Arts Reviews

Founded 25 years ago, the History Channel quickly earned the nickname the ‘Hitler Channel’ for its relentless bombardment of World War Two programming. By the late-2000s, the ‘history' began to morph. With its crown jewels Pawn Stars, Ice Road Truckers and Ax Men, the channel adopted the not-very-historical slogan ‘History Made Everyday’. There were still historical programs, but they weren’t necessarily accurate, and the headliners were historically-based dramas like Vikings, Knightfall and the highly disappointing Sons of Liberty.The current lineup features Ancient Aliens, Swamp People, Project Blue Book and American Pickers.

First, Britney Spears was caught trying to pass off a 'Food Network' meal as her own cooking, then James Corden was caught on camera not driving the car on 'Carpool Karaoke', and now I find out ghostwriters are behind the acceptance speeches we just saw this awards season? Say it ain't so! After watching Brad Pitt’s acceptance speech at the Academy Awards last week, I commented to my wife how funny he was all awards season long and she showed me a Vulture article that suggests that Pitt doesn't write his speeches himself. The piece claims his 'representatives contacted at least one outside speechwriting agency to consult about engaging their services'.

Come friendly bombs and fall on Hollywood, it isn’t fit for doing good. Another year, another dreadful Oscars, another round of moral lectures from the beautiful people. It’s all so tiresome. The only reason most people pay attention to these irritating award ceremonies is precisely so that they can be irritated. So there was a vegan theme at this year’s Academy Awards. So the show had no host. So Brad Pitt is angry about impeachment. So someone said 'workers of the world unite'. So Joaquin Phoenix is mad (in all senses) about what mankind is doing to the animal kingdom. So Natalie Portman, in what she called ‘my subtle way’, had the names of the women directors who weren’t nominated for awards sewn into her dress. So what?

The aim of the documentary Taylor Swift: Miss Americana is about as subtle as a knee to the groin. The pop star, the film would have us think, was once constrained by her innocent and rather folksy image, but has seized control of her own destiny and become a far more political, outspoken and independent artist. As she has been doing so, of course, the viewer is meant to realize, America itself has been forced to abandon its pretensions to innocence and embrace a more radically progressive future. ‘Americana’ is less about charming rural quirks and more about self-expression and activism.Since abandoning her image as a purer than pure country warbler, Ms Swift has dabbled with styles.

Are we in our own revolutionary moment? Many of our leading institutions clearly believe so. Yale University has been working overtime to prove it is on the right side of history. ‘Problematic' colleges have been renamed. ‘Offensive’ stained-glass windows have been knocked out. Only the leadership of an Ivy League school could spread such a poisonous rash. Heading the charge against the Dead White Male has been a progressive Yale bureaucracy that is, for the most part, pale and stale. Now the task of dismantling Yale’s famous art history survey course has fallen to a scholar I respect, Tim Barringer. British-born, Barringer is the Paul Mellon Professor of the History of Art at Yale University and has been a leading curator at the Metropolitan Museum.

Last night I posted an incredibly innocuous tweet about Laurence Fox and the outrage it caused was predictably excessive. Now, for those of you not in the know, Laurence Fox is a privileged white British male actor who last week publicly said some of the most toxic and hateful things this country has heard in centuries. On the BBC’s political forum debate show, Question Time, Laurence was asked about his thoughts on the hateful racism Meghan Markle has been regularly subjected to from the British tabloids and his heartless response shocked the nation. I can hardly bear to type this, but he DENIED that any criticisms directed towards her were motivated by racism and called the UK...oh God...this is killing me...he called the UK a ‘lovely and tolerant country’. Jesus.

As per longstanding annual tradition, Hollywood yesterday woke up early to announce the 2020 Academy Awards nominees — and Twitter, as per slightly more recent annual tradition, woke up to be annoyed when the list of Oscar-worthy actors, writers, directors, and other filmmaking professionals was, as always, not particularly diverse. That this year's nominees could still be so overwhelmingly white and male was a particular slap in the face, especially since the Academy made a highly public move in 2019 to avoid exactly this outcome. July of last year saw the introduction of 842 new members, half of them women, into the Academy's voting ranks, with many spectators anticipating a wave of awards-season recognition for female and minority-led films as a result.

If you’re looking for answers as to why Joker, the Todd Phillips-helmed, gritty comic book Scorsese knock-off, garnered 11 Oscar nominations on top of being the highest-grossing R-rated film of all time, then buddy, this isn’t the piece for you. I don’t have an explanation. Joker is not a ruckus Marvel CGI theme ride. It’s an excruciating anxiety-inducing and unforgiving character study, a very good one along the lines of older cult callings like Henry: Portrait of a Serial Killer.

As Douglas Murray says, Sir Roger Scruton was as scintillating in conversation as he was on the page. It was typical of Roger’s generosity that in September 2018, a month in which he had no less than three books coming out, he gave up an afternoon to recording a Spectator USA podcast at his home, Sunday Hill Farm in Wiltshire. We originally published it under the headline ‘Knight of the Living Philosophers’. His death at 75 impoverishes us all. Scruton was more than a philosopher. He wrote widely and well on subjects as various as wine and Wagner, fox-hunting and free trade. That month, Scruton the philosopher had published Conservatism: An Invitation to the Great Tradition.