Ancient greece

Would the ancients have considered Rod Liddle a satirist?

If the great Rod Liddle was a satirist, as many columnists have suggested, he was not one in the Roman tradition. They invented satire, which often worked by contrasting a corrupt Rome with the golden years of the past.  But Rod was a political animal, like the Athenian comedian Aristophanes (5th C bc), whose plays attacked the living, like Socrates, and even his audience, if he felt they were being too easily deceived by politicians he hated, such as Cleon. In 424 bc, he imagined the Athenian state as a household, headed up by Dêmos (‘The People’). Dêmos is served by two slaves (= politicians), who are fed up that a foul-mouthed new slave, Bullshitter (Cleon), has taken total control of their master.

What the Odyssey means to America

From our US edition

In 1899 Jack London, beginning his career as a writer, sold a story to Atlantic Monthly for $120. Drawing on his experiences during the Klondike gold rush and on the Yukon River, it was a tale of an Aleutian native wandering the Arctic for years on end in search of his wife, who had been stolen by a powerful Nordic sea captain. London titled his saga, “An Odyssey of the North.

Does Nigel Farage think he’s above scrutiny?

If Nigel Farage is so confident that the £5 million donation he received from a friend is entirely kosher, why is he so frightened of being subjected to the official parliamentary code of conduct on the matter, or does he think he is above such scrutiny? That is a dangerous tightrope to tread. In 406 bc, after a naval battle in the long war between Sparta and Athens, a ferocious storm prevented the Athenian generals from picking up their survivors and the dead. In the law-making democratic Assembly, consisting of all Athenian male citizens over 18 (the dêmos), fury was high, and there was a demand from one Callixenos that the six out of the eight generals who had returned to Athens should be tried en bloc.

The Odyssey is shallow and tiring

The Odyssey is Christopher Nolan’s relentless, deafening three-hour take on Homer’s epic poem, and while it is technically impressive filmmaking – Imax cameras; massive mechanical puppets, minimally pimped up by CGI; thousands of extras – it is set piece after set piece which becomes rather tiring. Even if weariness is part of the point of the Odyssey, it’s no excuse for the film being tiring. Even if weariness is part of the point of the Odyssey, it’s no excuse for the film being tiring What we get is an action blockbuster, without significant depth, although there is some heft to the final act – everybody’s favourite act, surely. Who doesn’t love it when Odysseus finally makes it back to Ithaca disguised as a beggar and no one recognises him?

What Odysseus taught me about spying

Homer’s Odyssey is a sweeping, layered epic. It reflects the legacy of an oral tradition of singers and storytellers from across the Greek-speaking world, who weaved together elements of myth and half-remembered idealized histories. Its hero, Odysseus, is among the most enduring and complicated figures in literature. Retellings of his journey home to Ithaca after the fall of Troy cast him both as noble hero and manipulative anti-hero. His latest incarnation will soon journey across the screen in Christopher Nolan’s film version, which is released Friday. To navigate this world, 'cunning' Odysseus displays the characteristics of a good intelligence officer I feel a connection to Odysseus. Like him, I have lied, deceived, and manipulated.

odysseus

Artists vs the Odyssey

It’s a noble story of one man struggling against monstrous odds, valiantly captaining his crew while trying to avoid being skewered and striving to reclaim his crown. Welcome to the chronicles of Christopher Nolan and his hubristic film adaptation of the Odyssey. Will Nolan’s Odyssey make us feel – as Keats did when reading George Chapman’s translation of Homer – like some watcher of the skies when a new planet swims into our ken? Or will it be a thundering, 172-minute disappointment? Being a cinematic endeavour, the film should be judged more on its visuals than its script. And on that front, Nolan is pitting himself against a 2,700-year history of artworks depicting Homer’s epic.

Would the ancients have appreciated David Hockney?

David Hockney has died, and there has died with him an artist whose work has given those of us who are not artists a very great deal of pleasure, in striking contrast to most art that wins prizes these days. The ancient Greeks did not have a word for “art.” The closest they got to it was tekhnê (cf. “technical”), brilliantly defined by Aristotle as “the trained ability to produce something under the guidance of rational thought,” always difficult to discern in the work of most modern artists. So in the ancient world, the artist was on the same level as (say) a dentist – someone whose purpose it was to serve the ordinary public to the best of his technical capacity.

artist

Would the ancients have appreciated David Hockney?

