Bama Rush fails as anti-Greek life propaganda
Lacking a decent angle, the director uses herself as filler
The good, bad and ugly in arts and exhbitions
Lacking a decent angle, the director uses herself as filler
Andrew Neil on how, like Logan Roy, Murdoch runs his company ‘like a king’
The Roys bow out in style
She was something much more universal: a survivor
Scenes are rushed and hidden — and in the end, the musical is empty
Amanda Gorman’s poem got moved from the elementary-school section of a library to a middle-school one
The show is a prophetic a warning about AI and the pervasiveness of the internet
Her new song is more fire and brimstone than climate anthem
The show’s election night was gripping and realistic. Everything that follows is a hot mess
Watching it felt alarmingly like witnessing the death of scholarship
Bad Cinderella is a pumpkin, while Parade becomes an exercise in emotional torture porn
On the fortieth anniversary of her debut album, Madonna remains a good Catholic girl at heart
She provides a new lens to look at Impressionism
The National Gallery of Art has quietly but steadily undergone a major culture shift
She is bent on undermining every masculine hero
This most quixotic of performers doesn’t seem at all bothered by his fall from grace
The Craig films appear ‘made by people who are embarrassed to make a Bond film’
Her fans are mad that she’s dating ‘problematic’ 1975 singer Matty Healy
Never go full Newsroom …
The movie’s most authentic moment doesn’t involve Margaret at all. Judy Blume deserves better