Poems

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What luck that Sweatenham’shad been flattened, its concrete baseremaining: the perfect spotto sit the works caravan on blocksand our paint shop beside it.Ern and Jud deftly navigatedthe Land Rover around dead tyres,mangled iron, sprouting steel rods,backing it into positionin full view of the Newcastle Street shops and the windows above them,all day traffic to Burslem or the A500:the security of countless eyesto save it being torched or toppled.Here we slump to the drumming rain, take turns to sleeve off condensation,watch the cars heading elsewhereoblivious to this Calor stove hissingon its one good ring, our used matchesdrowning in the tub of Swarfega.

A Pub Wall in 1974

Thinking about those nights    Kindles a strange felicity: Drinking by candlelight     In a pub off the Earls Court Road In the time of the Three Day Week,    Because there was no electricity.   Certainly we were political.    Nothing, though, seemed as serious— Intimate and critical –    As the play our shadows made, Taking their parts in the dance    Of things made newly mysterious. As in a diorama    Device of antique design, The scene flickered with meanings    We never knew we possessed: Each stranger having a guest     Role in the psychodrama.

Bag for life

Last night my wife and I went to Asda, And – among other things – spent eight pence on a Bag for Life. The bag is guaranteed to last us a lifetime.  Every day we will look fondly at the bag, And recall that evening, All those years ago, When we held hands and strolled through Asda, Stocking up on milk, eggs and lightbulbs. The side of the bag has the legend: ‘If this bag breaks or gets damaged, We will happily replace it free of charge.’ These little gestures give us peace of mind. If I am involved in a horrific car crash or a dreadful fire, My wife will be able to take the tattered shreds of the bag, And return them to Asda,  And the staff will give her a new bag, And they will do this with smiles on their faces.

Meadowsweet

For Rebecca and Hamish Along the dale to the wedding church   the fields are fluffy with meadowsweet – ditches and verges foaming with it.   Perhaps a tanker has overturned, and shed its load of banana milkshake?  No, that’s not it; something more honeyed, more artificially confected; a familiar ingredient from your pantry at birthday-cake time: nothing to do with botany. You could sprinkle it over strawberries.  I plunge my arms in, and then my face. Sniff this, I say to the wedding guests –  as one by one I hand them a sprig, What does the scent remind you of? One by one, they fail to tell me, although on the table just over there is displayed the clue, three dazzling tiers of it.

Tibet

I arrived in Lhasa by train in freezing weather. From what I’d heard, my father would be there. Outside the gaping entrance all was dark,snow falling quietly like owls’ feathers. In the bustling concourse, doubling as a market, just as I’d feared, my errant father was nowhere to be seen. I knew he was dead but that didn’t seem a proper excuse. I had in my pocket a bronze coin he’d given me from the reign of Tasciovanus, and his last letter telling me, while in Dublin, to visit and give his love to his old friend Joe Bewley ‘who ran a marvellous place on Grafton Street where they made jam and sold fine coffee and tea’. BEWLEY’S ORIENTAL CAFE, he’d scrawled in capitals.

The Dishwashers’ Revolt

Plate scrapers, scrap tippers, throw down your cloths. Raise your ruined hands to the sky.  Rise up from the saunas of sunken kitchens. Squeeze soap in the face of progress.  Pick up your brushes and take to the streets. Leave the dishes piled high. Point your thumb at the Chef de Cuisine Leave the suds to the Sous Chef. This is the day we come blinking into the light. We’ll thump our boots on the tin plugs of manholes and stand on our soapboxes.  We’ll blow hot and cold beneath the taps of streetlamps. We are the damp, the harassed, the lackeys of haut cuisine; the rinsers at the Ritz, the dregs  of the Dorchester. We flick truffles from tea sets and dish dirt where we like.

The Cooling Sand

The beach magician’s vanished, gone home. Now it’s my sleeping cousins’ turn to disappear.                              Out of the creaking depths of old deckchairs their teenage spirits rise, drift down to the shore.                                                    The mackerel are in. Helen’s in blue, Cat in her yellow dress.

From Anno Domini MCMXXI

by Anna Akhmatova Somehow we pulled off becoming apart, Snuffed out our awful hot light. Perennial enemy, it’s time you were taught how someone can love someone right. I’m willing. To me it’s all fun, I’m game: At night, the easeful Muse careers Down to me here, and in the morning Fame Trudges in, rattles on in my ears. Don’t bother to keep me in prayers or mind Or turn to look at me when leaving. I’ll be lulled by the black wind, Gladdened by the golden trees’ unleaving. I’m taking our parting as a present, Give thanks for the memories lost. But tell me: should any more people be sent, In your eyes, on this Way of the Cross?

Las cabras son malas

here come the billygoats down the track so heavily hung with dongs that dangle down in the dust and balls that swing from side to side to clonkerty bells that roll and toll on their necks the melody ripples into the stone pine fragrance cypress shadows the nannies plunging onward struggling big with milk so heavily hung with lolloping mammaries yobs go head to head engage in clouting rebuttals crashing the valley all afternoon and the goatherd Gerrero fords the ceaseless rivers of goatspiss shouting las cabras son malas.

The Wisdom Tooth

I probed its crown with the tip of my tongue and it creaked like a bough a boy swings on. Then with the pincer of finger and thumb I plucked it from its loose bed like a bud and set it on this oak table now a desk. It was taller than I thought and like a blunted tusk, its ivory inlaid with colonnades and courtyards, and trees bearing the semblance of fruit — still but ever-moving like that temple frieze of rounded lovers wreathed around each other in tireless ecstasy — a work of art, thus by definition useless. And so the other, older teeth went back to their task of tearing the flesh of fowls and grinding wheat.

