Arts Reviews

Christopher Nolan’s latest film, Oppenheimer, is about the second biggest bang in history. Yet at its London premiere on Thursday, there was another explosion that, in its own way, was no less seismic than anything put on screen. Its star-studded cast, including Cillian Murphy, Emily Blunt, Matt Damon and Robert Downey Jr., assembled dutifully on the red carpet for interviews and selfies, but by the time that the film itself was about to screen, none of the actors were anywhere to be seen.  As Nolan said of his “incredible cast” in his introductory talk, “You’ve seen them here earlier on the red carpet.

You’d think that British-Japanese singer Rina Sawayama would muster up some new material for her concerts. Instead, for the second time in a month, she took the opportunity to “call out” 1975 frontman Matty Healy on stage, for laughing at a joke somebody else made months ago. How 2023! During her set at NOS Alive in Portugal on Saturday, Sawayama went on a rant during her performance of “STFU!,” her song about “dealing with microaggressions.”  “So I’ve been thinking a lot about apologies. Isn’t it funny how some people get away with not apologizing ever?” she said. “For saying some racist shit, for saying some sexist shit? So let’s try this: why don’t you apologize for once in your life without making it about your fucking self?

The trailer for Ridley Scott’s eagerly awaited magnum opus Napoleon has finally arrived — and it does not disappoint. Boasting what looks like another Oscar-worthy performance from Joaquin Phoenix, the trailer teases an intoxicating mixture of full-throttle battle scenes, executed and shot on a scale unparalleled in modern cinema, as well as insight into the complex psyche of the French emperor, to say nothing of his often-tortuous relationship with his wife Josephine (played here by Vanessa Kirby.)  https://www.youtube.com/watch?

For the past several days, the internet has been focused on the astounding Independence Day failure of Indiana Jones: The Dial of Destiny, which was beaten on its opening day by an anti-human trafficking indie movie starring Jim Caviezel, Sound of Freedom. Of course Indy 5 will, and already has, raked in far more than the Christian-themed film based on the true story of OUR Rescue founder Tim Ballard, but the latter film already made its $14 million budget back while going toe to toe with a $300 million CGI-laden Disney-Lucasfilm picture. But the real question people should be asking is: will this embarrassment finally be the end of Kathleen Kennedy?

Adam Devine, the star of the hit television series Workaholics and new Netflix movie The Out-Laws, recently gave some insight as to why comedies are hardly ever made by movie studios anymore. Devine appeared on the most recent episode of comedian Theo Von's podcast, This Past Weekend, where the pair discussed the downfall of comedy in movies. Devine, who also appeared in the Pitch Perfect series, surmised that high-budget superhero movies made comedies and other low-budget films less attractive to viewers spending money on theater tickets. He and Von also pointed out how movie executives try to force political and moral messages into their content — and that there is no longer "funny for funny's sake." "There's no hidden message," Devine said of his new movie.

At first glance, Sound of Freedom sounds as if it’s a Donald Trump re-election slogan for next year’s presidential battle. Yet, despite the presence of Jesus himself — The Passion of the Christ’s Jim Caviezel — in the lead role, Alejandro Monteverde’s new film has nothing to do with US politics. Instead, it revolves around that most hot button of controversial topics: child sex trafficking and the evils thereof. Caviezel stars as a real-life figure, Tim Ballard, who founded something called Operation Underground Railroad to rescue children from Latin American cartels and traffickers.

New DC head honcho James Gunn has found his Superman and Lois Lane, casting David Corenswet and Rachel Brosnahan in the iconic roles for his reboot of the franchise, Superman: Legacy. The choices seem surprisingly predictable for the off-the-wall Gunn, who reportedly had considered Nicholas Hoult for the cape. Instead, we get a rising star who has the physical look of Henry Cavill Jr. and an established actress in the Emmy- and Golden Globe-winning Brosnahan, who seems tailor-made to portray a wisecracking stronger Lois type. Cavill's tenure as Superman was frustrating for many fans and the actor as well. He seemed hampered by the movies built around him — Man of Steel with its controversial death toll, Batman v.