David Hockney has died, and there has died with him an artist whose work has given those of us who are not artists a very great deal of pleasure, in striking contrast to most art that wins prizes these days. The ancient Greeks did not have a word for ‘art’. The closest they got to it was tekhnê (cf. ‘technical’), brilliantly defined by Aristotle as ‘the trained ability to produce something under the guidance of rational thought’, always difficult to discern in the work of most modern artists. So in the ancient world, the artist was on the same level as (say) a dentist – someone whose purpose it was to serve the ordinary public to the best of his technical capacity.

The humiliating truth about the way we think

Over the long span of human existence, different cultures have held varying notions as to how responsible we are for our own thoughts and beliefs. Before the dawn of the Abrahamic religions, and in places untouched by these faiths, it tended to be the rule that individual members of the group could only be understood as parts of the whole, or in the grander cosmic scheme of things. The ascendence of Christianity in Europe, with its idea of the indivisible soul, tilted matters more towards a belief in individual agency and accountability. This concept, secularised by Descartes, who gave us the commanding rational ego, has proved resilient ever since, despite the best efforts of Freud, neuroscience and gene selection theory to dethrone it.

Zack Polanski must dream of Athens’s radical democracy 

A Greek essayist c. 420 BC argued that Athens’s radical democracy, giving the vote to every adult male citizen, resulted in the poor having total power to impose their will on the rich. Zack Polanski, leader of the Green party, must dream of such a world. The essayist agrees that, since the poor row the ships which control the Athenian empire, they have a right to enjoy political power which allows them to serve their own interests in the weekly Assemblies. But he thinks that, while the educated rich are most concerned about what is just and good, the common poor are ignorant, disorderly good-for-nothings. Their power simply ensures that they can satisfy their own lawless needs.

The perfect game for any thwarted sadist

Grade: B+ Some of us lost a lot of our early twenties to a god-game called Dungeon Keeper, in which you built and maintained a dungeon and filled it with tricks, traps and monsters to kill the goody-two-shoes heroes who periodically tried to invade it. Minos is a descendant of that game, and a welcome one. Similar isometric projection, similar vibe, similar moral outlook. You control the minotaur (not very bull-like, is this Asterion, though: more of a faun as imagined by a thirsty anime fan) and, with the help of Daedalus, prepare your labyrinth to see off successive waves of invaders who pour in without so much as a by-your-leave.

Space travel, ancient Greek style

Apollo, Artemis, and Orion have not been named at random. The first two are brother and sister, and all three are known in myth as hunters – which is what the astronauts are. Ancient Greeks would have been very envious of them. The satirist Lucian (c. AD 125-180) had great fun with space travel. In his True History, he describes how he sets off with his companions to sail the Atlantic when suddenly a typhoon whirls them up to the Moon, but after many adventures he is able to return and describe what he saw. There are no women, but men act as wives. They produce children in the calf of the leg. The children are born dead but brought to life by breathing in the wind. Men then become husbands. Their noses run with honey and when they exercise, they sweat milk.

The ancient Greeks are to blame for the Oscars

The Oscars mark the end of the awards season, with their annual rituals of self-applause to which actors are so addicted, as Oscar nominees are to the $350,000 gift bags. The ancient Greeks are to blame. Greek luvvies and athletes formed the world’s first trade unions to wring from their sponsors privileges and guarantees which make the Olympic Committee look like beginners.  The luvvies’ worldwide union, founded in the 3rd century bc, lasted 600 years. It came to be called the ‘Artists [some said ‘Toadies’] of Dionysus’. They negotiated freedom of travel and immunity from military service, taxation and arrest, and came from all over the Greek-speaking world to perform.

How Greece carried the arts to rustic Rome

‘Cultural cringe’, that lovely Aussie coinage, perfectly describes the Roman attitude towards Greece. The curators don’t say so, but it is the theme of this inspired exhibition. By the time the Romans finally took control of mainland Greece in 146 BC with the Battle of Corinth, they had long admired everything Greek. That date marks roughly the middle of the Hellenistic period, during which Greek culture and language dominated the Mediterranean and the Middle East. In comparison with Greeks, Romans were oafs – and knew it. In comparison with Greeks, Romans were oafs – and knew it After the battle, Corinth was flattened – quite an oafish thing to do – and emptied of all its works of art, which were sent to Rome.

