Poems

travel agent

Good morning. Perhaps before I am old, wandering on the face of the world, lost, you could suggest an open place of grass and curious trees where I walk barefoot as the day cools under a massive sky, with a herd of something I can’t quite see moving slowly over there on my right, the earth beaming up the fragrance of life and the loud ticking of benign insects. Or I may consider a warm ship’s rail at the same time of day after the glare, all the other passengers somewhere else and my lone cabin prepared behind me. Yes, I’ll go for the first option. Thank you.

Stratton Strawless

He keeps the why his black crows fly, the where his dark nights go, the how he’ll play with stooks of hay the impresario, up threadbare sleeves with twigs, dry leaves, ragwort that on warm days seeds potholed tar cats’ eyes ill-star for winter’s matinées. Flat cap cock-eyed, stick arms flung wide, bowed to the wood’s catcalls while traffic brings faint from the wings its rumours of applause, he takes his straw half-cocked encore, unmoved when wet tyres sigh at signposts missed as, dashed, we kiss our short cut home goodbye. Ragtag he goes through beech hedgerows bobbed up as we flash past, our mad compère still out to scare, stood up by his star cast.

Don’t Look Now

Holding the glorious heap of her black hair away from her head for the heat, the tall, young, I’m guessing Italian woman swivels her slender torso with such a sweet nonchalance that the no less glorious clump at her armpit is rendered unignorable. Degas might have done a sketch then and there, and Hardy was a man who used to notice such things; but that was the nineteenth century, and to do so now would be deplorable.

Sideman

       for Chris Spedding When most eyes still linger on the singer, he’s picked out of the shadows into a cone of light. No other way would he have it: More silver quiff than white, thank you, more Cochran, Vincent, defo more Elvis! Like a thing dug out of a plumber’s sack his brass slide top-hats the music stand – no more rummaging in his left pocket before a solo – slipped onto his third finger: lightly does it, a touch here, pressure there, up and down the frets of his Trussart. No smiling when he’s right up there at the dusty end, putting his back into it,  lifting the song into elsewhere, his playing cutting into my bloodstream.

Tea Leaves

I think my earliest memory,pulling the tablecloth and tea-pot almost down on top of me, a sudden swirling in my eyes,a scattering of residues,enough to make that moment freeze the summer in our garden, musthave been when consciousness at lastpermitted time to be released. Perhaps those dregs then helped to feeda bloom still holding up its headtoday in some neglected bed, and broken coronation cupsmight well be brightening the slabsin someone’s postwar path. Perhaps. But though I have endured it weakas water, stewed in sugar, darklike bitter ink, and will even take what’s sealed within a pyramid,it draws me still, that fountainhead,that ceremonious patch of shade where life stands brewing patientlyand those around it can’t yet seethe imminent catastrophe.

Brook End Close and Swancroft

The decision, now my mother’s off her feet, off her food but not, thank god, her rocker, is for a rota of nephews and nieces to drop in  and keep an eye on her so she’s not alone.   Unshod gypsy horses cropping the grass   of a traffic island in autumn’s last-blown leaves (from my Uber window) ushers me home as evening brightens Whitley Hill and Bearley. ‘I left Afghanistan when I was a boy,’ the driver tells me, catching my reflection.  ‘I just walked out. I was lucky! A social worker  found me foster parents in Coventry.  They kept alsatians, lovely dogs, and we drank  orangeade on Fridays.’ The house is full. My sister, her oldest son. A brother or two.

Mutual Dust

Blue air and unpredicted sun The damp grass drying at last Let all the Chernobyls of our near past The video missiles and the lasered gun Come down on us, we will be found Still here, as shadows stencilled on the ground Burnt outlines of a single hour When we enjoyed ourselves; though burn we must And anything is possible, at least we were Full flesh and bone, blood and decent lust And that is all there is to us, trust Nothing else; God’s gone, so be aware This is the sum of it, the dry grass, blue air The skin of a girl, our mutual dust Fred Johnston, who died on 9 September, was a longtime contributor and will be greatly missed. This is the last poem he sent The Spectator.

I used to think

I used to think some people were beyond your sphere Of influence and lived in a partitioned world. Silly of me. No one is beyond the sun’s light – How could they be? And we all drink water And breathe the same air and use the same tired words. I used to think some people were beyond your sphere And would be right to feel outraged at featuring, With their intelligence, in unsought prayer. Silly of me. No one is beyond the sun’s light; Most livers love the sun, confess to it And train their lives to track its wanderings. I used to think some people were beyond your sphere Of influence, as if they’d been assembled Separately, set up to feed upon themselves. Silly of me.

Mercury

I love the birds, I love the way they chat all through the evening shift. My daughter, too, loves the birds. I am a bird she says to us, and talks the way the birdsong does: as if it were important not to ever halt the melody which sows its end back to its start. There’ll be a time all this stops; my daughter learns self-consciousness, and will not say what occurs to her each moment. But pauses, first, and looks outside, and listens as the talking birds gently remind.

