Sam Shepard’s life was as dramatic as his theater
Fear was the renaissance man’s guiding principle
Fear was the renaissance man’s guiding principle
The long-unfinished Smile reveals the musician’s talent and madness
The show feels like an undergraduate thesis
Spectrum of Desire is somewhere between blasphemous and libelous
Your eyes and your brain cells will hate you for watching this
The anarchic music has long been a breeding ground for Christianity
There’s no economic incentive not to use AI actors – but doing so is morally repulsive
The general impression in 107 Days is one of listlessness, torpor, a failure to really grasp the stakes of what’s happening
Dominion offers no answers, only the clear recognition of how power corrodes those bound to it
Christopher Shaw Myers outlines his uncle’s story with lesser-known information and anecdotes
Martin Suarez’s storytelling is precise, even surgical. But it’s the content that burrows under the skin
The documentary claims the Saudis were behind 9/11 – and the CIA then protected them
It’s a strange time, McEwen reflects, to be an artist
The Life of a Showgirl is conceptually mature and compelling
It is a grand, multifaceted masterpiece of badness
The band never lost sight of what first made them great, and what made rock ’n’ roll great
The novelist’s Happy Meal plotting serves up the same constituent parts over and over
The writer’s posthumous reputation and influence continue to manifest themselves in writing, music and theater
Katie Herzog has all the serial relapser energy you would expect from the addict who has forsworn AA
One leaves these stories not depressed, but wanting to punch the air in solidarity with these ornery old dudes