Only divine intervention can save Labour

A party that can foretell the future stands a very good chance of success. Given Labour’s record of U-turns, they cannot even foretell the present. A state’s success in the ancient world depended on its mastery of natural resources: the more land and people you controlled, the more powerful you were. So states were frequently at war and naturally sought the favour of the gods – by consulting oracles, entrails and flights of birds, or striking lucky by means of dreams, omens, sneezes, odd events and suchlike. However, there were no guarantees. ‘A prophecy is the guess of a sensible man’ (Euripides), ‘No good has ever come from prophecy’ (Aeschylus). Menander hit the spot, when a character desired ‘A future not as I wish, but to my benefit.

How the ancients anticipated the apocalypse

What with the threat of global warming and nuclear war, the new year might start with a big bang. The Greeks were preoccupied with this possibility as well and called it the apocalypse (apokalupsis), meaning ‘uncovering’ or ‘revelation’. It has a long history behind it. The Greek farmer-poet Hesiod (c. 700 BC) introduced the idea of a sequence of five ages – golden, silver, bronze, heroic, iron, each worse than the other – repeated five times and ending in total destruction. In his magnificent On the Nature of the Universe, the Roman poet Lucretius (d. c. 55 BC), who was an atomist, described how a world made of atoms would slowly decay and crumble into ruin – which he thought nature was doing in his own time – but would then renew itself. The evidence?

Stoppard, Sappho and me

From our US edition

Many years ago, and well retired, I was working in my study at home when the phone rang and a voice said, “This is Tom Stoppard. David West put me onto you.” David was the professor of Latin at Newcastle University and it emerged that Tom used him when he had queries about Latin, but now had a question about the ancient Greeks. When he couldn’t answer it, David suggested that Tom should call me. I felt a vast chasm of ignorance opening in front of me and have no memory of what the question was – but my reply must have satisfied him because he continued to throw the odd leg-break my way. To give some idea of his range of interests, on one occasion he became interested in the Greek perfect tense. Don’t ask me why, but that was at least something I could do.

tom stoppard

How I bonded with Tom Stoppard over the classics

Many years ago, and well retired, I was working in my study when the phone rang and a voice said: ‘This is Tom Stoppard. David West put me on to you.’ West was professor of Latin at Newcastle University and Tom called him when he had queries about Latin. But he had a question about the ancient Greeks which David could not answer, so he suggested Tom try me. I have no memory of what the question was, but my answer must at least have satisfied him because he continued to throw the odd leg-break my way. To give some idea of his range of interests, on one occasion he became interested in the Greek perfect tense. He had done Latin and some Greek at his school in Yorkshire.

Keir Starmer and the ancient question of word vs deed

Sir Keir Starmer said that Britain had come to a fork in the road. As usual, he took it – the fork between his words and his actions. Athenians of the 5th C bc were fascinated by the implications of logos (‘speech, reason, argument’, cf. ‘logic’) and ergon (‘action/results’, cf. ‘erg’). While Homeric heroes (8th C bc) were ordered to excel as ‘speakers of words’ and ‘doers of deeds’ because that made them winners in both the political and military arenas, the statesman Pericles emphasised the high importance of the interaction between word and deed: ‘We do not think logos is an obstacle to action; no, the issue is the failure to use logos before action has to be taken.

Angela Rayner and the ancient question of ‘good judgment’

Angela Rayner has returned to the back benches because, as housing secretary, she failed to follow the rules relating to stamp duty on a flat she had bought. Athenians were extremely proud of their citizen-led Assembly and did not take kindly to sub-standard officials. Plato constructed a dialogue (c. 430 bc) between Socrates and the controversial sophist Protagoras, who claimed that anyone taught by him would be a success in public and private life. Socrates challenged this claim. He pointed out that, when the democratic assembly of male citizens met to discuss technical matters (e.g. ship-building), they listened to those who actually had experience of building ships and shouted down anyone who did not.