Music and Opera

Hats off to the Duke of Cambridge for joining Jon Bon Jovi and Taylor Swift on stage at Kensington Palace last night for a sing-along of ‘Livin’ On A Prayer’. The Winter Whites Gala was raising money for Centrepoint homeless charity. It’s the taking part that counts.

When I first met John Tavener in 1977, he was still largely known for his dramatic cantata The Whale, which had been performed at the Proms in 1969. By then both John and his Whale had acquired considerable glitter, partly by having the veteran newscaster Alvar Lidell associated with it, and partly through its eventual connection with the Beatles, who had issued it on their Apple label in 1970. He never wrote anything quite like it again, though one notices that even this early and iconoclastic piece is based on the bible. I always wondered what his now famous religious sense really consisted of. I never fully bought the unsmiling

Big Country’s song ‘One Great Thing’ is an anthem for the Scottish Yes campaign: it was soaring in the background during an item recorded at a ‘Yes’ rally on the Today programme the other day. And since Big Country’s bagpipe-sounding guitars were one of the joys of my adolescence and I’ve been partial to a check shirt ever since, my heart soared along with it. ‘Yes,’ said Jim Lafferty from the Yes campaign’s communications office, appropriately enough, when I rang to ask how it had come about. ‘It was suggested by Jim Downie and Will Atkinson of the creative team.’ I understood that they had not, however, spoken to the

If ever there was reason to believe that feminism has lost its way, then it is found in the current debate about bottoms. It all began with twerking – the sexualized dance that no one had heard of until popstar Miley Cyrus squeezed into some PVC underwear, and twerked to Robin Thicke’s song Blurred Lines. The term entered the Oxford Dictionary of English in August. Bottoms are now all over the place. Last night was the annual Victoria’s Secret show – and, much to the delight of news desks, there were bottoms aplenty. It has become increasingly difficult to open a paper without seeing news about belfies (bum-selfies), bum implants and of

There is much to be said for Schadenfreude. (If it was edible, it would be a meal in a very expensive restaurant, for which someone else was paying.) So it’s probably inadvertently that Morrissey has added to the gaiety of nations this past fortnight with the publication of his autobiography, winningly titled Autobiography. So catastrophically bad does the book turn out to be that Morrissey-loathing critics have queued up to give it (and him) a damn good thrashing. It has been a long time coming. While it has always been clear that The Smiths were every bit as good as we thought they were at the time, it is even

Boy-band super-hero Harry Styles proclaimed on Twitter earlier today: ‘All social change comes from the passion of individuals.’ His shrieking fans were enthused by this insight. Some even asked if they could quote him in their exams. How sweet. Mr S is pleased to see little Harry channelling American anthropologist Margaret Mead. She is alleged to have said (although I can’t discover where and when she said it), ‘Never ever depend on governments or institutions to solve any major problems. All social change comes from the passion of individuals.’ Clever lady, that. But what could all this philosophising from Styles, a self-confessed Labour supporter, mean? Mr S has a theory. One Direction have been writing songs recently with Gary Barlow. Perhaps some

To undertake a concert tour of New Zealand’s cathedrals at the moment is to be constantly reminded of the destructive power of nature and how dogged people can be when the chips are down. The list of buildings that the earthquake of February 2011 destroyed in the centre of Christ-church includes the Anglican cathedral, which, shorn of its bell tower and west end, will have to be entirely pulled down sooner or later. The square outside it looks like a war zone without the bullet holes. Other cities such as Napier, itself rebuilt after an earthquake in 1931 and made into an Art Deco jewel, are facing up to the

It’s taken 40 years, but I’ve finally developed a taste for the one type of classical music that I couldn’t stand. And last week I broke the news to the man responsible: Roger Hewland, owner of Gramex, the world’s finest second-hand classical CD and record shop, just behind Waterloo Station. ‘Roger, I’ve suddenly got into Italian opera,’ I said. He raised an eyebrow in mock concern. ‘Oh dear, now that is serious. It’s an incurable addiction and [rubbing his hands together — he’s a shopkeeper, after all] a most expensive one. May I ask what you were listening to when the symptoms first appeared?’ ‘Donizetti. Lucia di Lammermoor with Sutherland

There was a line in Randy Newman’s very funny song ‘Short People’  that I couldn’t quite work out, so I looked up the lyrics online. There were some observations about the song posted below the lyrics – I thought I’d share a selection with you.  ‘This song is just really f****d up… freedom of speech doesn’t protect you from honest criticism or boycotts. People are allowed to express their disdain for stuff like this and even choose to not support it monetarily’. ‘because of that one song…it made my life and a lot of others harder than it should have been. it should have not been released….i am 4 ft.