Regolith

This moon that circles us has greyer barkthan other moons that orbit in the dark. Were its surface a whiter shade, the glowmight wake the forests sleeping down below, would be a floodlight at the windowpaneof lovers argumentative again: the ones like us who, restless in the night,might stand and yawn before its harbor light. I’m grateful for the dreary rind that’s thereabsorbing sunlight with its surface layer of lunar ash and dusty prints in soil.How impractically everything must toil to draw this pencil line of light on hairthat falls across your face – is muted there.

Exercise

(22 November 1915) Four bombardiers were on their wayTo a small village in the rearLayers of dust had turned them greyThey’d joined up earlier that year They quietly spoke of other yearsAnd gazed at the vast plain aheadA shell coughed near the bombardiersNot one so much as turned his head Their talk was all of yesterdayTomorrow seemed a waste of breathThey held to their ascetic wayThis constant discipline of death Guillaume Apollinaire & Velimir Khlebnikov: Birds, Beasts and a World Made New was published by Pushkin Press on 15 August.

Closed Book

I’m pretty sure that death will wipe me out, though some cosmic way I don’t yet know about may have a different say. The only thing I sometimes think about are the times that go when my own time runs out, how nobody will know the reckless things my grandmother would say when no one was about. Yes – her spark will out when I’m gone away. Is it the same for everyone I know: carrying about small cinders as they go? Will all those flames blow out of things they didn’t think to speak about but saved some way? Is that why stars go out, is that what cold stars say?

Afterlife

My brother in the evenings, long after his death, would take a corner seat and sigh under his breath. Yes, sigh, and mutter things that I could almost hear. Then, like a painted house, he faded over years until his image and his whisper both were one. There was a final dream, when this small talk was done. I walked along a hall where all the recent dead were triaged on a stony floor, and cupped his head as gently as my dreaming arms would harbor him. But couldn’t stop the fear that trembled on his skin. An endless row of people tended those they loved: there was no canopy, or sky, or stars above, or walls enclosing us – the dead just simply lay, until the dream had said the thing it came to say.

News pages

i.m. Ian Jack (1945-2022) I feel awkward owning up to it, Ian, but I find I’m skimming the news pages. To bask in the light, listen to music, watch geese fly over and tulips glow doesn’t feel as if I’m selling my soul. Not that I skip the bullet points – bombs falling, democracies failing, the forests going up in smoke – but now the sun comes up at six, with a blackbird calling and the koi luminescent, will you forgive me for sitting outside, on the flagstones, a coffee in hand, my eyes on the plum tree next door with its cumulus of white blossom, or if not forgive – newsman as you are – at least come through the gate to dispute it.

Hymn

(after Saint-Amant) Mastered by laziness and melancholy,I dream in bed like a boneless hare en croûtestewing in its own juice, a delicate brute,or like old Don Quixote in his holy rage. I don’t care a hoot for the latest cause,the count palatine and his royal descent,but consecrate a hymn to the indolentmood in which my soul’s interred, these rare languors. Such is seclusion’s blissful sweetness, it seemsthe action I spurn will be repaid in dreams –already they’re distending this paunch of mine – yet I loathe work so much that, with one blue eyestill closed and one hand beneath the sheets, friend, Iwas barely able to reach my final line.

Ancestry

A man walks the black soil of a reaped field. He pauses to kneel and parse the earth for old coins or unearthed aluminium. He is twenty-two. He is fifty-eight. He’s not a man but a child with a dog. He’s my boss. He’s a gamekeeper, he’s a bailiff at my door. Three buzzards form an ellipsis in the sky, then the scene changes. There’s snow on the ground. Stars in the damp night. I can see his breath. The man is my father, and he walks the perimeter of hedgerow like a sentry, halting occasionally to scrape a hole in the hoarfrost with the heel of his steel capped boot. I never see what he buries. I’ve never seen his face. He’s outlived his failures or he hasn’t. He casts no shadow in the moonlight.

Song

I wake for work and work for pay.The morning is not morning yet.My body is a rented lump of clay. The swollen clouds oppress the day.The cold pierces like a bayonet.I wake for work and work for pay convinced my inner life has gone astray.I gain a wage by pointless sweat.My body is a rented lump of clay. At night I dream of disarrayof islands, oceans and a fishing net.I wake for work and work for pay and instead, I am a cast awayfloating as the calm sun sets,my body just a rented lump of clay. Tomorrow’s sullen hours will obeythe foreman’s belligerent threatand I will wake for work and work for paymy body but a rented lump of clay.

In Decline

To start with there was an odd word  left like a fridge on a street corner, not where you’d expect,  but easy enough to explain. Then we noticed whole sentences being wedged into strange places, a collection of beer cans glittering  in an otherwise ordinary winter privet hedge. Flocks of scattered thoughts began to  sweep in and out of conversations. Little fledgling starlings running criss-cross over a fast-food car park in shallow waves converging on crumbs, dispersing  dodging feet.

The Second Longest Corridor in Europe

holds no truck with comparisons. Holds no truck with anything  much besides sunlight and dust swirls and the breezy clip -clop-clip of heels upon endless parquet. The Second Longest  Corridor does not deceive itself. Knows there are sidelong glances, spindly remarks (also-ran, windy thing) from those who  complain that it drags on so — can’t take a hint, can’t just politely  trail off. (The Second Longest Corridor has never trailed off.)  Wends its way along and down and past and up, watching  the unkind comments disperse around its furthermost bend.