Namesake

It might be a long, long time since I was christened Christopher And nicknamed Kit… but not so long ago As 1570, when was born my namesake, Who did his best to stage the Fireworks Show That nearly happened. Yet they blew their chance    And came to grief, as which of us wouldn’t have done? Myself, I’d have been particularly useless, Managing of the manoeuvres only one: Cloaked and daggered, meeting my co-conspirators For a conspiratorial drink in the Duck and Drake Off Fleet Street. I’d have been first man at the bar. That part of the Plot I’d have found a piece of cake. But nothing involving mental or physical courage, Enduring the third degree, to the slightest degree.

Jonas Hanway

No Englishman would be seen dead under one, preferring to run for cover, soaked to the skin, peruke bedraggled, than carry this effeminate device, the ‘Frenchies’ unfurled without a blush. Only Mr Jonas Hanway, by no means wet, having seen off Persian pirates on his travels and an outspoken critic of tea drinking and employment of climbing boys, had the backbone to own one. An arresting accessory with an ebony handle carved with flowers and fruit, its opened canopy offering a pale, green silk display, while a lining of yellow satin blazed above him like a portable sun, as he strolled through torrents of ridicule, resolute in letting no one rain on his parade.

The Chew Chew Foot Massage Parlour

Hong Kong A fan on the ceiling.  The parlour full of drapes and towels.  A pianist plays behind the curtain. They call him Liverpool.  The cat mooches. The woman puts her hands together in salutation.   A man on the chair, legs stretched out. The woman kneads his feet. The boss takes the money.  Sometimes yawning,  sometimes burping, sometimes farting. Her chakras perfectly aligned.  The man on the chair floats above Tung Street. His feet are factories of pleasure.

The Autumn Lantern Festival

Hoi An I rock in my hammock much of the day.Scooters shoot by like dragonflies.Diesel aromas. Up in the tree they’re cutting down coconuts.The wife’s pulling noodles.Small fires in the paddy fields.   The frogs are rehearsing.They’re performing Uncle Ho’s frog opera later this evening.Yellow tree viper slithers by. I dream of Lord Nandi – the home-loving bull.The kids are beating drums. Autumn, the festival of lanterns. Wife says Will you do some work today?It is not part of my plan.  Join me in the hammock I say.My charming Lady Rambutan.

travel agent

Good morning. Perhaps before I am old, wandering on the face of the world, lost, you could suggest an open place of grass and curious trees where I walk barefoot as the day cools under a massive sky, with a herd of something I can’t quite see moving slowly over there on my right, the earth beaming up the fragrance of life and the loud ticking of benign insects. Or I may consider a warm ship’s rail at the same time of day after the glare, all the other passengers somewhere else and my lone cabin prepared behind me. Yes, I’ll go for the first option. Thank you.

Stratton Strawless

He keeps the why his black crows fly, the where his dark nights go, the how he’ll play with stooks of hay the impresario, up threadbare sleeves with twigs, dry leaves, ragwort that on warm days seeds potholed tar cats’ eyes ill-star for winter’s matinées. Flat cap cock-eyed, stick arms flung wide, bowed to the wood’s catcalls while traffic brings faint from the wings its rumours of applause, he takes his straw half-cocked encore, unmoved when wet tyres sigh at signposts missed as, dashed, we kiss our short cut home goodbye. Ragtag he goes through beech hedgerows bobbed up as we flash past, our mad compère still out to scare, stood up by his star cast.

Don’t Look Now

Holding the glorious heap of her black hair away from her head for the heat, the tall, young, I’m guessing Italian woman swivels her slender torso with such a sweet nonchalance that the no less glorious clump at her armpit is rendered unignorable. Degas might have done a sketch then and there, and Hardy was a man who used to notice such things; but that was the nineteenth century, and to do so now would be deplorable.

Sideman

       for Chris Spedding When most eyes still linger on the singer, he’s picked out of the shadows into a cone of light. No other way would he have it: More silver quiff than white, thank you, more Cochran, Vincent, defo more Elvis! Like a thing dug out of a plumber’s sack his brass slide top-hats the music stand – no more rummaging in his left pocket before a solo – slipped onto his third finger: lightly does it, a touch here, pressure there, up and down the frets of his Trussart. No smiling when he’s right up there at the dusty end, putting his back into it,  lifting the song into elsewhere, his playing cutting into my bloodstream.

Tea Leaves

I think my earliest memory,pulling the tablecloth and tea-pot almost down on top of me, a sudden swirling in my eyes,a scattering of residues,enough to make that moment freeze the summer in our garden, musthave been when consciousness at lastpermitted time to be released. Perhaps those dregs then helped to feeda bloom still holding up its headtoday in some neglected bed, and broken coronation cupsmight well be brightening the slabsin someone’s postwar path. Perhaps. But though I have endured it weakas water, stewed in sugar, darklike bitter ink, and will even take what’s sealed within a pyramid,it draws me still, that fountainhead,that ceremonious patch of shade where life stands brewing patientlyand those around it can’t yet seethe imminent catastrophe.

Brook End Close and Swancroft

The decision, now my mother’s off her feet, off her food but not, thank god, her rocker, is for a rota of nephews and nieces to drop in  and keep an eye on her so she’s not alone.   Unshod gypsy horses cropping the grass   of a traffic island in autumn’s last-blown leaves (from my Uber window) ushers me home as evening brightens Whitley Hill and Bearley. ‘I left Afghanistan when I was a boy,’ the driver tells me, catching my reflection.  ‘I just walked out. I was lucky! A social worker  found me foster parents in Coventry.  They kept alsatians, lovely dogs, and we drank  orangeade on Fridays.’ The house is full. My sister, her oldest son. A brother or two.