First impressions always count, and they are almost always wrong. This is particularly pertinent if you review albums for a living, as I used to years ago. You would listen once, maybe twice, possibly three times if you were really being good, and then form an opinion, which was as much based on your preconceptions — and indeed taste — as on anything you had heard in the grooves. And then you would write your review. You would then forget about the record in question because there were so many others to listen to. It was essentially an industrial process, and it quickly ground my enthusiasm for music into dust.

Does London need another concert hall? Or, to put it more precisely, does London need another chamber music hall? The recent opening of Milton Court in the Barbican begs this question: a pertinent one since we already hold the world record for full-time concert spaces of fewer than a thousand seats, and must come equal first for symphony-size halls. We also, with the Royal Albert Hall, hold the world record for a jumbo-size venue, fully twice the capacity of a normally large auditorium such as, for example, the one in the Sydney Opera House. But even in these financially difficult times there remains a strong thirst for expanding our cultural

How many battles have been fought over sacred music throughout history? The noise you make when you worship is a big deal: those who control it can shape everything from clerical hierarchy to intimate spirituality. And there are patterns. Deep suspicion of music is the mark of the puritan. Fundamentalist Sunni Muslims teach that all music except for chanted Koranic passages is forbidden; instruments in particular encourage lust. Strict Calvinists take a similar line. Even the Catholic Church considered banning original compositions during services after the Council of Trent. Legend has it that polyphony was saved only by Palestrina’s Missa Papae Marcelli of 1567, which demonstrated that rich harmony could

How and when do you become ‘a fan’, exactly? You can usually spot pop stars who are losing touch with reality when they start talking about ‘the fans’ as some kind of independent entity, rather than just a load of people who like their songs. For the music obsessive, though, there’s a simple definition. You’re a fan if you buy someone’s new record without even thinking of listening to it first. Fandom accepts no caution. It only ever hopes for the best. It can take the disappointment of underachievement; it might even half-expect it. Fans have a right to criticise the objects of their affection; in fact, no one has

Gossip that an orchestral player fainted while performing in the Albert Hall during the recent heatwave points to a strange lacuna in the policing of concert conditions. The unions who like to stipulate how professional musicians are treated — Equity and the MU — have long made a big song and dance about minimum temperatures in the workplace. If the temperature falls below the agreed level, we are all entitled to walk out, without any further questions asked, since obviously the management is trying to save money on heating bills, to the detriment of the workers’ health. But global warming has produced a different set of difficulties. In their ancient

Raise your glass on 21 August to wish a happy 80th birthday to one of the greatest singers and singing actresses this or any other country has produced — Dame Janet Baker, the mezzo-soprano from Yorkshire, who never went to a music college and won the hearts of her audiences in a career spanning 35 years. Joining us in our toast will be some shades from the past who have much for which to thank and applaud her. Make way for Bach, Handel, Elgar, Monteverdi, Britten, Mahler, Strauss, Purcell, Schubert, Berlioz, Schumann and Wolf, all of whose music she has sung with penetrating insight. In the concert hall and the

‘I don’t really like most of the music you play,’ said the tall blonde woman with whom I share my life. ‘There are no tunes. Where are the tunes? A lot of it sounds like the sort of thing you’d hear in Topshop.’ I was outraged. Admittedly, the song playing at that moment — a droll little thing called ‘Boring’ by The Pierces — didn’t exactly boast a killer melody, but even so. Like any music obsessive worth his salt, I pride myself on my ability to spot a decent tune from 40 paces, even if many of them are couched within the acoustic, minor-key, vaguely melancholy textures I tend