John Waters, the pope of cliché
Cinema’s pet subversive deserves a proper reappraisal
Cinema’s pet subversive deserves a proper reappraisal
There is, inevitably, a feeling of embarrassment and shame that emanates from institutions after they have been robbed
CGI is no substitute for glue, tape and ketchup
America’s Cultural Revolution marks Rufo as an important, deeply knowledgeable thinker
Extremely Online is mostly a story about money
A Guest in the House is a beautifully plotted study of the madness of isolation, steeped in the tropes of fairy tale and horror
The Marriage Question shows us a woman fragmented
The songwriter’s book is free of sentimental clutter, but it would take a heart of stone not to be moved by the takeaway message
There is a fine, perceptive book to be written about the Astors and their influence, but Astor: The Rise and Fall of an American Fortune is not it
Authorized by Spears herself, the show revamps the tale of Cinderella, weaving in Britney’s own repertoire of songs
Should you spot a binder full of explanatory word salad at the entrance to an art exhibition, take it as a red flag
The actor is not going to disappear into the shadows quietly
How did the woman who taught a generation to stand up to the Ministry of Magic betray liberal orthodoxy?
The Fraud is a consciously (but not self-consciously) literary novel
The real science of searching in nature is the most interesting — and disturbing — part of Lankford’s account
At the end of Burn it Down , it’s hard not to wish that the industry could simply be shut down and rebooted all over again
In Necessary Trouble the historian and former president of Harvard has given us a clear-eyed account of a vexed era
Apple TV+ will not be the next Netflix, and that is the whole point
When I look at the Hitchcock movies, I don’t see icy detachment. Instead what strikes me is their intimacy, gentleness and passion
The musical is like the disco ball that spins above its audience: beautiful but fractured. And, at its core, hollow