How I wrote the newest Sherlock Holmes novel
It wasn’t so elementary, Watson
It wasn’t so elementary, Watson
Over more than a thousand pages, Ron Chernow identifies the emotional root system that fed the writer’s art
We Can Do Hard Things allows a chorus of voices into the Glennosphere
I was struck by the way the Blake Bailey combines the poignancy of decay with his gift for dryly comic observation
Christopher J. Scalia knows his audience and his light, avuncular style proves engaging throughout
More than 60 years after his death, the Oxford literature professor and writer is everywhere
Homework is openly billed as an antidote to memoirs full of derring-do but it does exactly what the essayist’s fans will want
Abundance is the old juicebox mafia’s definitive statement to the world in the second Trump era
You end John & Paul in understanding of their essential humanity
It is the great failure of Notes to John that it lacks the writer’s distinctive voice altogether
Ian Penman’s brief book takes us around the French composer’s life three times
At its dark, complex heart, the novel represents Patricia Highsmith at her most contradictory – and greatest
The Revolutionary Temper is a riveting synthesis of Robert Darnton’s life’s work
Jake Tapper’s book won’t shock anyone
The ideology that led to his attack shows no signs of being defeated any time soon
This book, apparently 20 years in the making, is the product of immense learning and shows a rare familiarity with its subject and his times
Half a century on, how does E.L. Doctorow’s great American novel fare?
Douglas Murray has authored a book for the ages
For all its flaws, The Emperor of Gladness is ultimately a worthwhile novel with a big heart
I didn’t enjoy I Regret Almost Everything