One of the few certainties about the second season of And Just Like That... is that the Sex and the City reboot is as heavy-handedly woke as the first. Gender-nonbinary podcaster Che Diaz is back, in all of their jargony groansome-ness. Quota-filling black folk are magically incanted with Afropunk-inspired names like Nya and Toussaint. Historically black colleges are blithely name-checked; the requisite trans high-schooler is given equitable airtime; and we even encounter an upcycled wedding dress that carries Carrie Bradshaw to the Met Ball with eco-friendly aplomb.

In just one short year, Amber Heard has transformed from arguably the most hated woman on the planet to some kind of new and improved Spanish celebrity. Amber moved to Madrid months after she was sued by her ex-husband, Johnny Depp, for defamation. In a viral TikTok video, Heard answers questions from reporters, saying in Spanish, "I love Spain so much."  When they asked if she plans on staying, she replied, "Yes, I hope so. Yes, I love living here." After being asked if she has movie projects on the horizon, she says yes and adds, "I move on. That's life." It turns out that exiling yourself to a new country for privacy can be an effective PR strategy. Take note, Harry and Meghan.

Kamala Harris wants you to know how much she loves Tina Turner. She loves her so much that she has wonderfully unique and joyous memories of listening to the Queen of Rock ’n’ Roll’s most famous hits growing up. “When I was a child, my mother would play “Proud Mary” on repeat as I danced around our living room, singing along into my toy microphone at the top of my lungs,” Harris wrote. Harris revealed this moment of rare vulnerability in a tribute to Turner published in Rolling Stones Tuesday. And reading Kamala’s tribute, Cockburn can’t help but think she considers herself the heir to Turner’s legacy. The constant sexism and racism that Turner overcame in the music industry must have inspired a young Harris’s calls for “Fweedom.

The success of the late Cormac McCarthy reached new heights in the spring of 2007, when mainstream audiences became familiar with his work through the Coen Brothers' film adaptation of No Country for Old Men, which would go on to win Best Picture, followed by the surprising choice of McCarthy's post-apocalyptic book The Road as the next selection in Oprah Winfrey's vaunted Book Club. The reclusive McCarthy did his first television interview ever with her that summer, to the shock of long-standing fans of his work.

When The Flash opens at cinemas this week, its production company DC Studios and distributor Warner Brothers will no doubt be hoping that attention is diverted away from its troubled, pronoun-wielding star Ezra Miller and towards its multiverse qualities. To the uninitiated, this sounds simply as if the studio has rounded up every actor who ever played Batman (save Christian Bale, who has wisely moved onto other things), chucked a Supergirl into the mix and even produced a truly bizarre Nicolas Cage cameo as Superman. Even Christopher Reeve appears, from beyond the grave. But to its now-desperate makers, mindful of the massive financial success of Spider-Man: No Way Home, the film has to succeed.

Pat Sajak has been a staple of American television for forty years as the host of The Wheel of Fortune. The seventy-six-year-old announced this week that the next season of Fortune will be his last. Then what? Will Sajak go quietly into retirement, cashing in on one of those Margaritaville family vacation giveaways his show contestants scream about wildly and jump up and down over? Sajak himself has — with the humor he’s known for — shed little light on his next move, tweeting, “It’s been a wonderful ride, and I’ll have more to say in the coming months. Many thanks to you all. (If nothing else, it’ll keep the clickbait sites busy!

The Sign in Sidney Brunstein’s Window — set in the blustering world of 1960s New York bohemia — deals with so many hot-button issues it is hard to keep up. Patriarchy, anti-Semitism, gay rights, slavery, sex work, suicide, drugs, adultery, racism. It’s all there.  But as I watched Anne Kauffman’s superb, and at times transcendent, Broadway revival, it dawned on me that one theme unites them all: corruption.  The play’s moment of truth hangs on the revelation that a local Manhattan politician who preaches progress is actually a crook. But on a smaller, equally devastating level, it is also about the corruption of marriage, of bodies, of values, of morals and of hope.