organ, preferably the one in the Blackpool Empress Ballroom. To my retrospective relief, Savile didn’t respond to my letter. But I did purchase a second-hand, two-tier Hammond organ when I was at university, which I played as part of an acid jazz group. No tapes of our band’s songs or gigs survive I am delighted to state. I was reminded of my rather strange and atavistic early love of organs last week when I read of the death of Nigel Ogden, the presenter of the long-running Radio 2 show The Organist Entertains.

Why won’t the BBC use the word ‘Jews’?

I was intrigued to learn from the BBC Today programme on Tuesday that ‘buildings across the UK will be illuminated this evening to mark Holocaust Memorial Day, which commemorates the six million people murdered by the Nazi regime more than 80 years ago’. Who were these unfortunate ‘people’, I wondered? Just anyone at all? Was it a wholly indiscriminate spot of slaughter? I have some vague memory that it was one race in particular that was singled out for extermination, but the BBC dared not say their name. In fact, the sentence I quoted is wholly inaccurate: the ‘six million’ figure relates only to Jewish people.

Our verdict on the new In Our Time presenter

Melvyn Bragg’s first ever intro to In Our Time in 1998 clocked in at 21 seconds. Misha Glenny, meanwhile, took one minute and four seconds to get through his. The initial public reaction to Glenny taking over from Bragg was positive. The prevailing sentiment was ‘thank Christ it isn’t Stephen Fry’. But now you felt as though you could hear two million people shouting ‘Get on with it!!’ at the radio as he stressed and elongated virtually every syllable. John Stuart Mill and his wife had been labouring over ‘On Liberty together for soooome yeeaarrss’. Then we were away. And he’s all right, thank God. With In Our Time, there is no upper bound on how haughty and arrogant a presenter should be I emphasise ‘all right’, though, because there were definitely problems.

The age of absolutism

A Labour MP was prevented from visiting a school in his constituency because the teaching unions and the Palestine Solidarity Campaign do not like the fact that he believes Israel should have a right to exist. The MP in question is Damien Egan, who represents Bristol North East and who is vice-chairman of the Labour Friends of Israel caucus – or, as it is almost certainly referred to within the party, Labour Friends of Genocide. We haven’t heard from Egan just yet – perhaps he is less cross about it than I am, or simply doesn’t want to make a fuss. The school in question is the Bristol Brunel Academy, the principal of which is a woman called Jen Cusack who should, of course, be sacked.

Lucy Worsley’s sleuthing is rather impressive

Lucy Worsley’s Victorian Murder Club opened with its presenter unexpectedly channelling that gravelly voiced bloke who used to do all those film trailers beginning ‘In a world…’. ‘The London Thames,’ she intoned as gruffly and menacingly as she could, ‘winding silently through the capital. But in Victorian times...’ dramatic pause ‘...it had a sinister side.’ She then introduced ‘a story that has haunted me since I first heard it’ – possibly, you couldn’t help thinking, from a TV producer keen to find her another true-crime project. In the late 1880s, a serial killer dismembered several women while also taunting the police and never being found.

My farewell to In Our Time

I set up In Our Time 27 years ago. I had been shunted from Start the Week to what was cheerfully known as the ‘death slot’, 9 a.m. on Thursdays, because BBC management decided I could no longer present that programme after becoming a member of the House of Lords. I know I’ve said it before elsewhere, but its success from those inauspicious beginnings was very fulfilling for me. I decided to retire from IoT in September. I will miss it as it gave me a tremendous education, but I know it will be in very good hands – Misha Glenny is a first-class broadcaster and writer. While passing on the baton, I would like to say how much the audience reaction always meant to me. There were many young people who reacted to the programme and the podcast.

The obvious truth about BBC bias

For quite a few members of the House of Commons culture, media and sport committee, the answer to the claims of left-wing bias against the BBC could be annulled by the simple expediency of firing the only supposedly right-of-centre person within the corporation, Robbie Gibb. It is a curious logic that the left employs. This is especially true in the case of Labour’s Rupa Huq, the MP for Ealing Central and Acton (which, I am told, is in London), who believes that people can only be ‘black’ if they subscribe to the same idiotic world view as herself.

Q&A: Is it time to abolish the Treasury?

36 min listen

To submit your urgent questions to Michael and Maddie, go to: spectator.co.uk/quiteright This week on Quite right! Q&A: Is the Treasury still fit for purpose – or has ‘Treasury brain’ taken over Whitehall? Michael and Maddie dig into the culture and power of Britain’s most influential department, from the Oxbridge-heavy ‘Treasury boys’ to a ‘visionless’ Chancellor. Then: after Michael’s suggestion that Piers Morgan should be the next director-general of the BBC – why, in his view, could cnly a disruptive outsider could shake the organisation out of its complacency. Plus: the rise of ‘Mar-a-Lago face’ in US conservative politics, and whether Britain has its own aesthetic quirks – from Ozempic-thinned MPs to the enduring Labour ‘power bob’.

Letters: can you ever come back from Siberia?

Cross channel Sir: As a supporter of the BBC, it pains me to say that Rod Liddle and Lara Brown both made excellent points in their articles (‘Agony Auntie’ and ‘Pushing it’, 15 November). It strikes me that the BBC could help itself by appointing journalists to the key BBC News roles who are not also seen as being campaigners. Contrast the consummate professionalism of Hugh Pym, the health editor, with the hyperbole of Justin Rowlatt, the climate editor, who gleefully predicts doom every time there’s a storm. It would be interesting to see what would happen if they swapped roles.