Cousteau was the boulevardier of the oceans
For Cousteau, scientific investigation, combined with the potential for good image-making, presented an unavoidable hazard to sea life
The good, bad and ugly in arts and exhbitions
For Cousteau, scientific investigation, combined with the potential for good image-making, presented an unavoidable hazard to sea life
In the Eighties, Japan had prosperity, optimism, loads of bizarre porn and the solace of technological gadgetry
How do you rein in the overactive bits of Manfred Honeck’s imagination without driving him away?
Part of what makes them special is the depth of their catalog
Shouldn’t my tastes have evolved in the past 13 years?
Poor Chet Baker. He really was born to be blue
As he collects nearly two decades of essays and criticism, Marco Grassi recalls a life in the art world
Robert Redford’s film festival goes virtual
Ken Burns’s Hemingway is a pleasant surprise
There probably is something here for everyone. But maybe only one thing
One hundred years on from the seminal Chaplin flick
‘Audiences worldwide want to be challenged, not dumbed down and patronized,’ says Tom Six
Rebellion used to be sexy, and bad used to be so, so good
Frederic Raphael wrote the script for Stanley Kubrick’s Eyes Wide Shut. Now he writes a personal letter to the director’s shade
Raised by Wolves reviewed
Whatever happened to the heroes?
Why can black actors play white roles but not the other way around?
Gates never once uttered the words ‘genocide’, ‘extermination’ or even ‘ethnic cleansing’ to describe Ottoman atrocities
Stupid Cupid or cancel-culture victim?
What Joss Whedon’s downfall tells us about the application of morality